Columbus, USA

Complete Beethoven Recordings

Artist name
Beethoven; John Eliot Gardiner
Release date 2019

Tracklist

1
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
2
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
3
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
4
Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace
5
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio
6
Symphony no. 2 in D major, op. 36: II. Larghetto
7
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
8
Symphony no. 2 in D major, op. 36: IV. Allegro molto
9
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
10
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
11
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
12
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
13
Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro vivace
14
Symphony no. 4 in B‐flat major, op. 60: II. Adagio
15
Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace
16
Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo
17
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
18
Symphony no. 5 in C minor, op. 67: II. Andante con moto
19
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
20
Symphony no. 5 in C minor, op. 67: IV. Allegro
21
Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
22
Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso
23
Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro
24
Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro
25
Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto
26
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
27
Symphony no. 7 in A major, op. 92: II. Allegretto
28
Symphony no. 7 in A major, op. 92: III. Presto
29
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
30
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
31
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
32
Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto
33
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
34
Symphony no. 9 in D minor, op. 125: Allegro ma non troppo, un poco maestoso
35
Symphony no. 9 in D minor, op. 125: Molto vivace
36
Symphony no. 9 in D minor, op. 125: Adagio molto e cantabile
37
Symphony no. 9 in D minor, op. 125: Presto
38
Symphony no. 9 in D minor, op. 125: Presto: “O Freunde, nicht diese Töne!” Allegro assai
39
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio
40
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio
41
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
42
Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro - Andante - Tempo I
43
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
44
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
45
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro
46
Concerto For Piano And Orchestra No.3 In C Minor, Op.37: I. Allegro con brio
47
Concerto For Piano And Orchestra No.3 In C Minor, Op.37: II. Largo
48
Concerto For Piano And Orchestra No.3 In C Minor, Op.37: III. Rondo: Allegro
49
Concerto For Piano And Orchestra No.4 In G Major, Op.58: I. Allegro Moderato
50
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto -
51
Concerto For Piano And Orchestra No.4 In G Major, Op.58: III. Rondo: Vivace
52
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
53
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto
54
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro a non troppo
55
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Adagio
56
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Finale: Allegro
57
Choral Fantasy, op. 80 (alternative improvised introduction no. 1)
58
Choral Fantasy, op. 80 (alternative improvised introduction no. 2)
59
Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): I. Allegro moderato
60
Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): II. Andante con moto
61
Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): III. Rondo. Vivace
62
Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: I. Adagio molto - Allegro con brio
63
Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: II. Larghetto
64
Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: III. Scherzo. Allegro
65
Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: IV. Allegro molto
66
Violin Concerto in D major, op. 61: I. Allegro ma non troppo (cadenza: Ottavio Dantone)
67
Violin Concerto in D major, op. 61: II. Larghetto –
68
Violin Concerto in D major, op. 61: III. Rondo (cadenza: Ottavio Dantone)
69
Missa solemnis, op. 123: 1. Kyrie. Assai sostenuto (Mit Andacht)
70
Missa solemnis, op. 123: 2. Gloria. Allegro vivace
71
Missa solemnis, op. 123: 3. Creedo. Allegro ma non troppo
72
Missa solemnis, op. 123: 4. Sanctus. Adagio (Mit Andacht) - Benedictus. Andante molto cantabile e non troppo mosso
73
Missa solemnis, op. 123: 5. Agnus Dei. Adagio
74
“Ah! Perfido” - “Per pietà”, op. 65: Scena ed aria per soprano ed orchestra
75
Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": I. Meeresstille. Sostenuto "Tiefe Stille herrscht im Wasser" Sostenuto / II. Glückliche Fahrt. Allegro vivace "Die Nebel zerreißen"
76
Mass in C major, op. 86: Kyrie
77
Mass in C major, op. 86: Gloria
78
Mass in C major, op. 86: Credo
79
Mass in C major, op. 86: Sanctus (Benedictus)
80
Mass in C major, op. 86: Agnus Dei
81
Leonore, Hess 109: Overture “Leonore II”
82
Leonore, Hess 109: Act I: “…’Twas in truth”
83
Leonore, Hess 109: Act I, no. 1. Aria “O wär’ ich schon mit dir vereint” (Marzelline) (first version from 1804)
84
Leonore, Hess 109: Act I. “Beharrlich bleibt auf dem Liebespfad”
85
Leonore, Hess 109: Act I, no. 2. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
86
Leonore, Hess 109: Act I. “Der Kerkmeister, Rocco, der Vater”
87
Leonore, Hess 109: Act I, no. 3. Trio “Ein Mann ist bald genommen” (Rocco, Marzelline, Jaquino) (extra bar and instrumental refinements from 1806 version)
88
Leonore, Hess 109: Act I. “Fidelio kam - und niemand weiss woher”
89
Leonore, Hess 109: Act I, no. 4. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jacquino)
90
Leonore, Hess 109: Act I. “Gefühl ist gut, doch Geld ist besser”
91
Leonore, Hess 109: Act I, no. 5. Aria “Hat man nicht auch Gold beineben” (Rocco)
92
Leonore, Hess 109: Act I. “Unantastbar klar birgt Leonores Brust”
93
Leonore, Hess 109: Act I, no. 6. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) (2 cuts from 1806 version, 2 cuts along the lines of 1814 version)
94
Leonore, Hess 109: Act II, no. 7. Introduction in D major
95
Leonore, Hess 109: Act II. “Der Gouverneur ist da”
96
Leonore, Hess 109: Act II, no. 8. Aria with Choir “Ha! Welch ein Augenblick!” (Pizarro, choir) (16 new bars from 1814 version included)
97
Leonore, Hess 109: Act II. “Postiert eine Trompete auf dem Wachturm!”
98
Leonore, Hess 109: Act II, no. 9. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) (1 cut from 1814 version)
99
Leonore, Hess 109: Act II. “Und Leonore begegnet Marzelline”
100
Leonore, Hess 109: Act II, no. 10. Duet “Um in der Ehe froh zu leben” (Marzelline, Leonore)
101
Leonore, Hess 109: Act II. “Die ernsten Steine des dumpfen Gemäuers”
102
Leonore, Hess 109: Act II, no. 11. Recitation and Aria “Ach, brich noch nicht, du mattes Herz!” - “Komm, Hoffnung, lass den letzen Stern” (Leonore) (small cut in final coloratura passage)
103
Leonore, Hess 109: Act II, no. 12. Finale. Prisoner’s Chorus “O welche Lust, in frier Luft” (2 small cuts from 1806 version)
104
Leonore, Hess 109: Act II, no. 12. Finale. Recitation “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) - “Nun sprecht, wie ging’s?” (Leonore, Rocco) - Duet “Noch heute, noch heute?” (Leonore, Rocco)
105
Leonore, Hess 109: Act II, no. 12. Finale. Duet “Wir müssen gleich zu werke schreiten” - Quartet “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro)
106
Leonore, Hess 109: Act II, no. 12. Finale. Aria “Auf euch nur will ich bauen” (Pizarro, choir) (2 cuts in vocal section)
107
Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit”
108
Leonore, Hess 109: Act III, no. 13. Recitation and Aria “Gott! Welch Dunkel hier!” - “On des Lebens Frühlingstagen” (Florestan) (1806 version with additions from Prague score and sketches)
109
Leonore, Hess 109: Act III, no. 14. Melodrama “Wie kalt ist es in diesem unteirdischen Gewölbe!” (Leonore, Rocco) (1814 version with 2 bars cut) - Duet “Nur hurtig fort” (Rocco, Leonore)
110
Leonore, Hess 109: Act III. Duet “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore)
111
Leonore, Hess 109: Act III. “Dort, in der Tiefe”
112
Leonore, Hess 109: Act III, no. 15. Trio “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) (1 bar of first section from 1814 version, 32 bars of repeat from 1806 version)
113
Leonore, Hess 109: Act III. “Und Rocco eilt”
114
Leonore, Hess 109: Act III, no. 16. Quartet “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco)
115
Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!”
116
Leonore, Hess 109: Act III, no. 17. Recitation and Duet “Ich kann mich noch nicht fassen” (Florestan, Leonore) (2 cuts and substitute passage of 13 bars from 1806 version, first 2 bars cut in 1805 version restored)
117
Leonore, Hess 109: Act III, no. 18. Finale. “Zur Rache! Zur Rache!” (choir, Leonore, Florestan, Rocco, Fernando, Jaquino, Marzelline) (small cut with added lines for Jacuino and Marzelline from 1806 version)
118
Leonore, Hess 109: Act III, no. 18. Finale. “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Fernando, Rocco, choir)
119
Leonore, Hess 109: Act III, no. 18. Finale. “So müssen endlich Aufgeklärte”
120
Leonore, Hess 109: Act III, no. 18. Finale. “Doch höre erst, du Bösewicht” (Fernando, choir, Leonore, Florestan)
121
Leonore, Hess 109: Act III, no. 18. Finale. “Dann herrscht allgemeine Freiheit und Gleichheit der Geister”
122
Leonore, Hess 109: Act III, no. 18. Finale. “Nein, nein, nein! Erst ist noch zu gering bestraft!” (choir)
123
Leonore, Hess 109: Act III, no. 18. Finale. “Ein höherer geist, vom Himmel gesandt”
124
Leonore, Hess 109: Act III, no. 18. Finale. Recitation “Der König wird dein Richter sein!” (Fernando, choir)
125
Leonore, Hess 109: Act III, no. 18. Finale. Recitation “Der König wird dein Richter sein!” (Fernando, choir)
126
Leonore, Hess 109: Appendix, no. 7a. March (alternative version) in B‐flat major
127
Historical influences on Beethoven
128
The technical demands made of instrumentalists
129
Using period instruments
130
Beethoven's tempo markings
131
The political dimension of Beethoven's music
132
Summing up
133
Historischer Einfluss auf Beethoven
134
Technische Anforderungen an Instrumentalisten
135
Über den Einsatz historischer Instrumente
136
Beethovens Tempobezeichnungen
137
Politische Dimension in der Musik Beethovens
138
Zum Schluss
139
Influence historique sur Beethoven
140
Conditions pour les instrumentistes
141
Utilisation d'instruments historiques
142
Les marques de tempo de Beethoven
143
Dimension politique dans la musique de Beethoven
144
Les symphonies de Beethoven
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