Columbus, USA

Complete Recordings on Deutsche Grammophon & Decca

Artist name
Leonard Bernstein
Release date 2018

Tracklist

1
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
2
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
3
Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace
4
Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace
5
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
6
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
7
Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
8
Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
9
Symphony no. 2 in D major, op. 36: I. Adagio - Allegro con brio
10
Symphony no. 2 in D major, op. 36: II. Larghetto
11
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
12
Symphony no. 2 in D major, op. 36: IV. Allegro molto
13
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
14
Symphony no. 4 in B-flat major, op. 60: II. Adagio
15
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace
16
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
17
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
18
Symphony no. 5 in C minor, op. 67: II. Andante con moto
19
Symphony no. 5 in C minor, op. 67: III. Allegro
20
Symphony no. 5 in C minor, op. 67: IV. Allegro
21
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of Cheerful Feelings upon Arrival in the Country: Allegro ma non troppo
22
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso
23
Symphony No. 6 in F major, Op. 68 "Pastorale": III. Merry Gathering of Country Folk: Allegro
24
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Storm: Allegro
25
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto
26
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
27
Symphony no. 7 in A major, op. 92: II. Allegretto
28
Symphony no. 7 in A major, op. 92: III. Presto
29
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
30
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
31
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
32
Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto
33
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
34
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
35
Symphony no. 9 in D minor, op. 125: II. Molto vivace
36
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
37
Symphony no. 9 in D minor, op. 125: IV. Presto
38
Symphony no. 9 in D minor, op. 125: V. Presto "O Freunde, nicht diese Töne!" - Allegro assai
39
Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo
40
Ouvertüre zu "Coriolan", Op. 62
41
Ouvertüre zu "König Stephan", Op. 117
42
Fidelio, op. 72: Overture
43
Ouvertüre "Leonore III", Op. 72a
44
Ouvertüre zu "Die Geschöpfe des Prometheus" c-Moll, Op. 43
45
Ballet „Die Geschöpfe des Prometheus“ op. 43: no. 14 Solo della Signora Cassentini. Andante – Adagio – Allegro – Allegretto
46
Ballet „Die Geschöpfe des Prometheus“ op. 43: no. 5 Adagio – Andante quasi allegretto
47
Ballet „Die Geschöpfe des Prometheus“ op. 43: no. 16 Finale: Allegretto – Allegro molto – Presto
48
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
49
Piano Concerto no. 3 in C minor, op. 37: II. Largo
50
Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
51
Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato
52
Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto
53
Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace)
54
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
55
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto - attacca
56
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro
57
Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo
58
Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto
59
Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato
60
Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile...
61
Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto
62
Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante
63
Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro
64
Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto
65
Quartet for Strings No. 16 in F major, Op. 135: II. Vivace
66
Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo
67
Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)...
68
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison
69
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison
70
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison
71
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo
72
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi
73
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus
74
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris
75
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris
76
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum
77
Missa solemnis op. 123: III. Credo: Et incarnatus est
78
Missa solemnis op. 123: III. Credo: Et ascendit in coelum
79
Missa solemnis op. 123: III. Credo: Et vitam venturi saeculi
80
Missa solemnis op. 123: III. Credo: Amen, et vitam venturi saeculi
81
Missa solemnis op. 123: IV. Sanctus: Sanctus Dominus, Deus Sabaoth
82
Missa solemnis op. 123: IV. Sanctus: Pleni sunt coeli et terra
83
Missa solemnis op. 123: IV. Sanctus: Praeludium
84
Missa solemnis op. 123: IV. Sanctus: Benedictus qui venit in nomine Domini
85
Missa solemnis op. 123: V. Agnus Dei: Agnus Dei, qui tollis peccata mundi
86
Missa solemnis op. 123: V. Agnus Dei: Dona nobis pacem
87
Missa solemnis op. 123: V. Agnus Dei: Agnus Dei, qui tollis peccata mundi
88
Missa solemnis op. 123: V. Agnus Dei: Presto
89
Ouverture
90
Fidelio, Act I: No. 1 Duet: "Jetzt, Schätzchen, Jetzt Sind Wir Allein" (Jaquino, Marzelline)
91
Fidelio, Act I: "Armer Jaquino" (Marzelline)
92
Fidelio, Act I: No. 2 Aria: "O wär ich schon mit dir vereint" (Marzelline)
93
Fidelio, Act I: "Jaquino!" ... "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore)
94
Fidelio, Act I: No. 3 Quartet: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
95
Fidelio, Act I: "Höre, Fidelio!" (Rocco, Marzelline)
96
Fidelio, Act I: No. 4 Aria: "Hat man nicht auch Gold beineben" (Rocco)
97
Fidelio, Act I: "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline)
98
Fidelio, Act I: No. 5 Trio: "Gut Söhnchen, gut" (Rocco, Leonore, Marzelline)
99
Fidelio, Act I: No. 6 Marsch
100
Fidelio, Act I: "Drei Mann Schildwachen auf den Wall" (Pizarro, Rocco)
101
Fidelio, Act I: No. 7 Arie With Chorus: "Ha! Welch ein Augenblick!" (Pizarro, Chor)
102
Fidelio, Act I: "Hauptmann!" (Pizarro, Rocco)
103
Fidelio, Act I: No. 8 Duet: "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)
104
Fidelio, Act I: No. 9 Rezitative and Aria: "Abscheulicher! Wo eilst du hin ... Komm, Hoffnung" (Leonore)
105
Fidelio, Act I: "Marzelline!" ... "Nein, ich will nicht..." (Jaquino, Marzelline)
106
Fidelio, Act I: No. 10 Finale: "O welche Lust" (Prisoners' Chorus)
107
Fidelio, Act I: "Nun sprecht, wie ging's ... Noch heute, noch heute!" (Leonore, Rocco) / "Ach Vater, eilt" (Marzelline, Jaquino) / "Verwegner Alter!" (Pizarro, Rocco)
108
Fidelio, Act I: "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
109
Fidelio, Act II: No. 11 Introduktion und Aria: "Gott! Welch Dunkel hier! ... in des Lebens Frühlingstagen" (Florestan)
110
Fidelio, Act II: No. 12 Melodram and Duet: "Wie kalt ist es" (Leonore, Rocco) "Nur hurtig fort"(Rocco, Leonore)
111
Fidelio, Act II: "Er erwacht" (Leonore, Rocco, Florestan)
112
Fidelio, Act II: No. 13 Trio: "Euch werde Lohn" (Florestan, Rocco, Leonore)
113
Fidelio, Act II: "Alles ist Bereit" (Rocco, Leonore, Florestan, Pizarro)
114
Fidelio, Act II: No. 14 Quartet: "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) / "Vater Rocco! Der Herr Minister" / "Es schlägt der Rache Stunde" (Leonore, Florestan, Pizarro, Rocco)
115
Fidelio, Act II: No. 15 Duet: "O namenlose Freude" (Leonore, Florestan)
116
Fidelio, Act II: Ouvertüre "Leonore III" op. 72a
117
Fidelio, Act II: No. 16 Finale: "Heil sei dem Tag" (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Jaquino)
118
Ouvertüre "Leonore III" op. 72a: Adagio – Allegro
119
Overture & Concerto for Piano and Orchestra no. 4 in G major op. 58: I. Allegro moderato
120
Overture & Concerto for Piano and Orchestra no. 4 in G major op. 58: II. Andante con moto
121
Overture & Concerto for Piano and Orchestra no. 4 in G major op. 58: III. Rondo. Vivace
122
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
123
Symphony No. 5 in C minor, Op. 67: II. Andante con moto
124
Symphony no. 5 in C minor, op. 67: III. Allegro - attacca
125
Symphony No. 5 in C minor, Op. 67: IV. Allegro
126
Symphony No. 9 In D Minor, Op. 125 "Choral": I. Allegro Ma Non Troppo, Un Poco Maestoso
127
Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace
128
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile
129
Symphony no. 9 in D minor "Choral" op. 125: Presto – Recitativo: "O Freunde, nicht diese Töne!" – Allegro assai / Final Chorus From Schiller's Ode "To Joy"
130
Four Sea Interludes op. 33a: I. Dawn. Lento e tranquillo
131
Four Sea Interludes op. 33a: II. Sunday Morning. Allegro spiritoso
132
Four Sea Interludes op. 33a: III. Moonlight. Andante comodo e rubato
133
Four Sea Interludes op. 33a: IV. Storm. Presto con fuoco
134
Symphony no. 7 in A major op. 92: I. Poco sostenuto – Vivace
135
Symphony no. 7 in A major op. 92: II. Allegretto
136
Symphony no. 7 in A major op. 92: III. Presto
137
Symphony no. 7 in A major op. 92: IV. Allegro con brio
138
Symphony no. 1 "Jeremiah": I. Lamentation. Lento
139
Symphony no. 1 "Jeremiah": II. Profanation. Vivace con brio
140
Symphony no. 1 "Jeremiah": III. Lamentation. Lento
141
Chichester Psalms: Psalm 108 (verse 2); Psalm 100. Maestoso ma energico – Molto
142
Chichester Psalms: Psalm 23; Psalm 2 (verses 1-4). Andante con moto, ma tranquillo – Allegro feroce
143
Chichester Psalms: Psalm 131; Psalm 133 (verse 1). Prelude – Sostenuto molto – Peacefully Flowing
144
The Song of Songs: I. Awake, O North Wind. Allegro ma non troppo
145
The Song of Songs: II. Aria. Come My Beloved. Allegretto Con Moto
146
The Song of Songs: III. By Night on my Bed. Grave
147
The Song of Songs: IV. Set Me as a Seal Upon Thine Heart. Lento
148
Symphony no. 2 "The Age of Anxiety": Part I. The Prologue. Lento moderato
149
Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Variations 1-7
150
Symphony no. 2 "The Age of Anxiety": Part I. The Seven Stages. Variations 8-14
151
Symphony no. 2 "The Age of Anxiety": Part II. The Dirge. Largo
152
Symphony no. 2 "The Age of Anxiety": Part II. The Masque. Extremely fast
153
Symphony no. 2 "The Age of Anxiety": Part II. The Epilogue. L'istesso Tempo – Adagio – Andante – Con moto
154
Symphony no. 3 "Kaddish": I. Invocation. Adagio
155
Symphony no. 3 “Kaddish”: I: Kaddish 1: L’istesso tempo – Allegro molto
156
Symphony no. 3 “Kaddish”: II: Din‐Torah: Di nuovo adagio
157
Symphony no. 3 "Kaddish": II. Kaddish 2: Andante con tenerezza / Kaddish 3
158
Symphony no. 3 “Kaddish”: III: Scherzo: Presto scherzando, sempre pianissimo
159
Symphony no. 3 “Kaddish”: III: Finale: Adagio come nel Din‐Torah
160
Symphony no. 3 “Kaddish”: III: Allegro vivo, con gioia
161
Serenade after Plato's "Symposium": I. Phaedrus – Pausanias (Lento – Allegro Marcato)
162
Serenade after Plato's "Symposium": II. Aristophanes
163
Serenade after Plato's "Symposium": III. Erixymachus
164
Serenade after Plato's "Symposium": IV. Agathon
165
Serenade after Plato's "Symposium": V. Socrates – Alcibiades (Molto Tenuto – Allegro Molto Vivace)
166
Fancy Free: Big Stuff (Blues, beg.)
167
Fancy Free: I. Opening Dance. Enter Three Sailors
168
Fancy Free: II. Scene at the Bar
169
Fancy Free: III. Enter Two Girls
170
Fancy Free: IV. Pas de deux
171
Fancy Free: V. Competition Scene
172
Fancy Free: VI. Variation I: Galop
173
Fancy Free: VI. Variation II: Waltz
174
Fancy Free: VI. Variation III: Danzón
175
Fancy Free: VII. Finale
176
Fancy Free: Big Stuff (Blues)
177
Dybbuk – Suite no. 1: I. Invocation and Trance
178
Dybbuk – Suite no. 1: II. The Pledge
179
Dybbuk – Suite no. 1: III. Kabbalah
180
Dybbuk – Suite no. 1: IV. Possession
181
Dybbuk – Suite no. 1: V. Pas de deux
182
Dybbuk – Suite no. 1: VI. Exorcism
183
Dybbuk – Suite no. 2: I. The Messengers
184
Dybbuk – Suite no. 2: II. Leah
185
Dybbuk – Suite no. 2: III. 5 Kabbalah Variations
186
Dybbuk – Suite no. 2: IV. Dream
187
Songfest: I. Opening Hymn: To the Poem
188
Songfest: II. 3 Solos: The Pennycandystore Beyond the El
189
Songfest: II. 3 Solos: A Julia de Burgos
190
Songfest: II. 3 Solos: To What You Said ...
191
Songfest: III. 3 Ensembles: Duet: I, Too, Sing America / Okay "Negroes"
192
Songfest: III. 3 Ensembles: Trio: To My Dear and Loving Husband
193
Songfest: III. 3 Ensembles: Duet: Storyette H.M.
194
Songfest: IV. Sextet: "if you can't eat you got to"
195
Songfest: V. 3 Solos: Music I Heard With You
196
Songfest: V. 3 Solos: Zizi's Lament
197
Songfest: V. 3 Solos: What Lips My Lips Have Kissed ...
198
Songfest: VI. Closing Hymn: Israfel
199
Divertimento for Orchestra: I. Sennets and Tuckets. Allegro non troppo, ma con brio
200
Divertimento for Orchestra: II. Waltz. Allegretto, con grazia
201
Divertimento for Orchestra: III. Mazurka. Mesto (molto moderato)
202
Divertimento for Orchestra: IV. Samba. Allegro giusto
203
Divertimento for Orchestra: V. Turkey Trot. Allegretto, ben misurato
204
Divertimento for Orchestra: VI. Sphinxes. Adagio lugubre
205
Divertimento for Orchestra: VII. Blues. Slow Blues Tempo
206
Divertimento for Orchestra: VIII. March. The BSO Forever / Andante (In memoriam) – Doppio movimento (alla Marcia)
207
A Musical Toast. Allegro Con Brio
208
Slava! - A Political Overture. Fast And Flamboyant
209
On the Town: 3 Dance Episodes: I. The Great Lover. Allegro pesante
210
On the Town: 3 Dance Episodes: II. Lonely Town: Pas de deux. Andante sostenuto
211
On the Town: 3 Dance Episodes: III. Times Square: 1944. Allegro
212
Facsimile (Molto Adagio – Più Andante – Moderate Waltz Tempo – Sostenuto Assai – Allegretto – Subito Allegro – Andante – Adagio)
213
Halil
214
Mass: 3 Meditations: I. Lento assai, molto sostenuto
215
Mass: 3 Meditations: II. Andante sostenuto – Variations I–IV – Coda
216
Mass: 3 Meditations: III. Presto – Fast and Primitive – Molto adagio
217
On the Waterfront: Symphonic Suite: Andante (With Dignity) – Presto barbaro
218
On the Waterfront: Symphonic Suite: Adagio – Allegro molto agitato – Alla breve (Poco più mosso) – Presto come prima
219
On the Waterfront: Symphonic Suite: Andante Largamente – More Flowing – Lento
220
On the Waterfront: Symphonic Suite: Moving Forward – Largamente – Andante Come Prima
221
On the Waterfront: Symphonic Suite: Allegro non troppo, Molto Marcato – Poco Più Sostenuto
222
On the Waterfront: Symphonic Suite: A Tempo (Poco Più Sostenuto)
223
Prelude, Fugue and Riffs: I. Prelude (For the Brass). Fast and Exact
224
Prelude, Fugue and Riffs: II. Fugue (For the Saxes). Exactly the Same Beat
225
Prelude, Fugue and Riffs: Riffs (For Everyone)
226
Rhapsody in Blue
227
Prelude No. 2 for Piano
228
West Side Story: Symphonic Dances: Prologue. Allegro Moderato
229
West Side Story: Symphonic Dances: Somewhere. Adagio
230
West Side Story: Symphonic Dances: Scherzo. Vivace Leggerio
231
West Side Story: Symphonic Dances: Mambo. Presto
232
West Side Story: Symphonic Dances: Cha-Cha. Meno Mosso
233
West Side Story: Symphonic Dances: Meeting Scene. Meno Mosso
234
West Side Story: Symphonic Dances: Cool. Fugue. Allegretto
235
West Side Story: Symphonic Dances: Rumble. Molto Allegro
236
West Side Story: Symphonic Dances: Finale: Allegro
237
Tattoo: Moderato Maestoso – Più Mosso, Piacevole – Con Brio – Meno Mosso
238
Tattoo: Omaggio A Nicolò Paganini. Meno Mosso, Flessibile – Allegro – Meno Mosso, Amoroso – Vivace – Doppio Mov. (Tempo Primo)
239
Violin Concerto: I. Twilight. Free and Spacious – Attacca
240
Violin Concerto: II. Toccata-Chaconne. Very fast
241
Violin Concerto: III. Romance Without Words. Hardly Moving
242
Violin Concerto: IV. Midnight. Slow
243
Violin Concerto: V. Toccata-Rondo. Very Fast
244
Violin Concerto: VI. Dawn. Wistful
245
Concerto for Orchestra "Jubilee Games": I. Free-Style Events: Allegro Con Brio, Giocoso
246
Concerto for Orchestra "Jubilee Games": II. Mixed Doubles. Theme and 7 Variations
247
Concerto for Orchestra "Jubilee Games": III. Diaspora Dances. Vivace
248
Concerto for Orchestra "Jubilee Games": IV. Benediction. Moderato, Invocando
249
Candide, Act I: 1 Overture
250
Candide, Act I: 1a. Westphalia Chorale (Chorus)
251
Candide, Act I: 2. Life Is Happiness Indeed (Candide, Maximilian, Cunegonde, Paquette)
252
Candide, Act I: 3. The Best of All Possible Worlds (Pangloss, Candide, Cunegonde, Maximilian, Paquette)
253
Candide, Act I: 3a. Universal Good (Cunegonde, Paquette, Candide, Cunegonde)
254
Candide, Act I: 4. Oh Happy We (Candide, Cunegonde)
255
Candide, Act I: 5. It Must Be So (Candide's Meditation) (Candide)
256
Candide, Act I: 6. Westphalia (Chorus)
257
Candide, Act I: 6a. Battle Music
258
Candide, Act I: 7. Candide's Lament (Candide)
259
Candide, Act I: 8. Dear Boy (Pangloss, Chorus)
260
Candide, Act I: Auto-Da-Fé (What a Day) (Chorus, Bear-Keeper, Cosmetic Merchant, Doctor, Junkman, Alchemist, Pangloss, Candide, Grand Inquisitor, Inquisitors)
261
Candide, Act I: Candide Begins his Travels / It Must Be Me (Candide's Second Meditation) (Candide)
262
Candide, Act I: 11. The Paris Waltz
263
Candide, Act I: 12. Glitter and Be Gay (Cunegonde)
264
Candide, Act I: 13. You Were Dead, You Know (Candide, Cunegonde)
265
Candide, Act I: 14. I. Am Easily Assimilated (Old Lady's Tango) (Old Lady, Chorus)
266
Candide, Act I: 15. Quartet Finale (Candide, Cunegonde, Old Lady, Captain, Chorus)
267
Candide, Act II: 16. Universal Good
268
Candide, Act II: 17. My Love (Governor's Serenade) (Governor, Cunegonde)
269
Candide, Act II: 18. We Are Women (Polka) (Cunegonde, Old Lady)
270
Candide, Act II: 19. The Pilgrim's Procession / Alleluia (Maximiliam, Paquette, Candide, Chorus)
271
Candide, Act II: 20. Quiet (Old Lady, Cunegonde, Governor)
272
Candide, Act II: 21. Introduction to Eldorado
273
Candide, Act II: 22. The Ballad of Eldorado (Candide, Chorus)
274
Candide, Act II: 23. Words, Words, Words (Martin's Laughing Song) (Martin)
275
Candide, Act II: 24. Bon Voyage (Vanderdendur, chorus)
276
Candide, Act II: 25. The Kings' Barcarolle (Charles Edward, Candide, Hermann Augustus, Pangloss, Sultan Achmet, Tsar Ican, Stanislaus)
277
Candide, Act II: 26. Money, Money, Money (Venice Gambling Scene) (Croupier, Ferone, Chorus)
278
Candide, Act II: 27. What's the Use (Old Lady, Ragotski, Maximilian, Crook, Chorus)
279
Candide, Act II: 28. The Venice Gavotte (Croupier, Pangloss, Old Lady, Candide, Cunegonde)
280
Candide, Act II: 29. Nothing More Than This (Candide)
281
Candide, Act II: 30. Universal Good (Chiorus)
282
Candide, Act II: 31. Make Our Garden Grow (Candide, Cunegonde, Old Lady, Paquette, Governor, Maximiliam, Pangloss, Chorus)
283
West Side Story: Act I: 1. Prologue
284
West Side Story: Act I: 2. Jet Song (Riff, Jets)
285
West Side Story: Act I: 3. Something's Coming (Tony)
286
West Side Story: Act I: 4. The Dance at the Gym | Blues
287
West Side Story: Act I: Promenade
288
West Side Story: Act I: Mambo
289
West Side Story: Act I: Cha-Cha
290
West Side Story: Act I: Meeting Scene (Tony, Maria)
291
West Side Story: Act I: Jump
292
West Side Story: Act I: 5. Maria (Tony) (Tony, Maria)
293
West Side Story: Act I: 6. Balcony Scene (Tonight) (Tony, Maria)
294
West Side Story: Act I: 7. America (Anita, Rosalia, Girls)
295
West Side Story: Act I: 8. Cool (Riff, Jets)
296
West Side Story: Act I: 9. One Hand, One Heart (Tony, Maria)
297
West Side Story: Act I: 10. Tonight (Ensemble) (Riff, Bernardo, Anta, Tony, Martia, Sharks, Jets)
298
West Side Story: Act I: 11. The Rumble
299
West Side Story: Act II: 12. I Feel Pretty (Maria, Girls)
300
West Side Story: Act II: 13. Ballet Sequence (Beg.) | (Tony, Maria)
301
West Side Story: Act II: Transition to Scherzo
302
West Side Story: Act II: Scherzo
303
West Side Story: Act II: Somewhere (A Girl)
304
West Side Story: Act II: Procession and Nightmare (Entire Company)
305
West Side Story: Act II: 14. Gee, Officer Krupke (Jets)
306
West Side Story: Act II: 15. A Boy Like That (Anita, Maria)
307
West Side Story: Act II: I Have A Love (Maria, Anita)
308
West Side Story: Act II: 16. Taunting Scene
309
West Side Story: Act II: 17. Finale (Maria, Tony)
310
A Quiet Place: Act I: Prologue. Chorale: The Path of Truth Is Plain and Safe (Chorus, Voices in the Darkness)
311
A Quiet Place: Act I: Scene. Dialogues: I'm Sorry, Bill (Funeral Director, Bill, Susie, Analyst, Doc, Chorus, Mrs. Doc, François)
312
A Quiet Place: Act I: Scene. Readings: "Who Can Find a Virtuous Woman?" (Doc, Mrs. Doc, Dede, Chorus, Bill, Susie, François, Junior, Funeral Director, Analyst) / Chorale: God Has His Ways (Chorus)
313
A Quiet Place: Act I: Scene. Aria: You're Late (Sam)
314
A Quiet Place: Act I: Scene. Trio: Dear Daddy (Junior, Dede, François)
315
A Quiet Place: Act I: Scene. Finale: Merry Christmas to You Too (Junior, Sam, Dede, François)
316
A Quiet Place: Act I: Postlude
317
A Quiet Place: Act II: Scene 1. I Wish I. Could Sleep (Sam)
318
A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). Doa – Daa – Day – Day – (Trio)
319
A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). How Could You Say (Young Sam, Dinah)
320
A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). Yes? Oh, Mr. Partridge! (Young Sam, Trio)
321
A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). I Was Standing in A Garden (Dinah, Young Sam)
322
A Quiet Place: Act II: Scene 2: Trouble in Tahiiti (I). Well, of All People (Young Sam, Dinah)
323
A Quiet Place: Act II: Scene 3. "June Twelfth" (Sam, Dede, François, Junior, Chorus)
324
A Quiet Place: Act II: Scene 3. But First I'd Like to Sing You a Little Song (Junior, François, Dede, Chorus, Sam)
325
A Quiet Place: Act II: Scene 3. Quartet: My God, Dinah (Sam, Dede, François, Junior)
326
A Quiet Place: Act II: Scene 3. Love Scene: There Is So Much. Too Much (François, Dede) / Chorale: The Path of Truth Is Plain and Safe (Chorus)
327
A Quiet Place: Act II: Scene 4: Trouble in Tahiti (II). Skid A Lit Day (Trio)
328
A Quiet Place: Act II: Scene 4: Trouble in Tahiti (II). There's A Law (Young Sam)
329
A Quiet Place: Act II: Scene 4: Trouble in Tahiti (II). What A Movie! (Dinah, Trio)
330
A Quiet Place: Act II: Scene 4: Trouble in Tahiti (II). There's A Law (Young Sam, Trio, Dinah, Chorus)
331
A Quiet Place: Act III: Prelude
332
A Quiet Place: Act III: Scene. Morning! Good Morning! (Dede)
333
A Quiet Place: Act III: Scene. "The One and Only Cereal" (Junior, Dede, Chorus)
334
A Quiet Place: Act III: Scene. Tag 1: You're ... It! (Junior, Dede, François) / Trio: ... Around. Happy Twenty-first Birthday (Junior, Dede, François, Chorus) / Tag 2: Come On, Dede, It's Your Turn! (Junior, Sam, Dede, François, Chorus)
335
A Quiet Place: Act III: Scene. Hmm. Bye Bye (Voice [Dinah], Sam, Junior, Dede, François, Chorus)
336
A Quiet Place: Act III: Scene. "My Heart Shall Be ... Thy ... Garden" (Dede, Junior, Sam, Chorus, François)
337
Carmen : Prélude
338
Carmen : Acte I. « Sur la place, chacun passe » (Les Soldats, Moralès)
339
Carmen : Acte I. No. 2. March and Chorus of Urchins « Allez, dépêchez‐vous ! » … « Avec la garde montante » (Moralès, Chorus of Urchins, Zuniga, Don José)
340
Carmen : Acte I. « Dites‐moi, brigadier ? » (Zuniga, Don José)
341
Carmen : Acte I. No. 3. Chorus and Scene « Voici la cloche qui sonne » … « La cloche a sonné » (Don José, Chorus)
342
Carmen : Acte I. « Mais nous ne voyons pas la Carmencita » (Chorus, Carmen)
343
Carmen : Acte I. No. 4. Habanera « L’amour est un oiseau rebelle » (Carmen, Chorus)
344
Carmen : Acte I. No. 5. Scene « Carmen, sur tes pas » (Chorus)
345
Carmen : Acte I. « Monsieur le brigadier ? » (Micaëla, Don José) / No. 6. Duet « Parle‐moi de ma mère ! » (Don José, Micaëla)
346
Carmen : Acte I. « Attends un peu maintenant » (Don José, Micaëla)
347
Carmen : Acte I. No. 7. Chorus « Eh bien ! Qu’est‐ce‐qui arrive ? » … « Au secours ! » (Chorus, Zuniga)
348
Carmen : Acte I. « Eh bien, brigadier ? » (Zuniga, Don José) / No. 8. Chanson and Melodrama « Tra la la la … » (Carmen, Zuniga, Chorus, Don José)
349
Carmen : Acte I. No. 9. Chanson and Duet « Près des remparts de Séville » (Carmen, Don José)
350
Carmen : Acte I. No. 10. Finale: « Le lieutenant ! Prenez garde ! » … « L’amour est enfant de bohème » (Don José, Zuniga, Carmen)
351
Carmen : Acte I. Entr’acte
352
Carmen : Acte II. No. 11. Chanson « Les tringles des sistres tintaient » (Carmen, Frasquita, Mercédès)
353
Carmen : Acte II. « Mon Dieu, messieurs, il commence à se faire tard » (Pastia, Zuniga, Mercédès, Carmen)
354
Carmen : Acte II. No. 12. Chorus and Ensemble « Vivat le toréro ! » (Chorus, Zuniga, Mercédès, Frasquita, Pastia)
355
Carmen : Acte II. No. 13 Couplets « Votre toast… Je peux vous le rendre »
356
Carmen : Acte II. « Dis‐moi ton nom » (Escamillo, Carmen, Pastia, Zuniga)
357
Carmen : Acte II. No. 13bis. Chorus « Toréador, en garde »
358
Carmen : Acte II. « Eh bien, vite, quelles nouvelles ? » (Frasquita, Dancaïre, Remendado, Mercédès)
359
Carmen : Acte II. No. 14. Quintet « Nous avons en tête une affaire ! » (Dancaïre, Frasquita, Mercédès, Carmen, Remendado)
360
Carmen : Acte II. « Amoureuse … ce n’est pas une raison, cela » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) / No. 15. Chanson: “Halte‐là! Qui va là?” (Don José) / “Écoutez, le voilà” (Carmen, Mercédès, Remendado, Dancaïre)
361
Carmen : Acte II. No. 16. Duet « Je vais danser en votre honneur » (Carmen, Don José)
362
Carmen : Acte II. « La fleur que tu m’avais jetée » (Don José)
363
Carmen : Acte II. « Non, tu ne m’aimes pas ! » (Carmen, Don José)
364
Carmen : Acte II. No. 17. Finale « Holà ! Carmen ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Chorus)
365
Carmen : Acte II. Entr’acte
366
Carmen : Acte III. No. 18. Introduction « Écoute, compagnon … Notre métier est bon » (Chorus, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)
367
Carmen : Acte III. « Voyons, Carmen … faisons la paix » (Don José, Carmen)
368
Carmen : Acte III. No. 19. Trio « Mêlons ! Coupons ! » (Frasquita, Mercédès, Carmen)
369
Carmen : Acte III. « Carreau, pique … la mort ! » … « En vain pour éviter les réponses amères » (Carmen)
370
Carmen : Acte III. « Parlez encore, parlez, mes belles » (Frasquita, Mercédès, Carmen)
371
Carmen : Acte III. « Holà, les belles ! » (Dancaïre, Carmen, Remendado, Frasquita, Mercédès, Don José)
372
Carmen : Acte III. No. 20. Ensemble « Quant au douanier » (Frasquita, Mercédès, Carmen, Chorus)
373
Carmen : Acte III. No. 21. Aria « Je dis que rien ne m’épouvante » (Micaëla)
374
Carmen : Acte III. « Qui va là ? » (Don José) / No. 22. Duet « Je suis Escamillo » (Escamillo, Don José)
375
Carmen : Acte III. No. 23. Finale « Holà ! Holà ! José! » (Carmen, Escamillo, Dancaïre, Don José, Chorus, Micaëla)
376
Carmen : Acte III. « Moi ? Je viens te chercher » (Micaëla, Carmen, Don José, Chorus, Escamillo
377
Carmen : Acte III. Entr’acte
378
Carmen : Acte IV. No. 24. Chorus « À deux cuartos ! »
379
Carmen : Acte IV. No. 25. Chorus and Scene « Les voici ! Voici la quadrille » (Chorus)
380
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Chorus)
381
Carmen : Acte IV. « Carmen, un bon conseil » (Frasquita, Carmen, Mercédès)
382
Carmen : Acte IV. No. 26. Final Duet « C’est toi ! » – « C’est moi ! » (Carmen, Don José, Chorus)
383
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro
384
Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
385
Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
386
Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio
387
Symphony no. 2 in D major, op. 73: I. Allegro non troppo
388
Symphony no. 2 in D major op. 73: II. Adagio non troppo – L'istesso tempo, ma grazione
389
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso
390
Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
391
Academic Festival Overture op. 80. Allegro – L'istesso tempo, Un poco maestoso – Animato – Maestoso)
392
Symphony no. 3 in F major, op. 90: I. Allegro con brio
393
Symphony no. 3 in F major, op. 90: II. Andante
394
Symphony no. 3 in F major, op. 90: III. Poco allegretto
395
Symphony no. 3 in F major, op. 90: IV. Allegro
396
Variations in B flat major on a Theme by Joseph Haydn op. 56a
397
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
398
Symphony no. 4 in E minor, op. 98: II. Andante moderato
399
Symphony no. 4 in E minor op. 98: III. Allegro giocoso – Poco meno presto – Tempo I
400
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Piu Allegro
401
Tragic Overture op. 81. Allegro non troppo – Molto più moderato – Tempo primo
402
Concerto for Piano and Orchestra no. 1 in D minor op. 15: I. Maestoso – Poco più moderato
403
Concerto for Piano and Orchestra no. 1 in D minor op. 15: II. Adagio
404
Concerto for Piano and Orchestra no. 1 in D minor op. 15: III. Rondo. Allegro non troppo
405
Concerto for Piano and Orchestra no. 2 in B flat major op. 83: I. Allegro non troppo
406
Concerto for Piano and Orchestra no. 2 in B flat major op. 83: II. Allegro Appassionato
407
Concerto for Piano and Orchestra no. 2 in B flat major op. 83: III. Andante
408
Concerto for Piano and Orchestra no. 2 in B flat major op. 83: IV. Allegretto Grazioso
409
Concerto for Violin and Orchestra in D major, Op. 77- I. Allegro non troppo
410
Concerto for Violin and Orchestra in D major, Op. 77- II. Adagio
411
Concerto for Violin and Orchestra in D major op. 77: III. Allegro Giocoso, ma non troppo Vivaceo – Poco Più Presto
412
Concerto for Violin, Violoncello and Orchestra in A minor op. 102 "Double": I. Allegro
413
Concerto for Violin, Violoncello and Orchestra in A minor op. 102 "Double": II. Andante
414
Concerto for Violin, Violoncello and Orchestra in A minor op. 102 "Double": III. Vivace non troppo
415
Symphony no. 9 in D minor: I. Feierlich, misterioso
416
Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell
417
Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich
418
Appalachian Spring: Suite for Orchestra
419
American Festival Overture: Allegro con spirito
420
Adagio for Strings: Molto adagio
421
"Candide" Overture (Allegro Molto Con Brio)
422
Symphony no. 3: I. Molto Moderato
423
Symphony no. 3: II. Allegro Molto
424
Symphony no. 3: III. Andantino Quasi Allegretto
425
Symphony no. 3: IV. Molto Deliberato (Fanfare) – Allegro Risoluto
426
Quiet City
427
El Salón México (Allegro vivace – Moderato – Allegro vivace – Moderato molto)
428
Concerto for Clarinet and String Orchestra With Harp and Piano: I. Slowly and Expressively
429
Concerto for Clarinet and String Orchestra With Harp and Piano: II. Rather Fast
430
Music for Theatre: I. Prologue: Molto moderato
431
Music for Theatre: II. Dance: Allegro molto
432
Music for Theatre: III. Interlude: Lento moderato
433
Music for Theatre: IV. Burlesque: Allegro vivo
434
Music for Theatre: V. Epilogue: Moderato – Molto moderato – Lento Molto
435
Connotations for Orchestra: Intenso, drammatico – Subito allegro – Moderato, liberamente (con incanto) – Moderato lirico e cantabile – Subito allegro – Subito a tempo come primo)
436
Images pour orchestre: I. Gigues
437
Images pour orchestre: III. Rondes de printemps
438
Images pour orchestre: II. Ibéria: a. Par les rues et par les chemins
439
Images pour orchestre: II. Ibéria: b. Les parfums de la nuit
440
Images pour orchestre: II. Ibéria: c. Le matin d'un jour de fête
441
Prélude à l'après-midi d'un faune
442
La Mer: I. De l'aube à midi sur la mer
443
La Mer: II. Jeux de vagues
444
La Mer: III. Dialogue du vent et de la mer
445
Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto
446
Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
447
Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace
448
Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
449
Slavonic Dances, op. 46: No. 1 in C major. Presto
450
Slavonic Dances, op. 46: No. 3 in A-flat major. Poco Allegro
451
Slavonic Dances, op. 46: No. 8 in G minor. Presto
452
Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro
453
Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio ma non troppo
454
Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale: Allegro moderato
455
Schelomo, Hebraic Rhapsody for Violoncello & Orchestra: Lento moderato – Andante moderato – Allegro moderato – Allegro – Andante moderato
456
Variations on an Original Theme "Enigma," op. 36: Enigma. Andante
457
Variations on an Original Theme "Enigma," op. 36: I. "C.A.E." L'istesso tempo
458
Variations on an Original Theme "Enigma," op. 36: II. "H.D.S.-P." Allegro
459
Variations on an Original Theme "Enigma," op. 36: III. "R.B.T." Allegretto
460
Variations on an Original Theme "Enigma," op. 36: IV. "W.M.B." Allegro di molto
461
Variations on an Original Theme "Enigma," op. 36: V. "R.P.A." Moderato
462
Variations on an Original Theme "Enigma," op. 36: VI. "Ysobel" Andantino
463
Variations on an Original Theme "Enigma," op. 36: VII. "Troyte" Presto
464
Variations on an Original Theme "Enigma," op. 36: VIII. "W.N." Allegretto
465
Variations on an Original Theme "Enigma," op. 36: IX. "Nimrod." Adagio
466
Variations on an Original Theme "Enigma," op. 36: X. "Dorabella." Intermezzo: Allegretto
467
Variations on an Original Theme "Enigma," op. 36: XI. "G.R.S." Allegro di molto
468
Variations on an Original Theme "Enigma," op. 36: XII. "B.G.N." Andante
469
Variations on an Original Theme "Enigma," op. 36: XIII. "***." Romanza: Moderato
470
Variations on an Original Theme "Enigma," op. 36: XIV. "E.D.U." Finale: Allegro – Presto
471
Pomp and Circumstance, op. 39: no. 1 in D major. Allegro, con molto fuoco – Trio. Largamente – Molto maestoso
472
Pomp and Circumstance, op. 39: no. 2 in A minor. Allegro molto
473
The Crown of India, op. 66: "March of the Mogul emperors." Moderato maestoso – Marziale – Pomposo pomposo
474
Symphony in D minor: I. Lento – Allegro non troppo
475
Symphony in D minor: II. Allegretto – attacca
476
Symphony in D minor: III. Allegro non troppo
477
Le Rouet d'Omphale (poème symphonique), op. 31: Andantino – Allegro – Tranquillo e scherzando
478
Symphony no. 3 in G minor, op. 42: I. Allegro vivo
479
Symphony no. 3 in G minor, op. 42: II. Adagio
480
Symphony no. 3 in G minor, op. 42: III. Vivace
481
Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito
482
Symphony no. 3 (in one movement)
483
Symphony no. 3: Part I. Passacaglia
484
Symphony no. 3: Part I. Fugue
485
Symphony no. 3: Part II. Chorale
486
Symphony no. 3: Part II. Toccata
487
Symphony no. 88 in G major, hob. I:88: I. Adagio – Allegro
488
Symphony no. 88 in G major, hob. I:88: II. Largo
489
Symphony no. 88 in G major, hob. I:88: III. Menuetto – Trio
490
Symphony no. 88 in G major, hob. I:88: IV. Finale: Allegro con spirito
491
Symphony no. 92 in G major "Oxford," Hob. I:92: I. Adagio – Allegro spiritoso
492
Symphony no. 92 in G major "Oxford," Hob. I:92: II. Adagio
493
Symphony no. 92 in G major "Oxford," Hob. I:92: III. Menuet – Trio
494
Symphony no. 92 in G major "Oxford," Hob. I:92: IV. Finale: Presto
495
I. Adagio Cantabile – Vivace Assai
496
II Andante
497
III. Menuett – Trio
498
IV. Finale
499
I Allegro
500
II Andante
501
III. Allegro Con Spirito
502
Die Schöpfung, Part I, The First Day: 1. The Representation of Chaos
503
Die Schöpfung, Part I, The First Day: 2. Recitative (Raphael, Uriel) & Chorus: „Im Anfange schuf Gott Himmel und Erde“ – „Und der Geist Gottes“
504
Die Schöpfung, Part I, The First Day: 3. Aria (Uriel) & Chorus: „Nun schwanden vor dem heiligen Strahle“ – „Verzweiflung, Wut und Schrecken“
505
Die Schöpfung, Part I, The Second Day: 4. Accompanied Recitative (Raphael): „Und Gott machte das Firmament“
506
Die Schöpfung, Part I, The Second Day: 5. Solo (Gabriel) with Chorus: „Mit Staunen sieht das Wunderwerk“ – „Und laut ertönt aus ihren Kehlen“
507
Die Schöpfung, Part I, The Third Day: 6. Recitative (Raphael): „Und Gott sprach: ‚Es sammle sich das Wasser‘“
508
Die Schöpfung, Part I, The Third Day: 7. Aria (Raphael): „Rollend in schäumenden Wellen“
509
Die Schöpfung, Part I, The Third Day: 8. Recitative (Gabriel): „Und Gott sprach: ‚Es bringe die Erde Gras hervor‘“
510
Die Schöpfung, Part I, The Third Day: 9. Aria (Gabriel): „Nun beut die Flur“
511
Die Schöpfung, Part I, The Third Day: 10. Recitative (Uriel): „Und die himmlischen Heerscharen verkündigten“
512
Die Schöpfung, Part I, The Third Day: 11. Chorus: „Stimmt an die Saiten“
513
Die Schöpfung, Part I, The Fourth Day: 12. Recitative (Uriel): „Und Gott sprach: ‚Es sei'n Lichter an der Feste des Himmels‘“
514
Die Schöpfung, Part I, The Fourth Day: 13. Accompanied Recitative (Uriel): „In vollem Glanze steiget jetzt“
515
Die Schöpfung, Part I, The Fourth Day: 14. Chorus & Trio (Gabriel, Uriel, Raphael): „Die Himmel erzählen die Ehre Gottes“ / „Dem kommenden Tage sagt es der Tag“
516
Die Schöpfung, Part II, The Fifth Day: 15. Recitative (Gabriel): „Und Gott sprach: ‚Es bringe das Wasser in der Fülle hervor‘“
517
Die Schöpfung, Part II, The Fifth Day: 16. Aria (Gabriel): „Auf starkem Fittiche schwinget sich der Adler stolz“
518
Die Schöpfung, Part II, The Fifth Day: 17. Accompanied Recitative (Raphael): „Und Gott schuf große Walfische“
519
Die Schöpfung, Part II, The Fifth Day: 18. Recitative (Raphael): „Und die Engel rührten ihr' unsterblichen Harfen“
520
Die Schöpfung, Part II, The Fifth Day: 19. Trio (Gabriel, Uriel, Raphael) & Chorus: „In holder Anmut stehn“ / „Der Herr ist groß in seiner Macht“
521
Die Schöpfung, Part III, The Sixth Day: Recitative (Gabriel): „Und Gott Sprach: Es Bringe Die Erde Hervor“
522
Die Schöpfung, Part III, The Sixth Day: Accompanied Recitative (Uriel): „Gleich Öffnet Sich Der Erde Schoß“
523
Die Schöpfung, Part III, The Sixth Day: Aria (Raphael): „Nun Scheint in Vollem Glanze Der Himmel“
524
Die Schöpfung, Part III, The Sixth Day: Recitative (Uriel): „Und Gott Schuf Den Menschen“
525
Die Schöpfung, Part III, The Sixth Day: Aria (Uriel): „Mit Würd' Und Hoheit Angetan“
526
Die Schöpfung, Part III, The Sixth Day: Recitative (Raphael): „Und Gott Sah Jedes Ding“
527
Die Schöpfung, Part III, The Sixth Day: Chorus and Trio (Gabriel, Uriel, Raphael): „Vollendet Ist Das Große Werk“ / "Zu Dir, O Herr, Blickt Alles Auf"
528
Die Schöpfung, Part III, The Sixth Day: Accompanied Recitative (Uriel): „Aus Rosenwolken Bricht“
529
Die Schöpfung, Part III, The Sixth Day: Duet (Eva, Adam) With Chorus: „Von Deiner Güt', O Herr Und Gott“ / "Gesegnet Sei Des Herren Macht"
530
Die Schöpfung, Part III, The Sixth Day: Recitative (Adam): „Nun Ist Die Erste Pflicht Erfüllt“
531
Die Schöpfung, Part III, The Sixth Day: Duet (Eva, Adam): „Holde Gattin, Dir Zur Seite“
532
Die Schöpfung, Part III, The Sixth Day: Recitative (Uriel): „O Glücklich Paar, Und Glücklich Immerfort“
533
Die Schöpfung, Part III, The Sixth Day: Chorus: „Singt Dem Herren Alle Stimmen“
534
Symphony No. 102 in B-Flat Major, Hob.I:102: I. Largo - Vivace
535
Symphony No. 102 in B-Flat Major, Hob.I:102: II. Adagio
536
Symphony no. 102 in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio
537
Symphony No. 102 in B-Flat Major, Hob.I:102: IV. Finale - Presto
538
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Kyrie. Largo – Allegro Moderato
539
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Gloria: Gloria in Excelsis Deo. Vivace
540
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Gloria: Qui Tollis Pecca Mundi. Adagio
541
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Gloria: Quoniam tu solus sanctis. Allegro / Gloria: Cum Sancto Spiritu. Più stretto
542
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Credo: Credo in unum Deum. Allegro
543
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Credo: Et incarnatus est. Adagio
544
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Credo: Et resurrexit tertia die. Allegro
545
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Credo: Et vitam venturi saeculi. Vivace
546
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Sanctus: Sanctus Dominus. Adagio / Sanctus: Pleni Sunt Coeli – Osanna in Excelsis. Allegro Con Spirito
547
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Benedictus: Benedictus qui venit in nomine Domini – Osanna in excelsis. Andante
548
Missa in Tempore Belli „Paukenmesse“ Hob. XXII:9: Agnus Dei: Agnus Dei, qui tollis peccata mundi. Adagio / Agnus Dei: Dona nobis pacem. Allegro con spirito
549
Symphony "Mathis Der Maler": I. Engelkonzert. Ruhig Bewegt
550
Symphony "Mathis Der Maler": II. Grabelgung. Sehr Langsam
551
Symphony "Mathis Der Maler": III. Versuchung Des Heiligen Antonius. Sehr Langsam, Frei Im Zeitmaß – Sehr Lebhaft
552
Concert Music for String Orchestra and Brass, op 50: Part I. | Mäßig Schnell, Mit Kraft
553
Concert Music for String Orchestra and Brass, op 50: Sehr Breit, Aber Stets Fließend
554
Concert Music for String Orchestra and Brass, op 50: Part II. | Lebhaft
555
Concert Music for String Orchestra and Brass, op 50: Langsam
556
Concert Music for String Orchestra and Brass, op 50: Im Ersten Zeitmaß – Lebhaft
557
Symphonic Metamorphoses On Themes By Carl Maria von Weber: I. Allegro
558
Symphonic Metamorphoses On Themes By Carl Maria von Weber: II. "Turandot, Scherzo". Moderato – Lebhaft
559
Symphonic Metamorphoses On Themes By Carl Maria von Weber: III. Andantino
560
Symphonic Metamorphoses On Themes By Carl Maria von Weber: IV. Marsch
561
Symphony no. 2: I. Andante Moderato
562
Symphony no. 2: II. Allegro
563
Symphony No. 2: III Adagio cantabile
564
Symphony no. 2: IV. Lento Maestoso
565
Symphony no. 2: V. Allegro Molto Vivace
566
The Gong On the Hook and Ladder Or Firemen's Parade On Main Street (Allegro)
567
Tone Roads no. 1 (Allegro)
568
Hymn. Largo Cantabile From A Set of 3 Short Pieces
569
Hallowe'en From 3 Outdoor Scenes (Allegretto to Presto)
570
Central Park in the Dark (Molto Adagio)
571
The Unanswered Question (Largo Molto Sempre)
572
A Faust Symphony S. 108: I. Faust
573
A Faust Symphony S. 108: II. Gretchen
574
A Faust Symphony S. 108: III Mephistopheles / Final Chorus „Alles Vergängliche Ist Nur Ein Gleichnis“
575
Mefistofele: Prologue in Cielo: I. Tempo. Preludio e coro
576
Mefistofele: Prologue in Cielo: II Tempo. Scherzio strumentale / "Ave, Signor"
577
Mefistofele: Prologue in Cielo: Intermezzo Drammatico / "T'è noto Faust?"
578
Mefistofele: Prologue in Cielo: III. Tempo. Scherzo vocale / "Siam nimbi volanti dai limbi"
579
Mefistofele: Prologue in Cielo: IV. Tempo. Salmodia finale / "Salve Regina! S'innalzi un'eco"
580
Symphony no. 1 "Titan": I. Langsam. Schleppend, Wie Ein Naturlaut – Immer Sehr Gemächlich
581
Symphony no. 1 "Titan": II. Kräftig Bewegt, Doch Nicht Zu Schnell – Trio. Recht Gemächlich
582
Symphony no. 1 "Titan": III. Feierlich Und Gemessen, Ohne Zu Schleppen
583
Symphony no. 1 "Titan": IV. Stürmisch Bewegt – Energisch – Sehr Gesangvoll – Wieder Wie Zu Anfang. Stürmisch Bewegt – Sehr Langsam – Höchste Kraft. Wieder Vorwärts Drängend – Triumphal (Nicht Eilen)
584
Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Mit Durchaus Ernstem Und Feierlichem Ausdruck
585
Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Sehr Mäßig Und Zurückhaltend
586
Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Schnell
587
Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Tempo I. - Gustav Mahler (6 Bars After Fig. 20)
588
Symphony no. 2 "Resurrection": I. Allegro Maestoso (Totenfeier): Tempo Sostenuto
589
Symphony no. 2 "Resurrection": II. Andante Moderato: Sehr Gemächlich
590
Symphony no. 2 "Resurrection": II. Andante Moderato: Nicht Eilen. Sehr Gemächlich - Gustav Mahler (1 Bar Before Fig. 3)
591
Symphony no. 2 "Resurrection": II. Andante Moderato: in Tempo I. Zurückkehren
592
Symphony no. 2 "Resurrection": II. Andante Moderato: Energisch Bewegt
593
Symphony no. 2 "Resurrection": II. Andante Moderato: Wieder Ins Tempo Zurückgehen. Tempo I.
594
Symphony no. 2 "Resurrection": III. [Scherzo]: In Ruhig Fließender Bewegung
595
Symphony no. 2 "Resurrection": III. [Scherzo]: Sehr Getragen Und Gesangvoll
596
Symphony no. 2 "Resurrection": III. [Scherzo]: Zum Tempo I. Zurückkehren
597
Symphony no. 2 "Resurrection": IV. "Urlicht." Sehr Feierlich, Aber Schlicht. Nicht Schleppen. "O Röschen Rot!"
598
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Wild Herausfahrend
599
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Langsam (Fig. 3)
600
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Im Anfang Sehr Zurückgehalten (Fig. 7)
601
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Wieder Sehr Breit
602
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Molto Ritenuto. Maestoso - Gustav Mahler (3 Bars Before Fig. 14)
603
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Wieder Zurückhaltend
604
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Sehr Langsam Und Gedehnt
605
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Langsam. Misterioso. "Auferstehn, Ja Auferstehn Wirst Du"
606
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Langsam ppp. Nicht Schleppen. "Wieder Aufzublühen, Wirst Du Gesät!"
607
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Etwas Bewegter: "O Glaube, Mein Herz, O Glaube" (Fig. 39)
608
Symphony no. 2 "Resurrection": V. Im Tempo Des Scherzos: Mit Aufschwung, Aber Nicht Eilen. "O Schmerz! Du Alldurchdringer"
609
Symphony no. 3: Part I. Kräftig. Entscheiden
610
Symphony no. 3: Part I. Immer Das Gleiche Tempo
611
Symphony no. 3: Part I. Tempo I.
612
Symphony no. 3: Part I. Zeit Lassen
613
Symphony no. 3: Part I. Zeit Lassen
614
Symphony no. 3: Part I. Immer Dasselbe Tempo. (Marsch.) Nicht Eilen
615
Symphony no. 3: Part I. Im Alten Marschtempo (Allegro Moderato)
616
Symphony no. 3: Part I. Tempo I.
617
Symphony no. 3: Part II. Tempo Di Menuetto. Sehr Mäßig. Grazioso. Ja Nicht Eilen!
618
Symphony no. 3: Part II. L'istesso Tempo
619
Symphony no. 3: Part II. A Tempo. (Wie Im Anfang)
620
Symphony no. 3: Part II. Ganz Plõtzlich Gemächlich. Tempo Di Menuetto
621
Symphony no. 3: Part III. Comodo. Scherzando. Ohne Hast
622
Symphony no. 3: Part III. Wieder Sehr Gemächlich, Wie Zu Anfang
623
Symphony no. 3: Part III. Etwas Zurueckhaltend
624
Symphony no. 3: Part III. Schnell Und Schmetternd Wie Eine Fanfare – Tempo I. Mit Geheimnisvoller Hast
625
Symphony no. 3: Part III. Wieder Sehr Gemächlich, Beinahe Langsam
626
Symphony no. 3: IV. Sehr Langsam. Misterioso ppp "O Mensch! Gib Acht" (Alto Solo)
627
Symphony no. 3: IV. Più Mosso Subito
628
Symphony no. 3: V. Lustig Im Tempo Und Keck Im Ausdruck: "Bimm Bamm. Es Sungen Drei Engel" (Chorus, Alto Solo)
629
Symphony No. 3: VI. Langsam. Ruhevoll. Empfunden
630
Symphony no. 3: VI. Nicht Mehr So Breit
631
Symphony no. 3: VI. Tempo I. Ruhevoll
632
Symphony no. 3: VI. Nicht Mehr So Breit
633
Symphony no. 3: VI. Tempo I.
634
Symphony no. 3: VI. Langsam. Tempo I.
635
Symphony no. 4: I. Bedächtig. Nicht Eilen – Recht Gemächlich
636
Symphony no. 4: II. in Gemächlicher Bewegung. Ohne Hast
637
Symphony no. 4: III. Ruhevoll (Poco Adagio) – Allegretto Subito (Nicht Eilen) – Allegro Subito – Andante Subito
638
Symphony no. 4: IV. Sehr Behaglich: "Wir Genießen Die Himmlischen Freuden" (Soprano Solo)
639
Symphony no. 5, Part I: I. Trauermarsch. in Gemessenem Schritt. Streng. Wie Ein Kondukt – Plötzlich Schneller. Leidenschaftlich. Wild – Tempo I.
640
Symphony no. 5, Part I: II. Stürmisch Bewegt. Mit Größter Vehemenz – Bedeutend Langsamer – Tempo I. Subito
641
Symphony no. 5, Part II: III. Scherzo. Kräftig, Nicht Zu Schnell
642
Symphony no. 5, Part III: IV. Adagietto. Sehr Langsam – Attacca
643
Symphony no. 5, Part III: V. Rondo-Finale: Allegro – Allegro Giocoso. Frisch – Allegro Comodo (Subito) – Allegro Molto
644
Symphony no. 6 "Tragic": I. Allegro Energico, ma non troppo. Heftig Aber Markig
645
Symphony no. 6 "Tragic": II. Scherzo. Wuchtig – [Trio.] Altväterisch. Grazioso
646
Symphony no. 6 "Tragic": III. Andante Moderato
647
Symphony no. 6 "Tragic": IV. Finale: Allegro Moderato – Allegro Energico
648
Symphony no. 7, I: Langsam (Adagio)
649
Symphony no. 7, I: Nicht Schleppen
650
Symphony no. 7, I: Allegro Risoluto, ma non troppo
651
Symphony no. 7, I: A Tempo (Sempre L'istesso)
652
Symphony no. 7, I: Moderato
653
Symphony no. 7, I: [...]
654
Symphony no. 7, I: Adagio (Tempo Der Einleitung)
655
Symphony no. 7, I: Allegro Come Prima
656
Symphony no. 7, I: Poco Ritenuto – A Tempo
657
Symphony no. 7, I: Nicht Eilen!
658
Symphony no. 7, II: Nachtmusik I. Allegro Moderato
659
Symphony no. 7, II: Sempre L'istesso Tempo
660
Symphony no. 7, II: Poco Meno Mosso
661
Symphony no. 7, II: Tempo
662
Symphony no. 7, II: [...]
663
Symphony no. 7, II: Sehr Gemessen
664
Symphony no. 7, III: Scherzo. Schattenhaft
665
Symphony no. 7, III: Trio
666
Symphony no. 7, III: Wieder Wie Zu Anfang
667
Symphony no. 7, IV: Nachtmusik II. Andante Amoroso
668
Symphony no. 7: IV. Nachtmusik II
669
Symphony no. 7, IV: Nachtmusik II. Tempo I. Poco Rit.
670
Symphony no. 7, V: Rondo-Finale. Tempo I. (Allegro Ordinario)
671
Symphony no. 7, V: Rondo-Finale. Sempre L'istesso Tempo
672
Symphony no. 7, V: Rondo-Finale. Tempo II. (Allegro Moderato ma Energico)
673
Symphony no. 7, V: Rondo-Finale. Tempo I.
674
Symphony no. 7, V: Rondo-Finale. [...]
675
Symphony no. 7, V: Rondo-Finale. Tempo I. Subito
676
Symphony no. 7, V: Rondo-Finale. Meno Mosso (Tempo II)
677
Symphony no. 7, V: Rondo-Finale. Accelerando
678
Symphony no. 10 (Unfinished): Adagio: Andante – Adagio
679
Symphony no. 10 (Unfinished): Adagio: Andante come prima [bar 40]
680
Symphony no. 10 (Unfinished): Adagio: [bar 105]
681
Symphony no. 10 (Unfinished): Adagio: [bar 178]
682
Symphony no. 10 (Unfinished): Adagio: A Tempo [bar 217]
683
Symphony no. 8 "Symphony of A Thousand": Part I. Hymnus Veni, Creator Spiritus | Allegro Impetuoso – "Veni, Creator Spiritus"
684
Symphony no. 8 "Symphony of A Thousand": A Tempo. Etwas (Aber Unmerklich) Gemäßigter; Immer Sehr Fließend – "Imple Superna Grauia"
685
Symphony no. 8 "Symphony of A Thousand": Tempo I. – "Infirma nostri Corporis"
686
Symphony no. 8 "Symphony of A Thousand": Tempo I. (Allegro, Etwas Hastig)
687
Symphony no. 8 "Symphony of A Thousand": Sehr Fließend – noch Einmal So Langsam Als Vorher – Nicht Schleppend – "Infirma nostri Corporis"
688
Symphony no. 8 "Symphony of A Thousand": Plötzlich Sehr Breit Und Leidenschaftlichen Ausdrucks – Mit Plötzlichem Aufschwung – "Accende Lumen Sensibus"
689
Symphony no. 8 "Symphony of A Thousand": "Veni, Creator Spiritus"
690
Symphony no. 8 "Symphony of A Thousand": A Tempo – "Gloria Sit Patri Domino"
691
Symphony no. 8 "Symphony of A Thousand": Part II. Final Scene From Goethe's Faust II. | Poco Adagio
692
Symphony no. 8 "Symphony of A Thousand": Più Mosso (Allegro Moderato)
693
Symphony no. 8 "Symphony of A Thousand": Wieder Langsam – "Waldung, Sie Schwankt Heran"
694
Symphony no. 8 "Symphony of A Thousand": Moderato – "Ewiger Wonnebrand"
695
Symphony no. 8 "Symphony of A Thousand": Allegro – "Wie Felsenabgrund Mir Zu Füßen"
696
Symphony no. 8 "Symphony of A Thousand": Allegro Deciso – Gerettet Is Das Edle Glied – Hände Verschlinget Euch
697
Symphony no. 8 "Symphony of A Thousand": Molto Leggiero – Scherzando – Jene Rosen Aus Den Händen
698
Symphony no. 8 "Symphony of A Thousand": Schon Etwas Langsamer Und Immer noch Mäßiger – "Uns Bleibt Ein Erdenrest"
699
Symphony no. 8 "Symphony of A Thousand": Im Anfang noch Etwas Gehalten – "Ich Spür' Soeben" – "Hier Ist Die Aussicht Frei" – "Freudig Empfagen Wi"r
700
Symphony no. 8 "Symphony of A Thousand": Sempre L'istesso Tempo – "Höchste Herrscherin Der Welt!"
701
Symphony no. 8 "Symphony of A Thousand": Äußerst Langsam. Adagissimo – "Dir, Der Unberührbaren" – "Du Schwebst Zu Höhen"
702
Symphony no. 8 "Symphony of A Thousand": Fließend – "Bei Der Liebe" – "Bei Dem Bronn" – "Bei Dem Hochgewitten Orte"
703
Symphony no. 8 "Symphony of A Thousand": "Neige, Neige, Du Ohnegleiche"
704
Symphony no. 8 "Symphony of A Thousand": Unmerklich Frischer Werden – "Er überwächtst Uns Schon"
705
Symphony no. 8 "Symphony of A Thousand": "Vom Edlen Geisterchor Umgeben" – "Komm! Hebe Dich Du Zu Höhern Spahären! "– Hymnenartig – "Blicket Auf Dem Retterblick"
706
Symphony no. 8 "Symphony of A Thousand": Sehr Langsam Beginnend. Chorus Mysticus: "Alles Vergängliche Ist Nur Ein Gleichnis"
707
Symphony no. 9: I. Andante Comodo
708
Symphony no. 9: [Entry of the Horns] – Schattenhaft – Etwas Fließender
709
Symphony no. 9: Bewegter
710
Symphony no. 9: [...]
711
Symphony no. 9: Wie Von Anfang
712
Symphony no. 9: Plötzlich Bedeutend Langsamer (Lento) Und Leise
713
Symphony no. 9: II. Im Tempo Eines Gemächlichen Ländlers. Etwas Täppisch Und Sehr Derb
714
Symphony no. 9: Poco Più Mosso Subito (Tempo II)
715
Symphony no. 9: Tempo III.
716
Symphony no. 9: A Tempo II.
717
Symphony no. 9: Tempo I.
718
Symphony no. 9: Tempo II.
719
Symphony no. 9: Tempo I. Subito
720
Symphony no. 9: III. Rondo-Burleske. Allegro Assai. Sehr Trotzig
721
Symphony no. 9: L'istesso Tempo
722
Symphony no. 9: Sempre L'istesso Tempo
723
Symphony no. 9: L'istesso Tempo
724
Symphony no. 9: [...]
725
Symphony no. 9: [Entry of the Clarinets]
726
Symphony no. 9: Tempo I. Subito
727
Symphony no. 9: Più Stretto
728
Symphony no. 9: IV. Adagio. Sehr Langsam Und noch Zurückhaltend
729
Symphony no. 9: Plötzlich Wieder Sehr Langsam (Wie Zu Anfang) Und Etwas Zögernd
730
Symphony no. 9: Molto Adagio Subito
731
Symphony no. 9: A Tempo (Molto Adagio)
732
Symphony no. 9: Stets Sehr Gehalten
733
Symphony no. 9: Fließender, Doch Durchaus Nicht Eilend
734
Symphony no. 9: Tempo I. Molto Adagio
735
Symphony no. 9: Adagissimo
736
Symphony no. 9: Symphony no. 9: I. Andante comodo
737
Symphony no. 9: Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
738
Symphony no. 9: Symphony no. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig
739
Symphony no. 9: Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend
740
Das Lied von der Erde: Das Trinklied vom Jammer der Erde
741
Das Lied von der Erde: Der Einsame im Herbst
742
Das Lied von der Erde: Von der Jugend
743
Das Lied von der Erde: Von der Schönheit
744
Das Lied von der Erde: Der Trunkene im Frühling
745
Das Lied von der Erde: Der Abschied
746
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Der Schildwache Nachtlied
747
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Wer Hat Dies Liedlein Erdacht?
748
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Der Tamboursg'sell
749
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: “Das irdische Leben”
750
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Verlorne Müh'
751
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Des Antonius Von Padua Fischpredigt
752
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Revelge
753
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Rheinlegendchen
754
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Lob Des Hohen Verstandes
755
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Wo Die Schönen Trompeten Blasen
756
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Lied Des Verfolgten Im Turm
757
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Trost Im Unglück
758
Lieder nach Gedichten aus „Des Knaben Wunderhorn“: Urlicht
759
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
760
Lieder eines fahrenden Gesellen: Ging heut’ morgen übers Feld
761
Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer
762
Lieder eines fahrenden Gesellen: Die zwei blauen Augen
763
Kindertotenlieder: Nun will die Sonn’ so hell aufgeh’n
764
Kindertotenlieder: Nun seh’ ich wohl, warum so dunkle Flammen
765
Kindertotenlieder: Wenn dein Mütterlein
766
Kindertotenlieder: Oft denk’ ich, sie sind nur ausgegangen
767
Kindertotenlieder: In diesem Wetter, in diesem Braus
768
5 Lieder nach Gedichten von Friedrich Rückert - Liebst du um Schönheit
769
5 Lieder nach Gedichten von Friedrich Rückert - Blicke mir nicht in die Lieder
770
5 Lieder nach Gedichten von Friedrich Rückert - Ich atmet' einen linden Duft
771
5 Lieder nach Gedichten von Friedrich Rückert - Um Mitternacht
772
5 Lieder nach Gedichten von Friedrich Rückert - Ich bin der Welt abhanden gekommen
773
Overture "The Hebrides", op. 26 ("Fingal's Cave"). Allegro moderato – Animato in tempo
774
Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato
775
Symphony No. 3 in A minor, Op. 56 "Scottish": II. Vivace non troppo
776
Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio
777
Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso
778
Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace
779
Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto
780
Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato
781
Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto
782
Symphony no. 5 in D major, op. 107 "Reformation": I. Andante - Allegro con fuoco
783
Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace
784
Symphony no. 5 in D major "Reformation", op. 107: III. Andante – attacca
785
Symphony no. 5 in D major "Reformation", op. 107: IV. Chorale „Ein' feste Burg ist unser Gott“. Andante con moto – Allegro vivace – Allegro maestoso
786
Symphony no. 25 in G minor K 183 (173dB): I. Allegro con brio
787
Symphony no. 25 in G minor K 183 (173dB): II. Andante
788
Symphony no. 25 in G minor K 183 (173dB): III. Menuetto – Trio
789
Symphony no. 25 in G minor K 183 (173dB): IV. Allegro
790
Symphony no. 29 in A major K 201 (186a): I. Allegro moderato
791
Symphony no. 29 in A major K 201 (186a): II. Andante
792
Symphony no. 29 in A major K 201 (186a): III. Menuetto – Trio
793
Symphony no. 29 in A major K 201 (186a): IV. Allegro con spirito
794
Concerto for Clarinet and Orchestra in A major K 622: I. Allegro
795
Concerto for Clarinet and Orchestra in A major K 622: II. Adagio
796
Concerto for Clarinet and Orchestra in A major K 622: III. Rondo. Allegro
797
Symphony No. 35 in D Major, K. 385, "Haffner": I. Allegro con spirito
798
Symphony No. 35 in D Major, K. 385, "Haffner": II. Andante
799
Symphony no. 35 in D major "Haffner" K 385: III. Menuetto – Trio
800
Symphony No. 35 in D Major, K. 385, "Haffner": IV. Presto
801
Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
802
Symphony No. 41 in C Major, K. 551, "Jupiter": II. Andante cantabile
803
Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto
804
Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro
805
Symphony no. 36 in C major "Linz" K 425: I. Adagio – Allegro spiritoso
806
Symphony No. 36 in C major, K. 425 "Linz": II. Andante
807
Symphony no. 36 in C major "Linz" K 425: III. Menuetto – Trio
808
Symphony No. 36 in C major, K. 425 "Linz": IV. Presto
809
Symphony no. 38 in D major K.504 "Prague": I. Adagio - Allegro
810
Symphony no. 38 in D major K.504 "Prague": II. Andante
811
Symphony no. 38 in D major, K. 504 "Prague": III. Presto
812
Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro
813
Symphony no. 39 in E-flat major, K. 543: II. Andante con moto
814
Symphony no. 39 in E flat major K 543: III. Menuetto. Allegretto – Trio
815
Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro
816
Symphony No. 40 in G minor, K. 550: I. Molto allegro
817
Symphony No. 40 in G minor, K. 550: II. Andante
818
Symphony no. 40 in G minor K 550: III. Menuetto. Allegretto – Trio
819
Symphony No. 40 In G Minor, K.550: IV. Allegro Assai
820
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
821
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
822
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
823
Symphony no. 36 in C major "Linz" K 425: I. Adagio – Allegro spiritoso
824
Symphony No. 36 in C major, K. 425 "Linz": II. Andante
825
Symphony no. 36 in C major "Linz" K 425: III. Menuetto – Trio
826
Symphony No. 36 in C major, K. 425 "Linz": IV. Presto
827
Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro
828
Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante
829
Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto
830
Concerto for Piano and Orchestra in G major I: Allegramente - Andante - Tempo I
831
Concerto for Piano and Orchestra in G major II: Adagio assai
832
Concerto for Piano and Orchestra in G major III: Presto
833
K618 Ave Verum Corpus
834
Exsultate, jubilate K165 (158a)
835
Great Mass in C minor: I. Kyrie: Kyrie eleison (chorus, soprano)
836
Great Mass in C minor: II. Gloria: Gloria in excelsis Deo (chorus)
837
Great Mass in C minor: II. Gloria: Laudamus te (soprano)
838
Great Mass in C minor: II. Gloria: Gratias agimus tibi (soloists / chorus)
839
Great Mass in C minor: II. Gloria: Domine Deus (soprano, mezzo-soprano)
840
Great Mass in C minor: II. Gloria: Qui tollis peccata mundi (chorus)
841
Great Mass in C minor: II. Gloria: Quoniam tu solus sanctus (soprano, mezzo-soprano, tenor)
842
Great Mass in C minor: II. Gloria: Jesu Christe (soloists / chorus)
843
Great Mass in C minor: II. Gloria: Cum Sancto Spiritu (soloists / chorus)
844
Great Mass in C minor: III. Credo: Credo in unum Deum (chorus)
845
Great Mass in C minor: III. Credo: Et incarnatus est (soprano)
846
Great Mass in C minor: IV. Sanctus: Sanctus, sanctus, sanctus (chorus)
847
Great Mass in C minor: V. Benedictus: Benedictus qui venit in nomine Domini (soloists / chorus)
848
Requiem in D minor K 626: III. Sequenz: Confutatis (chorus)
849
Requiem in D minor K 626: III. Sequenz: Dies irae (chorus)
850
Requiem in D minor K 626: III. Sequenz: Lacrimosa (chorus)
851
Requiem in D minor K 626: III. Sequenz: Recordare (soloists)
852
Requiem in D minor K 626: III. Sequenz: Rex tremendae (chorus)
853
Requiem in D minor K 626: III. Sequenz: Tuba mirum (soloists)
854
Requiem in D minor K 626: II. Kyrie (chorus)
855
Requiem in D minor K 626 (Instrumentation: Franz Beyer) - I. Introitus: Requiem aeternam (chorus, soprano I)
856
Requiem in D minor K 626: IV. Offertorium: Domine Jesu Christe (chorus, soloists)
857
Requiem in D minor K 626: IV. Offertorium: Hostias (chorus)
858
Requiem in D minor K 626: VI. Benedictus (soloists, chorus)
859
Requiem in D minor, K. 626: VII. Agnus Dei (Chorus)
860
Requiem in D minor K 626: VIII. Communio: Lux aeterna (soprano I, chorus)
861
Requiem in D minor, K. 626: V. Sanctus (Chorus)
862
La bohème: Atto I. “Questo Mar Rosso mi ammollisce e assidera” (Marcello, Rodolfo, Colline)
863
La bohème: Atto I. “Pensier profondo!” (Colline, Marcello, Rodolfo)
864
La bohème: Atto I. “Abbasso, abbasso l’autor!” (Marcello, Colline, Rodolfo, Schaunard)
865
La bohème: Atto I. “Si può?” (Benoit, Marcello, Schaunard, Colline, Rodolfo)
866
La bohème: Atto I. “Io resto” (Rodolfo, Marcello, Colline, Schaunard)
867
La bohème: Atto I. “Non sono in vena” (Rodolfo, Mimì)
868
La bohème: Atto I. “Si sente meglio?” (Rodolfo, Mimì)
869
La bohème: Atto I. “Che gelida manina” (Rodolfo)
870
La bohème: Atto I. “Sì. Mi chiamano Mimì” (Mimì, Rodolfo)
871
La bohème, act I: “Ehi! Rodolfo!” (Schaunard, Colline, Marcello, Rodolfo, Mimì)
872
La bohème, act I: “O soave fanciulla” (Rodolfo, Marcello, Mimì)
873
La bohème: Atto II. “Aranci, datteri! Caldi i marroni!” (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello)
874
La bohème: Atto II. “Chi guardi?” (Rodolfo, Colline, Mimì, Schaunard, Marcello, Parpignol)
875
La bohème: Atto II. “Questa è mimì” (Rodolfo, Marcello, Schaunard, Colline, Parpignol, coro, Mimì)
876
La bohème: Atto II. “Viva parpignol!” (Coro, Marcello, Mimì, Schaunard, Colline, Rodolfo)
877
La bohème: Atto II. “Allegri, e un toast!” (Schaunard, Colline, Marcello, Mimì, Rodolfo, coro, Alcindoro, Musetta)
878
La bohème: Atto II. “Quando men vo” (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline)
879
La bohème: Atto II. “Il conto?!” (Rodolfo, Schaunard, Colline, coro, Musetta, Marcello, Mimì)
880
La bohème: Atto III. “Ohè là, le guardie!” (Coro, Doganiere, Musetta)
881
La bohème: Atto III. “Sa dirmi, scusi, qual’è l’osteria” (Mimì, Sergente, Doganiere)
882
La bohème: Atto III. “Mimì!” – “Speravo di trovarvi qui” (Marcello, Mimì)
883
La bohème: Atto III. “Marcello. Finalmente!” (Rodolfo, Marcello, Mimì)
884
La bohème: Atto III. “Mimì è una civetta” (Rodolfo, Marcello)
885
La bohème: Atto III. “Mimì è tanto malata!” (Rodolfo, Marcello, Mimì)
886
La bohème: Atto III. “Mimì di serra è fiore” (Rodolfo, Mimì, Marcello)
887
La bohème: Atto III. “D’onde lieta uscì” (Mimì)
888
La bohème: Atto III. “Dunque è proprio finita!” (Rodolfo, Mimì, Marcello, Musetta)
889
La bohème: Atto IV. “In un coupè?” – “Con pariglia e livree” (Marcello, Rodolfo)
890
La bohème: Atto IV. “O Mimì, tu più non torni” (Rodolfo, Marcello)
891
La bohème: Atto IV. “Che ora sia?” (Rodolfo, Marcello, Schaunard, Colline)
892
La bohème: Atto IV. “Gavotta!” – “Minuetto!” (Colline, Marcello, Rodolfo, Schaunard)
893
La bohème: Atto IV. “C’è Mimì” (Musetta, Rodolfo, Schaunard, Mimì, Marcello, Colline)
894
La bohème: Atto IV. “Vecchia zimarra, senti” (Colline, Schaunard)
895
La bohème: Atto IV. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo)
896
La bohème: Atto IV. “Oh dio! Mimì!” (Rodolfo, Schaunard, Mimì, Musetta, Marcello)
897
La bohème: Atto IV. “Che ha detto il medico?” (Rodolfo, Marcello, Musetta, Schaunard, Colline)
898
Symphony No. 8 in B Minor, D. 759 'Unfinished': I. Allegro moderato
899
Symphony No. 8 in B Minor, D. 759 'Unfinished': II. Andante con moto
900
Symphony No. 5 in B flat major, D. 485: I. Allegro
901
Symphony No. 5 in B flat major, D. 485: II. Andante con moto
902
Symphony No. 5 In B Flat Major, D.485: III. Menuetto - Allegro molto -Trio
903
Symphony No. 5 In B Flat Major, D.485: IV. Allegro vivace
904
Symphony no. 9 in C major "The Great" D 944: I. Andante – Allegro ma non troppo
905
Symphony No. 9 in C Major D. 944 'The Great': II. Andante con moto
906
Symphony no. 9 in C major "The Great" D 944: III. Scherzo. Allegro vivace – Trio
907
Symphony No. 9 in C Major D. 944 'The Great': IV. Allegro vivace
908
Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
909
Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto - attacca
910
Symphony No. 1 (Spring) in B-flat Major, Op. 38 - III. Scherzo: Molto vivace - Trio I: Molto piu vivace - Trio II
911
Symphony No. 1 in B-Flat Major, Op. 38 "Spring" / IV. Allegro animato e grazioso
912
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam – Lebhaft – attacca
913
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam – attacca
914
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft – Trio – attacca
915
Symphony no. 4 in D minor, op. 120: IV. Langsam – Lebhaft – Schneller – Presto
916
Symphony No 2 In C Major Op 61 Iii Adagio Espressivo
917
Symphony no. 2 in C major, op. 61: II. Scherzo (Allegro vivace) - Trio I - Trio II
918
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo
919
Symphony No 2 In C Major Op 61 Iv Allegro Molto Vivace
920
Concerto for Violoncello & Orchestra in A minor, op. 129: Langsam
921
Concerto for Violoncello & Orchestra in A minor, op. 129: Nicht zu schnell
922
Concerto for Violoncello & Orchestra in A minor, op. 129: Sehr lebhaft
923
Symphony No 3 In E-flat Major Op 97 Rhenish Iii Nicht Schnell
924
Symphony No 3 In E-flat Major Op 97 Rhenish Ii Scherzo - Sehr Mässig
925
Symphony No 3 In E-flat Major Op 97 Rhenish I Lebhaft
926
Symphony No. 3 in E flat major, Op. 97 "Rhenish": IV. Feierlich
927
Symphony No. 3 in E flat major, Op. 97 "Rhenish": V. Lebhaft
928
Concerto For Piano And Orchestra in A minor, op. 54: I Allegro Affettuoso
929
Concerto For Piano And Orchestra in A minor, op. 54: II Intermezzo. Andantino Grazioso - Attacca
930
Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace
931
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo
932
Symphony No. 1 in F Minor, Op. 10: II. Allegro
933
Symphony no. 1 in F minor, op. 10: III. Lento – Largo – [Lento] – attacca
934
Symphony no. 1 in F minor, op. 10: IV. Allegro molto – Lento – Allegro molto – Meno mosso – Allegro molto – Molto meno mosso – Adagio – Largo – Più mosso – Presto
935
Symphony no. 7 in C major "Leningrad," op. 60: I. Allegretto
936
Symphony no. 7 in C major "Leningrad," op. 60: II. Moderato (poco allegretto)
937
Symphony no. 7 in C major "Leningrad," op. 60: III. Adagio – attacca
938
Symphony no. 7 in C major "Leningrad," op. 60: IV. Allegro non troppo
939
Symphony No. 6 in B Minor, Op. 54: I. Largo
940
Symphony No. 6 in B Minor, Op. 54: II. Allegro
941
Symphony No. 6 in B Minor, Op. 54: III. Presto
942
Symphony No. 9 in E‐Flat Major, Op. 70: I. Allegro
943
Symphony No. 9 in E‐Flat Major, Op. 70: II. Moderato
944
Symphony no. 9 in E flat major, op. 70: III. Presto – attacca
945
Symphony no. 9 in E flat major, op. 70: IV. Largo – attacca
946
Symphony No. 9 in E‐Flat Major, Op. 70: V. Allegretto
947
Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico
948
Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento)
949
Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro)
950
Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia)
951
Symphony no. 2 in D major, op. 43: I. Allegretto
952
Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato
953
Symphony no. 2 in D major, op. 43: III. Vivacissimo (attacca)
954
Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato
955
Symphony no. 5 in E flat major, op. 82: I. Tempo molto moderato – Largamente – Allegro moderato – Presto
956
Symphony no. 5 in E flat major, op. 82: II. Allegro moderato – Presto
957
Symphony no. 5 in E flat major, op. 82: III. Andante mosso, quasi allegretto
958
Symphony no. 5 in E flat major, op. 82: IV. Allegro molto – Misterioso – Un pochettino largamente – Largamente assai
959
Symphony no. 7 in C major, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo
960
Symphony no. 7 in C major, op. 105: (5 bars before) Poco rallentando all'Adagio - Poco a poco meno lento all'
961
Symphony no. 7 in C major, op. 105: Allegro molto moderato - Poco a poco meno moderato -
962
Symphony no. 7 in C major, op. 105: (2 bars before) Vivace - Presto - Poco a poco rallentando all'Adagio - Largamente molto - Affettuoso - Tempo I
963
Symphony no. 7 in C major, op. 105: (2 bars before) Vivace - Presto - Poco a poco rallentando all'Adagio - Largamente molto - Affettuoso - Tempo I
964
Salome, op. 54 (selections): Final scene: „Es ist kein Laut zu vernehmen“
965
Salome, op. 54 (selections): Scene 4: Tanz der sieben Schleier
966
5 Songs for Voice & Orchestra: Cäcilie, op. 27/2 „Wenn du es wüsstest, was träumen heißt“
967
5 Songs for Voice & Orchestra: Wiegenlied, op. 41/1 „Träume, träume du, mein süßes Leben“
968
5 Songs for Voice & Orchestra: Ich liebe dich, op. 37/2 „Vier adlige Rosse voran unserm Wagen“
969
5 Songs for Voice & Orchestra: Morgen! op. 27/4 „Und morgen wird die Sonne wieder scheinen“
970
5 Songs for Voice & Orchestra: Zueignung, op. 10/1 „Ja, du weißt es, teure Seele“
971
L'Oiseau De Feu: Introduction
972
L'oiseau de feu: Danse de l'oiseau de feu et sa danse
973
L'Oiseau de feu: Variation de l'Oiseau de feu
974
L'Oiseau de feu: Ronde des princesses
975
L'oiseau de feu: Danse infernale de Kachtcheï
976
L'Oiseau De Feu: Berceuse
977
L’Oiseau de feu: Final
978
Pulcinella: I. Sinfonia (Ouverture). Allegro moderato
979
Pulcinella: II. Serenata. Larghetto
980
Pulcinella: III. a. Scherzino – b. Allegro – c. Andantino
981
Pulcinella: IV. Tarantella. 𝅗𝅥 = 88
982
Pulcinella: V. Toccata. Allegro
983
Pulcinella: VI. Gavotta con due variazioni. Allegro moderato. Var. I. Allegretto – Var. II. Allegro più tosto moderato
984
Pulcinella: VII. Vivo
985
Pulcinella: VIII. a. Minuetto. Molto moderato – b. Finale. Allegro assai
986
Pétrouchka: Scene I: Fête populaire de la semaine grasse
987
Pétrouchka: Scene I: Le tour de passe-passe – Danse russe
988
Pétrouchka: Scene II - Chez Pétrouchka
989
Pétrouchka: Scene III - Chez le maure – Danse de la Ballerine
990
Pétrouchka: Scene III - Valse: La ballerine et le maure
991
Pétrouchka: Scene IV - Fête populaire de la semaine grasse (vers le soir)
992
Pétrouchka: Scene IV - Danse des nounous
993
Pétrouchka: Scene IV - Le Paysan et l'ours
994
Pétrouchka: Scene IV - Un marchand fêtard avec deux tziganes
995
Pétrouchka: Scene IV - Danse des cochers et des palefreniers
996
Pétrouchka: Scene IV - Les Déguisés
997
Pétrouchka: Scene IV - La Rixe: Le Maure et Pétrouchka
998
Pétrouchka: Scene IV - Mort de Pétrouchka
999
Pétrouchka: Scene IV - La Police et le charlatan
1000
Pétrouchka: Scene IV - Apparition du double de Pétrouchka
1001
Scènes de ballet: Introduction. Andante
1002
Scènes de ballet: Danses (Corps de ballet). Moderato
1003
Scènes de ballet: Variation (Ballerine). Con moto
1004
Scènes de ballet: Pantomime. Lento
1005
Scènes de ballet: Pas de deux. Adagio
1006
Scènes de ballet: Pantomime. Agitato ma tempo giusto
1007
Scènes de ballet: Variation (Danseur). Risoluto
1008
Scènes de ballet: Variation (Ballerine). Andantino
1009
Scènes de ballet: Pantomime. Andantino
1010
Scènes de ballet: Danses (Corps de ballet). Con moto
1011
Scènes de ballet: Apothéose. Poco meno mosso
1012
Le Sacre du printemps: Part I. L'Adoration de la Terre, Introduction
1013
Le sacre du printemps, Part I «L'Adoration de la terre» : Les Augures printaniers – Danses des adolescentes
1014
Le Sacre du printemps: Part I. L'Adoration de la Terre, Jeu du rapt
1015
Le Sacre du printemps: Part I. L'Adoration de la Terre, Rondes printanières
1016
Le Sacre du printemps: Part I. L'Adoration de la Terre, Jeux des cités rivales
1017
Le sacre du printemps, Part I «L'Adoration de la terre» : Cortège du Sage – Le Sage
1018
Le Sacre du printemps: Part I. L'Adoration de la Terre, Adoration de la Terre
1019
Le Sacre du printemps: Part I. L'Adoration de la Terre, Danse de la Terre
1020
Le Sacre du printemps: Part II. Le Sacrifice, Introduction
1021
Le Sacre du printemps: Part II. Le Sacrifice, Cercles mystérieux des adolescentes
1022
Le Sacre du printemps: Part II. Le Sacrifice, Glorification de l'élue
1023
Le Sacre du printemps: Part II. Le Sacrifice, Evocation des ancêtres
1024
Le Sacre du printemps: Part II. Le Sacrifice, Action rituelle des ancêtres
1025
Le sacre du printemps, Part II «Le Sacrifice» : Danse sacrale. L'Élue
1026
Symphony In C: I. Moderato Alla Breve
1027
Symphony In C: II. Larghetto Concertante
1028
Symphony in C: III. Allegretto
1029
Symphony In C: IV. Largo - Tempo Giusto, Alla Breve
1030
Symphony in 3 Movements: I. ♩=160
1031
Symphony in 3 Movements: II. Andante
1032
Symphony in 3 Movements: Interlude. L'istesso tempo
1033
Symphony in 3 Movements: III. Con moto
1034
Les Noces : Part I: Scene 1: Chez la mariée (The Tresses)
1035
Les Noces : Part I: Scene 2: Chez le marié (At the Bridegroom's house)
1036
Les Noces : Part I: Scene 3: Le Départ de la mariée (The departure of the Bride)
1037
Les Noces : Part II - Scene 4: Le Repas de noces (The wedding feast)
1038
Mass for Mixed Chorus and Double Wind Quintet: Kyrie
1039
Mass for Mixed Chorus and Double Wind Quintet: Gloria
1040
Mass for Mixed Chorus and Double Wind Quintet: Credo
1041
Mass for Mixed Chorus and Double Wind Quintet: Sanctus
1042
Mass for Mixed Chorus and Double Wind Quintet: Agnus Dei
1043
Symphony no. 4 in F minor, op. 36- I. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo
1044
Symphony No. 4 in F minor, Op. 36: II. Andantino in Modo di Canzona
1045
Symphony no. 4 in F minor, op. 36- III. Scherzo (Pizzicato ostinato - Allegro)
1046
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
1047
Francesca da Rimini, op. 32. Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo
1048
Symphony no. 5 in E minor, op. 64- I. Andante - Allegro con anima
1049
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza – Moderato con anima – Andante mosso – Allegro non troppo – Tempo I
1050
Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato
1051
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Molto vivace – Moderato assai e molto maestoso – Presto
1052
Romeo & Juliet - Andante Non Tanto Quasi Moderato, Allegro Giusto, Moderato Assai
1053
Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
1054
Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
1055
Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
1056
Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante
1057
Romeo & Juliet - Andante Non Tanto Quasi Moderato, Allegro Giusto, Moderato Assai
1058
Francesca da Rimini, op. 32. Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo
1059
Hamlet Overture op. 67 (Fantasy Overture After Shakespeare) (Lento Lugubre – Allegro Vivace)
1060
Slavonich March op. 31 (Moderato in Moto Di Marcia Funebre – Piùmosso. Allegro – Andante Molto Maestoso – Allegro Risoluto)
1061
Capriccio Italien op. 45 (Andante Un Poco Rubato – Allegro Moderato – Andante – Presto – Allegro Moderato – Presto – Prestissimo)
1062
"1812" Festival Overture op. 49 (Largo – Andante – Allegro Giusto – Allegro Vivace)
1063
Tristan und Isolde: Vorspiel
1064
Tristan und Isolde: Seemann: Westwarts schweift der Blick
1065
Tristan und Isolde: Act I. Scene II.Frisch weht der Wind der Heimat zu
1066
Tristan und Isolde: Act I. Scene II. Hab acht, Tristan!
1067
Tristan und Isolde: Brangane: Weh, ach wehe!
1068
Tristan und Isolde: Act I. Scene III. Wie lachend sie mir
1069
Tristan und Isolde: Act I. Scene IV. Auf! Auf! Ihr Frauen!
1070
Tristan und Isolde: Act I. Scene IV. Herr Tristan nah!
1071
Tristan und Isolde: Act I. Scene V. War Morold dir so wert
1072
Tristan und Isolde: Act I. Scene V. Tristan! - Isolde!
1073
Tristan und Isolde: Vorspiel
1074
Tristan und Isolde: Isolde: Horst du sie noch?
1075
Tristan und Isolde: Tristan: Isolde! Geliebte!
1076
Tristan und Isolde: Act II. Scene II. O sik hernieder, Nactht der Liebe
1077
Tristan und Isolde: Act II. Scene II. Lausch, Geliebter
1078
Tristan und Isolde: Act2 Scene2 Tristan:So sturben wir, um ungetrennt
1079
Tristan und Isolde: Act2 Scene3 Kurwenal: Rette dich, Tristan
1080
Tristan und Isolde: Act II. Scene III. Tatest du's wirklich?
1081
Tristan und Isolde: Act II. Scene III. O, Konig, das kann ich dir nicht sagen
1082
Tristan und Isolde: Act 3 Scene 1
1083
Tristan und Isolde: Act3 Scene1 Hirt: Kurwenal! He! Sag, Kurwenal!
1084
Tristan und Isolde: Act III. Scene I. Wo ich erwacht, weilt ich nicht
1085
Tristan und Isolde: Act III. Scene I. Der einst ich trotzt aus Treu
1086
Tristan und Isolde: Act III. Scene I. Bist du nun tot?
1087
Tristan und Isolde: Act III. Scene I. O Wonne! Freunde!
1088
Tristan und Isolde: Tristan: O diese Sonne
1089
Tristan und Isolde: Act III. Scene II. Ich bin's, ich bin's
1090
Tristan und Isolde: Act III. Scene III. Kurwenal! Hor!
1091
Tristan und Isolde: Isolde: Mild unde leise wie er lachelt
1092
I. Allegro con brio
1093
II Marcia Funebre. Adagio Assai
1094
III Scherzo. Allegro Vivace – Trio
1095
IV Finale: Allegro Molto – Poco Andante – Presto
1096
Musical Analysis | Simplicity Itself ...
1097
Musical Analysis: I Always Feel This Gigantism ...
1098
Musical Analysis: We Have Just Been Examining ...
1099
Musical Analysis: All That We Have Said ...
1100
Musical Analysis: The Study of the The "Eroica" Is A Lifetime Work ...
1101
Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto
1102
Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
1103
Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace
1104
Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
1105
Musical Analysis | Does This Music Sound Like The New World To You? ...
1106
Musical Analysis: We Come now to the Second Movement ...
1107
Musical Analysis: The Third Movement Is A Marvel ...
1108
Musical Analysis: And now the Last Movement ...
1109
Musical Analysis: The Final Claim ...
1110
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo
1111
Symphony no. 2 in C major, op. 61: II. Scherzo (Allegro vivace) - Trio I - Trio II
1112
Symphony No 2 In C Major Op 61 Iii Adagio Espressivo
1113
Symphony No 2 In C Major Op 61 Iv Allegro Molto Vivace
1114
Musical Analysis | Robert Schumann Has Been Dead ...
1115
Musical Analysis: To My Mind, Schumann Follows in This Tradition ...
1116
Musical Analysis: Now Let's Look at the Symphony Itself ...
1117
Musical Analysis: And So We Have Arrived ...
1118
Musical Analysis: In the Marvelous Scherzo That Follows ...
1119
Musical Analysis: But Perhaps the Greatest Beauty ...
1120
Musical Analysis: Even in the Final Movement ...
1121
I Allegro non troppo
1122
II Andante Moderato
1123
III Allegro Giocoso – Poco Meno Presto – Tempo I.
1124
IV Allegro Energico E Passionato – Più Allegro
1125
Musical Analysis | Brahms' Fourth Symphony In E Minor ...
1126
Musical Analysis: Our Journey Begins Without Introduction ...
1127
Musical Analysis: Do You See now What A Symphonic Theme Is? ...
1128
Musical Analysis: Now Think of It – We Have So Far Only Had 44 Bars of Music ...
1129
Musical Analysis: Here Is That Second Theme ...
1130
Musical Analysis: This Brings Us to the Development Section Proper ...
1131
Musical Analysis: And Here We Are Back Home ...
1132
Musical Analysis: So We Arrive at the Coda ...
1133
Musical Analysis: Well, We Have Had A Microscopic View ...
1134
Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
1135
Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
1136
Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
1137
Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante
1138
Musical Analysis | Now There Is A Melody ...
1139
Musical Analysis: Now the Development Section Erupts ...
1140
Musical Analysis: Now One Would Think ...
1141
Musical Analysis: Jumping now to the Famous Third Movement ...
1142
Musical Analysis: Perhaps the Most Admirable Example ...
1143
Musical Analysis: Now, I. Don't Want to Give You the Impression ...
1144
Fancy Free – Ballet (Selections): Big Stuff – Prologue
1145
Fancy Free – Ballet (Selections): I. Opening Dance
1146
Fancy Free – Ballet (Selections): II. Scene at the Bar
1147
Fancy Free – Ballet (Selections): IV. Pas de deux
1148
Fancy Free – Ballet (Selections): V. Competition Scene
1149
Fancy Free – Ballet (Selections): VI. Three Dance Variations: Variation II. Waltz
1150
Fancy Free – Ballet (Selections): VI. Three Dance Variations: Variation III. Danzon
1151
Fancy Free – Ballet (Selections): VI. Three Dance Variations: Variation I. Galop
1152
Fancy Free – Ballet (Selections): VII. Finale
1153
On the Town (Selections): On the Town Opening
1154
On the Town (Selections): Carried Away
1155
On the Town (Selections): Lucky to Be Me
1156
On the Town (Selections): Lonely Town
1157
On the Town (Selections): I Can Cook Too
1158
On the Town (Selections): Ya Got Me
1159
On the Town (Selections): On the Town Opening (Extended Version)
1160
Symphonies Nos. 1, 8 And 9
1161
Symphonies Nos. 2, 6 And 7
1162
Symphonies Nos. 3, 4 and 5
1163
Missa Solemnis, Choral Fantasy, The Creatures Of Prometheus
1164
Overtures Egmont, Coriolian, Leonore III, King Stephen; String Quartet No. 14 Arranged For String Orchestra
1165
Piano Concertos Nos. 1 And 2
1166
Piano Concertos Nos. 3, 4 And 5
1167
Fidelio
1168
Divertimento For Orchestra, Serenade After Plato's Symposium, Symphony No. 2 "The Age Of Anxiety"
1169
Candide
1170
Symphonies Nos. 1 And 2
1171
Symphonies Nos. 3 And 4
1172
Piano Concertos Nos. 1 And 2
1173
Violin Concerto, Violin And Cello Concerto
1174
Gershwin: An American in Paris, Rhapsody in Blue / Ives: Symphony No. 2
1175
Die Schöpfung
1176
Symphony No. 1 "Titan", Symphony No. 2 "Resurrection"
1177
Symphony No. 3
1178
Symphony Nos. 4 and 5
1179
Symphony No. 6 "Tragic"
1180
Symphony No. 7
1181
Symphony No. 8 "Symphony Of A Thousand"
1182
Symphony No. 9
1183
Das Lied Von Der Erde
1184
Rehearsals (Symphonies Nos. 5 & 9, Das Lied Von Der Erde)
1185
Lieder Eines Fahrenden Gesellen, Lieder Nach Aus Des Knaben Wunderhorn
1186
The Little Drummer Boy: An Essay On Gustav Mahler
1187
Ave Verum Corpus; Exsultate, Jubilate
1188
Requiem In D Minor
1189
Symphonies Nos. 1 To 4
1190
Cello Concertos; Violin Concertos Arranged For Cello
1191
Symphonies Nos. 6 And 9
1192
Symphonies Nos. 4 And 5; Violin Concerto
1193
The Making Of West Side Story
1194
The Gift Of Music
1195
Schumann: Cello Concerto / Bloch: Schelomo
1196
Symphony No. 1 In C Major Op. 21: I Adagio Molto – Allegro Con Brio / II Andante Cantabile Con Moto / III Menuetto. Allegro Molto E Vivace / IV Finale. Adagio – Allegro Molto E Vivace
1197
Symphony No. 3 In E Flat Major "Eroica" Op. 55: I Allegro Con Brio / II Marcia Funebre. Adagio Assai / III Scherzo. Allegro Vivace / IV Finale. Allegro Molto
1198
Symphony No. 3 In E Flat Major "Eroica" Op. 55: I Adagio Molto – Allegro Con Brio / II Larghetto / III Scherzo. Allegro / IV Finale. Allegro Molto
1199
Symphony No. 2 In D Major Op. 36: I Adagio Molto – Allegro Con Brio / II Larghetto / III Scherzo. Allegro / IV Allegro Molto
1200
Symphony No. 4 In B Flat Major Op. 60: I Adagio – Allegro Vivace / II Adagio / III Allegro Vivace / IV Allegro Ma Non Troppo
1201
Symphony No. 6 In F Major "Pastoral" Op. 68: I Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande (Allegro Ma Non Troppo) / II Szene Am Bach (Andante Molto Mosso) / III Lustiges Zusammensein Der Landleute (Allegro) / IV Gewitter – Sturm (Allegro) / V Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm (Allegretto)
1202
Symphony No. 7 In A Major Op. 92: I Poco Sostenuto – Vivace / II Allegretto / III Presto / IV Allegro Con Brio
1203
Symphony No. 8 In F Major Op. 93: I Allegro Vivace E Con Brio / II Allegretto Scherzando / III Tempo Di Menuetto / IV Allegro Vivace
1204
Symphony No. 9 In D Minor Op. 125: I Allegro Ma Non Troppo, Un Poco Maestoso / II Molto Vivace / III Adagio Molto E Cantabile / IV Presto – / Presto – Recitative: "O Freunde, Nicht Diese Töne!" – Allegro Assai – Final Chorus From Schiller's Ode "To Joy"
Videos

We can’t find video