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Columbus,
OH
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Early Music Consort of London
Discography
Instruments of the Middle Ages and Renaissance
Instruments of the Middle Ages and Renaissance
Featuring
David Munrow
Release year
1976
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Tracklist
1
Shawm: Saltarello
2
Reed pipe: Shepherd’s tune
3
Bagpipes: (a) Cylindrical chanter: Saltarello; (b) Conical chanter: Ballade “Dame, se vous m’estés”
4
Bladder pipes: Pastourelle “Au tans d’aost”
5
Panpipes: A prisai qu’en chantant plour
6
Transverse flute: Ach owê, daz nâch liebe ergât
7
Six-holed pipe: Dou tres douz non
8
Double pipes: Virelai “Gracïeuse”
9
Pipe and tabor: Dansa “Ben volgra, s’esser poges”
10
Recorder: English Te Deum
11
Gemshorn: Chansonnette “Quan je voi iver retorner”
12
Portative organ: Madrigal “Ay, sconsolato ed amoroso”
13
Positive organ: Estampie
14
Hurdy-gurdy: Chanson “Joliveté et bone amor”
15
Clavichord: Ellend du hast
16
Trumpet: (a) Clarion: Fanfare “Untarn slaf tut den sumer wol”; (b) Buisine: Fanfare “Ad modum tubae”
17
(a) Cowhorn: Ballade “De moi doloureus”; (b) Medieval Cornett: Das Nachthorn; (c) Slide trumpet: Geisslerlied “Maria muoter reinû maît”; (d) Ensemble (medieval cornett, slide trumpet, alto shawm, tabor): Der Trumpet
18
Harp: (a) Metal strung: Lai “Qui porroit un guierredon”; (b) Gut strung: Dance tune
19
Lyre: Goliard melody “O Roma nobilis”
20
Psaltery: Hymn to St Magnus “Nobilis humilis”
21
Dulcimer: Madrigal “Tanto soavemente”
22
Lute: Madrigal “Di novo è giunto”
23
Mandora: Chanson “Amours que porra”
24
Long-necked lute: Aquel que de voontade
25
Cittern: Virelai “Quant je sui mis”
26
Citole: English dance
27
Rebec: La septime estampie real
28
Fiddle: Ballata “Poi che da te mi convien”
29
Bowed lyre: Virelai “Comment qu’a moy”
30
Tromba marina: Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire”
31
Shawm: Two courantes
32
Curtal: Chanson “Ce qui souloit”
33
Rackett: Caro ortolano
34
Crumhorn: Padouana
35
Cornamuse: Bicinium “Le cuer de vous”
36
Kortholt: Bicinium “Mon petit cuer”
37
Rauschpfeife: Three Bransles Doubles
38
Flute: Chanson “Amor me poingt”
39
Recorder (a) 8′ Consort: Chanson “Hellas! Amour”
40
The Fairie Round
41
Renaissance organ: Entrada réal
42
Regal: (a) Prelude “Ascensus simplex”; (b) “Min Hertz hat sich ser gefröwet”
43
Harpsichord: Toccata from the Naples MS
44
Virginals: Variations on the Romanesca
45
Xylophone: Ballo Francese
46
Trumpet: (a) Unmuted: Toccata from Orfeo, 1607; (b) Muted: Toccata from Orfeo, 1607
47
Sackbut: (a) Solo: Adagio and Allegro; (b) Consort: “Lobt Gott ihr Christen alle gleich”
48
Cornett: Canzona for “due canti”
49
Alto and tenor cornett: Bicinium “Amour cruel”
50
Serpent: Canzona Quarta for “basso solo”
51
Lute: Orlando sleepeth
52
Theorbo: A Fancy — Praelude, or Voluntary
53
Mandora: Ballo Anglese
54
Cittern: Galliarde for cittern and bass
55
Ceterone: Toccata prima
56
Bandora: Galliard
57
Orpharion: Duet “Le Rossignol”
58
Vihuela: Fantasia XI from El maestro, 1536
59
Guitar: Pavana (Variations on the Romanesca)
60
Viol: (a) Consort: Fantasy in four parts; (b) Lyra viol: Duet “Forget me not”
61
Violin: La volta