The Complete Erato Recordings: Baroque & Renaissance Eras | Michel Corboz

Release year 2022

Tracklist

1

Missa a 4 voci da capella, SV 190: I. Kyrie

2

Missa a 4 voci da capella, SV 190: II. Gloria

3

Missa a 4 voci da capella, SV 190: III. Credo

4

Missa a 4 voci da capella, SV 190: IV. Sanctus

5

Missa a 4 voci da capella, SV 190: V. Benedictus

6

Missa a 4 voci da capella, SV 190: VI. Agnus Dei

7

Tenebrae factae sunt, motet

8

Three Lamentations of Jeremiah: De Lamentatione Jeremiae

9

Three Responses for the Matins of Holy Saturday: Sicut ovis

10

Three Lamentations of Jeremiah: Aleph. Quomodo obscuratum est aurum

11

Three Responses for the Matins of Holy Saturday: Jerusalem surge

12

Three Lamentatione of Jeremiah: Incipit lamentatio Jeremiae

13

Three Responses for the Matins of Holy Saturday: Plange quasivirgo

14

Intellige clamorem meum

15

Salvum fac populum tuum

16

Exaltabo te Domine quoniam

17

Domine vivifica me

18

Ad te Domine levavi

19

Exsultate Deo adjutori

20

Missa ad usum Capellae Pontificiae: I. Kyrie

21

Missa ad usum Capellae Pontificiae: II. Gloria

22

Missa ad usum Capellae Pontificiae: III. Credo

23

Missa ad usum Capellae Pontificiae: IV. Sanctus

24

Missa ad usum Capellae Pontificiae: V. Benedictus

25

Missa ad usum Capellae Pontificiae: VI. Agnus Dei

26

Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)

27

Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)

28

Vespro della Beata Vergine, SV 206: III. Nigra sum (motetto ad una voce)

29

Vespro della Beata Vergine, SV 206: IV. Laudate pueri Dominum (Psalm 112) (octo vocibus)

30

Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)

31

Vespro della Beata Vergine, SV 206: VI. Laetatus sum (Psalm 121) (a sei voci)

32

Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)

33

Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus (Psalm 126) (a dieci voci)

34

Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)

35

Vespro della Beata Vergine, SV 206: X. Lauda, Jerusalem (Psalm 147) (septem vocibus)

36

Vespro della Beata Vergine, SV 206: XII. Sonata sopra Santa Maria pro nobis (a 8)

37

Vespro della Beata Vergine, SV 206: XIII. Ave maris stella Hymnis (octo vocibus)

38

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIV. Magnificat

39

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XV. Anima mea Dominum (a 2 voci)

40

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVI. Et exultavit (a 3 voci)

41

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVII. Quia respexit (ad una voce sola)

42

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVIII. Quia fecit (a 6 voci in dialogo)

43

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIX. Et misericordia (a 3 voci)

44

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XX. Fecit potentiam (a 3 voci)

45

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXI. Deposuit, et cantano doi (soprani in echo)

46

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXII. Esurientes (a 2 voci)

47

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIII. Suscepit Israel (a 2 voci)

48

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIV. Sicut locutus est (a 5 voci in dialogo)

49

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXV. Gloria Patri (a 6 voci)

50

Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXVI. Sicut erat in principio

51

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVII. Magnificat

52

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVIII. Anima mea Dominum (ad una voce sola)

53

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXIX. Et exultavit (a 3 voci)

54

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXX. Quia respexit (ad una voce et sei instrumenti)

55

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXI. Quia fecit (a 3 voici et doi instrumenti)

56

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXII. Et misericordia (a 6 voci sole in dialogo)

57

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIII. Fecit potentiam (ad una voce et tre instrumenti)

58

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIV. Deposuit potentes (ad una voce et tre instrumenti)

59

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXV. Et exultavit (ad una voce et tre instrumenti)

60

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVI. Esurientes (a 2 voici et quattro instrumenti)

61

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVII. Suscepit Israel (a 3 voci)

62

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVIII. Sicut locutus est (ad una voce et sei instrumenti)

63

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIX. Gloria Patri (a 3 voci due de le quali cantano in echo)

64

Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XL. Sicut erat in principio (tutti gli instrumenti et voci)

65

Laetatus sum, SV 198 (a 5 strumenti e 6 voci)

66

Nisi Dominus, SV 200 (a 3 voci e due violini, B.C. - alto, baritono, basso)

67

Laudate pueri Dominum, SV 196 (a 5 voci e B.C.)

68

Laetaniae della Beata Virgine, SV 204 (a 5 voci e B.C. - soprano, alto)

69

Currite populi, SV 297 (a voce sola e B.C. - baritono)

70

O beatae viae, SV 312 (a 2 voci e B.C. - soprano, alto)

71

Gloria, SV 258 (a 7 voci concertate con strumenti)

72

Salve Regina, SV 284 (a 2 voci e B.C. - 2 soprani)

73

Laudate Dominum jomnes gentes, SV 272a (a 5 voci concerto con 2 violini e B.C.)

74

Confitebor, SV 266 (a 3 voci concerto con 2 violini e B.C. - soprano, tenore, basso)

75

Magnificat, SV 282 (a 4 voci in genere da capella)

76

Dixit Dominus, SV 264 (a 8 voci, coro, soli e orchestra)

77

O ciechi il tanto affaticar, SV 252 (coro e orchestra)

78

Voi ch'ascoltate, SV 253 (soli e orchestra)

79

E questa vita un lampo, SV 254 (coro e 5 voci)

80

Et iterum, SV 261 (2 tenori e baritono)

81

Deus tuorum militum, SV 280 (3 voci e 2 violini - alto, tenore, basso)

82

Laudate Dominum omnes gentes, SV 272 (voce sola)

83

Magnificat, SV 281 (a 8 voci, coro, soili e orchestra)

84

Fuge, fuge, anima mea, SV 305 (2 voci e violino)

85

Adoramus, SV 289 (coro a 6 voci)

86

Ego dormio, SV 300 (tenor e basso)

87

Venite, venite silientes, SV 335 (soprano e alto)

88

Confitebor, SV 267 (coro e soprano)

89

Spontava il di, SV 255 (alto, tenore, baritono)

90

Chi vol che m'innamori, SV 256 (alto, tenore, baritono e 2 violini)

91

Sanctorum meritis, SV 277 (voce sola e 2 violini)

92

Beatus vir, SV 269 (coro a 5 voci)

93

Laudate pueri Dominum, SV 271 (coro a 5 voci e 2 tenori)

94

Jubilet tota civitas, SV 286 (soprano)

95

Memento, SV 276 (coro a 8 voci)

96

Ab aeterno, SV 262 (basso)

97

Nisi Dominus, SV 201 (coro a 6)

98

Confitebor, SV 296 (soprano e orchestra)

99

Dixit Dominus, SV 192 (doppio coro)

100

Laudate Dominum, SV 197 (voce sola)

101

Cantate Domino, SV 292 (a 2 voci)

102

Christe adoramus te, SV 294 (coro a 5 voci)

103

Salve Regina, SV 327 (voce sola)

104

Domine, ne in furore, SV 298 (coro a 6 voci)

105

Sancta Maria, SV 328 (soprano e alto)

106

Lauda Jerusalem, SV 203 (coro a 5 voci)

107

Dixit Dominus, SV 263 (a 8 voci, coro, soli e orchestra)

108

Salve Regina, SV 285 (alto, tenore e basso)

109

Iste confessor, SV 279 (a 2 soprani e 2 violini)

110

Beatus vir, SV 268 (coro e orchestra)

111

Confitebor, SV 265 (contro-tenore, tenore, basso, coro)

112

Salve Regina, SV 283 (2 tenori e 2 violini)

113

Laudate Dominum, SV 273 (a 8 voci, coro e orchestra)

114

Et resurrexit, SV 260 (2 soprani e 2 violini)

115

Beatus vir, SV 195 (a 7 voci, coro, soli e orchestra)

116

Salve Regina, SV 326 (voce sola - soprano)

117

Confitebor, SV 194 (2 voci e orchestra - soprano, tenor)

118

Dixit Dominus, SV 191 (a 8 voci, coro e soli)

119

O bone Jesu, SV 313 (a 2 voci - soprano, alto)

120

O quam pulchra, SV 317 (voce sola - tenore)

121

En gratulemur hodie, SV 302 (1 voce e 2 violini - tenore)

122

Laetatus sum, SV 199 (coro a 5 voci)

123

Laudate pueri Dominum, SV 270 (a 5 voci, coro, basso solo e orchestra)

124

Pianto della Madonna sopra il Lamento dell'Ariana, SV 288 (voce sola - alto)

125

Crucifixus, SV 259 (coro a 4 voci)

126

Sanctorum meritis, SV 278 (1 voce e 2 violini - tenore)

127

Laudate Dominum, SV 274 (a 8, coro e soli - 2 soprani)

128

Cantate Domino, SV 293 (coro a 6 voci)

129

Lauda Jerusalem, SV 202 (contro-tenore, baritono e basso)

130

Ecce sacrum paratum, SV 299 (voce sola - tenore)

131

Ego flos campi, SV 301 (voce sola - alto)

132

Credidi procter, SV 275 (doppio coro)

133

134

Orfeo: Prologo: Ritornello (La Musica)

135

Orfeo: Atto Primo. “In questo lieto e fortunato giorno”

136

Orfeo: Atto Primo. “Vieni Imeneo”

137

Orfeo: Atto Primo. “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, Chorus of Nymphs and Shepherds)

138

Orfeo: Atto Primo. “Lasciate i monti”

139

Orfeo: Atto Primo. “Ma tu, gentil cantor” - “Rosa del ciel, vita del mondo” / “Io non dirò qual sia” (Chorus of Nymphs and Shepherds, Shepherd 3, Orfeo, Euridice)

140

Orfeo: Atto Primo. “Vieni Imeneo, deh, vieni” (Chorus of Nymphs and Shepherds)

141

Orfeo: Atto Primo. “Ma s'il nostro gioir…” - Ritornello

142

Orfeo: Atto Primo. “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, Chorus of Nymphs and Shepherds)

143

Orfeo: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta”

144

Orfeo: Atto Secondo. “In questo prato adorno” (Orfeo, Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)

145

Orfeo: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)

146

Orfeo: Atto Secondo. “Mira, deh mira” - “Ahi caso acerbol ahi fat' empio e crudele!” - “Tu se' morta, mia vita, ed io respiro?” (Messenger, Orfeo, Shepherds)

147

Orfeo: Atto Secondo. “Ahi caso acerbo, ahi fat'empio e crudele!”

148

Orfeo: Atto Secondo. “Maio ch'in questa lingua” (Messenger, Chorus of Nymphs and Shepherds)

149

Orfeo: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)

150

Orfeo: Sinfonia - “Scorto da te, mio Nume” (Orfeo)

151

Orfeo: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)

152

Orfeo: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)

153

Orfeo: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)

154

Orfeo: Atto Terzo. “Sol tu, nobile dio, puoi darmi aita” (Caronte, Orfeo)

155

Orfeo: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)

156

Orfeo: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (Chorus of Infernal Spirits)

157

Orfeo: Atto Quarto. “Signor, quell'infelice” (Proserpina)

158

Orfeo: Atto Quarto. “Benchè severo ed”

159

Orfeo: Atto Quarto. “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, Chorus of Infernal Spirits)

160

Orfeo: Atto Quarto. “Qual onor di te fia degno” (Orfeo)

161

Orfeo: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, Chorus of Infernal Spirits)

162

Orfeo: Atto Quarto. “E' la virtute un raggio” - Sinfonia (Chorus of Infernal Spirits)

163

Orfeo: Atto Quinto. Ritornello

164

Orfeo: Atto Quinto. “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)

165

Orfeo: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)

166

Orfeo: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)

167

Orfeo: Atto Quinto. Ritornello - “Vanne, Orfeo, felice appieno” - Moresca (Chorus)

168

Il estoit une fillette: Chanson à quatre (1540)

169

Il estoit une fillette: Ronde (1551)

170

Il estoit une fillette: Chanson accompagnée

171

Mari je songeois l'aultre jour: Chanson à quatre (1532)

172

Mari je songeois l'aultre jour: Branle gay (1547)

173

Mari je songeois l'aultre jour: Branle gay (1564)

174

Pourquoi donc ne fringuerons-nous: Chanson à quatre (1533)

175

Pourquoi donc ne fringuerons-nous: Rondo (1551)

176

C'est grand plaisir: Chanson à trois (1529)

177

C'est grand plaisir: Chanson transcrite pour clavier (1531)

178

C'est grand plaisir: Tourdion (1547)

179

Mille regretz: Chanson à quatre (1520)

180

Mille regretz: Pavane (1551)

181

C'est à grand tort: Chanson à quatre (1520)

182

C'est à grand tort: Chanson transcrite pour clavier (1531)

183

C'est à grand tort: Chanson transcrite pour deux instruments (1552)

184

La Volonté: Basse danse (1547)

185

La Volonté: Chanson à quatre (1543)

186

Celle qui m'a le nom d'amy donné: Chanson à quatre (1543)

187

Celle qui m'a le nom d'amy donné: Basse danse (1547)

188

Ramonez-moi ma cheminée: Chanson à quatre (1539)

189

Jectez-moi sur l'herbette: Chanson à quatre (1533)

190

Suite de danseries, tirée du « Second livre » (1547): Pavane 47

191

Suite de danseries, tirée du « Second livre » (1547): Gaillarde 49

192

Suite de danseries, tirée du « Second livre » (1547): Gaillarde 50 (à cinq, sur La Romanesca)

193

Suite de danseries, tirée du « Second livre » (1547): Basse danse 19

194

Suite de danseries, tirée du « Second livre » (1547): Branle simple 21

195

Suite de danseries, tirée du « Second livre » (1547): Branle simple 35

196

Suite de danseries, tirée du « Second livre » (1547): Tourdion 9

197

Suite de danseries, tirée du « Second livre » (1547): Tourdion 10

198

Suite de danseries, tirée du « Second livre » (1547): Branle gay 36 “Que je chatouille ta fossette”

199

Suite de danseries, tirée du « Second livre » (1547): Branle gay 23

200

J'ay le rebours: Chanson à quatre (1562)

201

J'ay le rebours: Pavane (1571)

202

J'ay le rebours: Gaillarde (1571)

203

Dont viens cela: Chanson à quatre (1530)

204

Dont viens cela: Basse danse (1551)

205

Auprès de vous: Chanson à quatre (1530)

206

Auprès de vous: Basse danse (1547)

207

Auprès de vous: Chanson transcrite pour clavier (1531)

208

Fricassée: Chanson à quatre, accompagnée (1531)

209

La Chère Maison

210

Les Bonnes Dames de Saint‐Gervais

211

J’ai descendu au verger

212

Heureux celui qui revoit sa patrie

213

Oh ! que la vie est douce chose

214

La Jardinière du roy

215

216

Nous n’avons chez nous

217

Nouthra Dona di Maortsé

218

Trois jeunes tambours

219

C’est le joly mois de may

220

Gentil coqu’licot

221

Mon père tôt m’a mariée

222

223

J’ai vu le loup, le renard, le lièvre

224

Rossignolet du bois

225

Le Vira do minho

226

Les Yeux de la Marianita

227

Berceuse polonaise

228

Le jour est là

229

Chanson dans le vent “Pisnicka”

230

“Or sus tous humains”

231

“Que Dieu se montre seulement”

232

“Laisse-moi désormais”

233

“Mon cœur rempli”

234

“O Seigneur”

235

“Du fond de ma pensée”

236

Mass “La Bien que j'ay”: I. Introit

237

Mass “La Bien que j'ay”: II. Kyrie

238

Mass “La Bien que j'ay”: III. Gloria

239

Mass “La Bien que j'ay”: IV. Alleluia

240

Mass “La Bien que j'ay”: V. Credo

241

Mass “La Bien que j'ay”: VI. Offertoire

242

Mass “La Bien que j'ay”: VII. Sanctus

243

Mass “La Bien que j'ay”: VIII. Benedictus

244

Mass “La Bien que j'ay”: IX. Communion

245

Mass “La Bien que j'ay”: X. Agnus Dei

246

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: I. Symphonie - Récit et chœur: “De profundis clamavi”

247

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: II. Quator: “Fiant aures tuae”

248

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: III. Récit: “Si iniquitates observaveris Domine”

249

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IV. Trio: “Quia apud te apropriatio est”

250

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: V. Récit: “Sistinuit anima”

251

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VI. Trio: “Sistinuit anima” - Récit: “A Custodia matutina”

252

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VII. Due et chœur: “A Custodia matutina”

253

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VIII. Récit: “Quia apud Dominum misericordia”

254

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IX. Chœur: “Et ipse redimet Israel”

255

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: X. Chœur: “Requiem aeternam”

256

De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: XI. Chœur: “Et lux perpetua”

257

Regina coeli, pour soli, chœur et orchestre, S. 53: I. Duo et chœur: “Regina coeli laetare”

258

Regina coeli, pour soli, chœur et orchestre, S. 53: II. Récit: “Quia quem meruisit” - Trio: “Resurrexit”

259

Regina coeli, pour soli, chœur et orchestre, S. 53: III. Chœur: “Ora pro nobis, Deum, Alleluia”

260

Ricercare per sonar (in 8 parts: brass instruments)

261

Risonanza di echo (8 solo voices)

262

L'Olica, canzon per sonar (in 4 parts: violas)

263

Non dispregiate i miserelli amanti (3 solo voices and violas da gamba)

264

Padre del ciel (in 5 parts: organ)

265

Boscareccia pastorale (12 voices triple chorus)

266

Hor che nel suo bel seno (8 voices double chorus)

267

Canone a l'unissono (in 8 parts: brass instruments and organ)

268

Lieti fieri e felici, e ben nate erbe (in 5 parts: mezzo-soprano and violas)

269

Sparve e ogni stella in cielo (in 6 parts: 2 trumpets and violas)

270

Pasce la pecorella (in 5 parts: soprano, tenor, violas and harpsichord)

271

Canzone prima: “La Spiratata” (in 4 parts: brass instruments, violas and continuo)

272

Io mi sento morire (in 8 parts: brass instruments)

273

Canzon fa-sol-la-ré (in 8 parts: double chorus, brass instruments, vioas da gamba and organ)

274

Niuna sconsolata (soprano and violas da gamba)

275

Canzon seconda (in 4 parts: organ)

276

Poi ch'il mio largo pianto (5 solo voices)

277

Tratto fuora del Mare (in 6 parts: recorder, violas da gamba and harpsichord)

278

Echo Vinegia bella (12 voices chorus)

279

Canzon per sonar (in 4 parts: brass instruments)

280

Battaglia (8 voices, first and second part)

281

Gravi pene in amor (in 5 parts: brass instruments)

282

Amor è gratiosa e dolce voglia (5 solo voices)

283

Canzon per sonar (in 4 parts: violas)

284

Non rumor di tamburi (7 solo voices)

285

Canzone (in 5 parts: recorder, violas da gamba and harpsichord)

286

A le guancie di rose (8 solo voices dialog)

287

Canzone quarta (in 4 parts: organ)

288

Plaudite omnis terra

289

Miserere mei, Deus

290

Domine exaudi orationem meam

291

292

Canzon noni toni

293

Diligam te Domine

294

295

296

297

298

Canzon primi toni

299

Ego rogabo patrem

300

301

302

303

O Domine Jesu Christe

304

Hodie Christus natus est

305

306

Sancta et immaculata Virginatas

307

Angelus Domini descendit

308

309

Jam non dicam vos servos

310

Misericordias Domini

311

312

O Jesu mi dulcissime

313

314

Ego sum qui sum

315

Magnificat in D major, BWV 243: I. Magnificat (chorus)

316

Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)

317

Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)

318

Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)

319

Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)

320

Magnificat in D major, BWV 243: VI. Et misericordia (alto, tenor)

321

Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)

322

Magnificat in D major, BWV 243: VIII. Deposuit potentes (chorus)

323

Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)

324

Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)

325

Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)

326

Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)

327

Cantata “Es wartet alles auf dich”, BWV 187: I. Chorus: “Es wartet alles auf dich”

328

Cantata “Es wartet alles auf dich”, BWV 187: II. Recitative: “Was Kreaturen häit, das große Rund der Welt” (bass)

329

Cantata “Es wartet alles auf dich”, BWV 187: III. Aria: “Du, Herr, du krönst allein das Jahr” (alto)

330

Cantata “Es wartet alles auf dich”, BWV 187: IV. Aria: “Darum sollt ihr nicht sorgen” (bass)

331

Cantata “Es wartet alles auf dich”, BWV 187: V. Aria: “Gott versorget alles Leben” (soprano)

332

Cantata “Es wartet alles auf dich”, BWV 187: VI. Recitative: “Halt ich nur fest an ihm” (soprano)

333

Cantata “Es wartet alles auf dich”, BWV 187: VII. Choral: “Gott hat die Erde zugericht” (chorus)

334

Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)

335

Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)

336

Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)

337

Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis (chorus)

338

Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)

339

Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)

340

Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)

341

Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)

342

Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)

343

Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)

344

Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)

345

Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)

346

Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)

347

Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)

348

Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano, mezzo-soprano)

349

Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)

350

Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)

351

Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)

352

Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)

353

Mass in B minor, BWV 232: Credo. XIX. Confiteor

354

Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)

355

Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)

356

Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)

357

Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)

358

Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)

359

Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)

360

Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)

361

Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vocasset in proelium” (Historicus, Jephte, chorus)

362

Historia di Jephte, oratorio for soli, chorus and orchestra: “Et percussit Jephte” (Historicus)

363

Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum autem victor Jephte” (Historicus, Filia, chorus)

364

Historia di Jephte, oratorio for soli, chorus and orchestra: “Cantate mecum Domino” (Filia, chorus)

365

Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vidisset Jephte” (Historicus, Jephte)

366

Historia di Jephte, oratorio for soli, chorus and orchestra: “Pater mi, si voviste votum Domino” (Filia, Jephte)

367

Historia di Jephte, oratorio for soli, chorus and orchestra: “Vade filia mea” (Jephte, Historicus a 4)

368

Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate colles” (Filia, Eccho)

369

Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate filii Israel” (chorus)

370

Motet “O qual pulchra es”, for soprano, strings and continuo

371

Motet “O vulnera dolorim”, for bass and organ

372

Motet “Salve, salve puellule”, for tenor, strings and continuo

373

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Aegrotante Ezechia” (Angeli, Dominus)

374

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Ezechia, hoc tibi dicit Dominus” (Isaias, Ezechias, Angeli)

375

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Obsecro, Domine” (Ezechias)

376

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Misertus est autem Dominus Ezechia et ait” (Angeli, Dominus, Ezechias)

377

Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Narrabimus omnes opera Domini” (chorus)

378

Tolle Sponsa for soprano, bass, chorus and continuo

379

Messa a otto voci, IGC 27: Kyrie

380

Messa a otto voci, IGC 27: Gloria

381

Messa a otto voci, IGC 27: Credo

382

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Tentavit Deus Abraham” (Historicus, Deus)

383

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Pater mi, ecce ignis” (Isaac, Historicus, Abraham)

384

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Non extendas manum tuam super Isaac” (Angelus, Abraham, Isaac)

385

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Vocavit et iterum Angelus Domini” (Historicus, Angelus, chorus)

386

Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Qui misit Angelum” (Abraham, chorus)

387

Messe pour les trépassés, H. 2: Symphonie - Kyrie

388

Messe pour les trépassés, H. 2: Dies irae (H. 12)

389

Messe pour les trépassés, H. 2: Liber scriptus

390

Messe pour les trépassés, H. 2: Juste judex

391

Messe pour les trépassés, H. 2: Oro supplex

392

Motet pour les trépassés, H. 311: Symphonie - Miseremini mei

393

Motet pour les trépassés, H. 311: Hei, hei mihi, Domine

394

Motet pour les trépassés, H. 311: Ritournelle - Ah, ah poenis crucior nimis asperis

395

Motet pour les trépassés, H. 311: Symphonie - Miseremini mei

396

Messe pour les trépassés, H. 2: Symphonie - Sanctus

397

Messe pour les trépassés, H. 2: Pie Jesu

398

Messe pour les trépassés, H. 2: Benedictus

399

Messe pour les trépassés, H. 2: Symphonie - Agnus Dei

400

Miserere des Jésuites, H. 193: Prélude

401

Miserere des Jésuites, H. 193: Miserere mei Deus (bass, chorus)

402

Miserere des Jésuites, H. 193: Amplius lava me (soli)

403

Miserere des Jésuites, H. 193: Ecce enim (soli, chorus)

404

Miserere des Jésuites, H. 193: Asperges me hysopo (tenor)

405

Miserere des Jésuites, H. 193: Auditui meo dabis gaudium (soli)

406

Miserere des Jésuites, H. 193: Averte faciem tuam a peccatis meis (soli, chorus)

407

Miserere des Jésuites, H. 193: Ne projicias me a facie tua (soprano, alto)

408

Miserere des Jésuites, H. 193: Docedo iniquos vias tuas (chorus)

409

Miserere des Jésuites, H. 193: Libera me de sanguinibus Deus (bass, tenor, chorus)

410

Miserere des Jésuites, H. 193: Sacrificium Deo spiritus contribulatus (soprano)

411

Miserere des Jésuites, H. 193: Benigne fac Domine (soprani)

412

Miserere des Jésuites, H. 193: Tunc acceptabilis sacrificium iusititiae oblationes (chorus)

413

Mass in F major, BWV 233: I. Kyrie

414

Mass in F major, BWV 233: II. Gloria

415

Mass in F major, BWV 233: III. Domine Deus

416

Mass in F major, BWV 233: IV. Qui tollis

417

Mass in F major, BWV 233: V. Quoniam

418

Mass in F major, BWV 233: VI. Cum sancto Spiritu

419

Mass in A major, BWV 234: I. Kyrie

420

Mass in A major, BWV 234: II. Gloria

421

Mass in A major, BWV 234: III. Domine Deus

422

Mass in A major, BWV 234: IV. Qui tollis

423

Mass in A major, BWV 234: V. Quoniam

424

Mass in A major, BWV 234: VI. Cum Sancto Spiritu

425

Sanctus in D minor (after an unknown work), BWV 239

426

Sanctus in G major (doubtful), BWV 240

427

Sanctus in D major after Kerll, BWV 241

428

Mass in G major, BWV 236: I. Kyrie

429

Mass in G major, BWV 236: II. Gloria

430

Mass in G major, BWV 236: III. Gratias agimus tibi

431

Mass in G major, BWV 236: IV. Domine Deus

432

Mass in G major, BWV 236: V. Quoniam

433

Mass in G major, BWV 236: VI. Cum Sancto Spiritu

434

Mass in G minor, BWV 235: I. Kyrie

435

Mass in G minor, BWV 235: II. Gloria

436

Mass in G minor, BWV 235: III. Gratias agimus tib

437

Mass in G minor, BWV 235: IV. Domine Fili

438

Mass in G minor, BWV 235: V. Qui tollis

439

Mass in G minor, BWV 235: VI. Cum Sancto Spiritu

440

Sanctus in D major (after an unknown work), BWV 238

441

Christe eleison in G minor, BWV 242

442

Sanctus in C major, BWV 237

443

Un gay bergier: Vocal version

444

Un gay bergier: Instrumental version

445

Anchor che co'l partire: Lute version

446

Anchor che co'l partire: Vocal version

447

Anchor che co'l partire: Instrumental version

448

Ver'inferno: Vocal version

449

Ver'inferno: Lute version

450

Susanne un jour: Vocal version

451

Susanne un jour: Instrumental version

452

Frais et gaillart: Vocal version

453

Frais et gaillart: Instrumental version

454

Fantasia senza canto, for lute

455

Tirsi morir volea, vocal version

456

Salmo quarantesimosecondo “Judica me Deus” (Psalm 42), for bass and string orchestra

457

Salmo quarto “Cum invocarem exaudivit” (Psalm 4), for alto, soprano, women's chorus and continuo

458

Salmo vigesimonono “Exaltabo Te Domine” (Psalm 29), for tenor, baritone, chorus and orchestra

459

Salmo quarantesimosesto “Omnes gentes plaudite manibus” (Psalm 46), for soprano and continuo

460

Salmo decimo “In Domino confido” (Psalm 10), for soli, chorus, and orchestra

461

Salmo undecimo “Salvum me fac Domine” (Psalm 11), for two altos, chorus and continuo

462

Salmo trigesimosesto “Moli aemulari in malignantibus” (Psalm 36), for soli, chorus and continuo

463

Lamento della ninfa, SV 163 (Book VIII, Canti amorosi)

464

Ohimè ch'io cado, SV 316

465

Si ch'io vorrei morire, SV 89 (Book IV)

466

Bei pastor, SV 168 (Book IX)

467

Eccomi pronta ai baci, SV 135 (Book VII)

468

Ecco mormorar l'onde, SV 51 (Book II)

469

Hor che'l ciel e la terra, SV 147 (Book VIII, Canti guerrieri)

470

La mia turca, SV 310

471

Perchè fuggi tra salci, SV 128 (Book VII)

472

Presso un fiume tranquillo, SV 116 (Book VI)

473

Si dolce è il tormento, SV 332

474

Sfogava con le stelle, SV 78 (Book IV)

475

Di far sempre gioire, SV 89 (Book IV)

476

Maladetta sia l'aspetto, SV 246 (Scherzi musicali II)

477

Non è di gentil core, SV 118 (Book VII)

478

Io mi son giovinetta, SV 86 (Book IV)

479

Questi vaghi concenti, SV 106 (Book V)

480

Tirsi e Clori, SV 145 (Book VII)

481

Ardo e scoprir, SV 158 (Book VIII, Canti amorosi)

482

Vorei baciarti o Filli, SV 123 (Book VII)

483

Lasciatemi morire, from Lamento d'Arianna a 5, SV 107 (Book VI)

484

Concerto in D minor BWV 1052: I. Allegro

485

Concerto in D minor BWV 1052: II. Adagio

486

Concerto in D minor BWV 1052: III. Allegro

487

Concerto in A major, BWV 1055: I. Allegro

488

Concerto in A major, BWV 1055: II. Larghetto

489

Concerto in A major, BWV 1055: III. Allegro ma non tanto

490

Concerto in F minor, BWV 1056: I. Allegro

491

Concerto for Harpsichord in F minor, BWV 1056: II. Largo-Arioso

492

Concerto in F minor, BWV 1056: III. Presto

493

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: I. Gloria in excelsis Deo (chorus)

494

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: II. Et in terra pax (chorus)

495

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: III. Laudamus te (2 sopranos)

496

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IV. Gratias agimus tibi (chorus)

497

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: V. Procter magnam gloriam (chorus)

498

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VI. Domine Deus (soprano)

499

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VII. Domine Fili unigenite (chorus)

500

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VIII. Domine Deus, Agnus Dei (alto, chorus)

501

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IX. Qui tollis peccata mundi (chorus)

502

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: X. Qui sedes ad dexteram Patris (alto)

503

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XI. Quoniam tu solus sanctus (chorus)

504

Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XII. Cum Sancto Spiritu (chorus)

505

Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: I. Kyrie eleison (double chorus)

506

Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: II. Christe eleison (2 sopranos, 2 altos)

507

Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: III. Kyrie eleison (double chorus)

508

Credo in E minor, RV 591, for chorus and string orchestra: I. Credo in unum Deum

509

Credo in E minor, RV 591, for chorus and string orchestra: II. Et in terra pax (chorus)

510

Credo in E minor, RV 591, for chorus and string orchestra: III. Laudamus te (2 sopranos)

511

Credo in E minor, RV 591, for chorus and string orchestra: IV. Gratias agimus tibi (chorus)

512

Altri canti d'amore, SV 146 (Book VIII, Canti guerrieri)

513

Io son pur vezzosetta pastorella, SV 121 (Book VII)

514

Gira il nemico insidioso amore, SV 148 (Book VIII, Canti guerrieri)

515

Qual si può, SV 1 (Canzonette)

516

Tempro la cetra, SV 117 (Book VII)

517

Soave libertate, SV 130 (Book VII)

518

Su, su, su, pastorelli vezzosi, SV 166 (Book VII, Canti amorosi)

519

La fiera vista, SV 3 (Canzonette)

520

O come sei gentile, SV 120 (Book VII)

521

Ardo avvampo mi struggo, SV 152 (Book VII, Canti guerrieri)

522

Non giacinti o narcisi, SV 43 (Book II)

523

Tornate, i cari baci, SV 129 (Book VII)

524

Zefiro torna, SV 108 (Book VI)

525

S'andasse amor a caccia, SV 49 (Book II)

526

Eri già tutta mia, SV 248 (Scherzi musicali II)

527

Quel sguardo sdegnosetto, SV 247 (Scherzi musicali II)

528

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Incenerite spoglie, avara tomba

529

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ditelo, o fiume e voi ch'udiste

530

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Darà la notte il sol

531

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ma te raccoglie, o ninfa

532

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): O chiome d'or, neve gentil de seno

533

Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Dunque amate reliquie

534

Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Ninfa che scalza il piede

535

Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Qui deh meco t'arresta

536

Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Dell'usate mie corde

537

Dolcissimo uscignolo, SV 161 (Book VIII, Canti amorosi)

538

Interrotte sepranze, SV 132 (Book VII)

539

Non sono in queste rive, SV 45 (Book II)

540

O viva fiamma, SV 122 (Book VII)

541

Alcun non mi consigli, SV 169 (Book IX)

542

Al lume delle stelle, SV 138 (Book VII)

543

Ohimè dovè il mio ben (Romanesca), SV 140 (Book VII)

544

S'el vostro cor madonna, SV 131 (Book VII)

545

Raggi dov'è il mio bene?, SV 4 (Canzonette)

546

Il mio martir, SV 6 (Canzonette)

547

Son questi i crespi crini, SV 7 (Canzonette)

548

Keyboard Concerto in C major, op. 7 no. 1: I. Allegretto

549

Keyboard Concerto in C major, op. 7 no. 1: II. Menuetto

550

Keyboard Concerto in F major, op. 7 no. 2: I. (Allegro)

551

Keyboard Concerto in F major, op. 7 no. 2: II. Tempo di menuetto

552

Keyboard Concerto in B-flat major, op. 7 no. 4: I. Allegro giusto

553

Keyboard Concerto in B-flat major, op. 7 no. 4: II. Allegro di molto

554

Keyboard Concerto in D major, op. 7 no. 3: I. Allegro con spirito

555

Keyboard Concerto in D major, op. 7 no. 3: II. Rondo: Allegretto

556

Beatus vir, RV 597, pour soli, double choeur et orchestre: Beatus vir

557

Beatus vir, RV 597, pour soli, double choeur et orchestre: Potens in terra

558

Beatus vir, RV 597, pour soli, double choeur et orchestre: Gloria et divitiae

559

Beatus vir, RV 597, pour soli, double choeur et orchestre: Exortum est

560

Beatus vir, RV 597, pour soli, double choeur et orchestre: Jucuntus homo

561

Beatus vir, RV 597, pour soli, double choeur et orchestre: In memoria aeterna

562

Beatus vir, RV 597, pour soli, double choeur et orchestre: Paratum coe ejus

563

Beatus vir, RV 597, pour soli, double choeur et orchestre: Pecator videbit

564

Beatus vir, RV 597, pour soli, double choeur et orchestre: Gloria Patri

565

Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: I. Nulla in mundo pax sincera

566

Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: II. Recitativo: Blanco colore oculos mundus decepit

567

Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: III. Spirat anguis

568

Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: IV. Alleluia

569

Lauda Jerusalem, RV 609

570

Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Magnificat (choeur)

571

Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Et exultavit

572

Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Et misericordia (choeur)

573

Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Fecit potentiam (choeur)

574

Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Deposuit potentes (choeur)

575

Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Esurientes

576

Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Suscepit Israel (choeur)

577

Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Sicut locutus est (choeur)

578

Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Gloria (choeur)

579

Canta in prato, RV 623, motet for soprano, string orchestra and continuo: I. Canta in prato

580

Canta in prato, RV 623, motet for soprano, string orchestra and continuo: II. Recitativo: Saeva fulgescit nobis

581

Canta in prato, RV 623, motet for soprano, string orchestra and continuo: III. Avenae rusticae

582

Canta in prato, RV 623, motet for soprano, string orchestra and continuo: IV. Alleluia

583

"In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, I. In furore giustissimae irae

584

"In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, II. Miserationum Pater piissime

585

"In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, III. Tinc meus fletus

586

"In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, IV. Alleluia

587

Beatus vir, RV 598, for 2 sopranos, chorus, string orchestra and continuo

588

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: I. Dixit Dominus (chorus)

589

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: II. Donec ponam inimicos tuos (chorus)

590

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: III. Virgam virtutis tuae (soprano)

591

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IV. Tecum principium (soprano, alto)

592

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: V. Juravit Dominus (chorus)

593

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VI. Dominus e dextris tuis (soprano)

594

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VII. Judicabit (alto, chorus)

595

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VIII. De torrente (alto)

596

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IX. Gloria Patri / X. Sicut erat in principio (alto, tenor, bass, chorus)

597

Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: XI. Et in saecula saeculorum

598

"O qui coeli terraeque serenitas", Motete en Mi bemol Mayor para Voz solista, Cuerdas y Continuo, RV 631, I. O qui coeli terraeque

599

"O qui coeli terraeque serenitas", Motete en Mi bemol Mayor para Voz solista, Cuerdas y Continuo, RV 631, II. Fac ut sordescat tellus

600

"O qui coeli terraeque serenitas", Motete en Mi bemol Mayor para Voz solista, Cuerdas y Continuo, RV 631, III. Rosa quae moritur

601

"O qui coeli terraeque serenitas", Motete en Mi bemol Mayor para Voz solista, Cuerdas y Continuo, RV 631, IV. Alleluia

602

Te Deum, H. 146, for soli, chorus, and orchestra: I. Prélude: Rondeau

603

Te Deum, H. 146, for soli, chorus, and orchestra: II. Te Deum laudamus (bass)

604

Te Deum, H. 146, for soli, chorus, and orchestra: III. Te aeternum Patrem (soprano I/II, altus, tenor, chorus)

605

Te Deum, H. 146, for soli, chorus, and orchestra: IV. Te per orbem terrarum (altus, tenor, bass)

606

Te Deum, H. 146, for soli, chorus, and orchestra: V. Tu devicto mortis aculeo (bass, chorus)

607

Te Deum, H. 146, for soli, chorus, and orchestra: VI. Te ergo quaesumus (soprano I)

608

Te Deum, H. 146, for soli, chorus, and orchestra: VII. Aeterna fac cum sanctus tuis (soprano II, altus, tenor, bass, chorus)

609

Te Deum, H. 146, for soli, chorus, and orchestra: VIII. Dignare, Domine, die isto (soprano I/II, bass)

610

Te Deum, H. 146, for soli, chorus, and orchestra: IX. Fiat misericordia tua, Domine, super nos (soprano I, bass)

611

Te Deum, H. 146, for soli, chorus, and orchestra: X. In te, Domine, speravi (altus, tenor, bass, chorus)

612

Salve Regina pour 3 chœurs et orchestre

613

Tenebrae factae sunt pour basse et orchestre

614

In nativitatem Domini canticum, H. 416: III. Nuit (Orchestral interlude)

615

Seniores populi, H. 117, for altus and orchestra

616

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: I. Dixit Dominus (chorus)

617

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: II. Donec ponam inimicos tuos (chorus)

618

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: III. Virgam virtutis tuae (sopranos)

619

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IV. Tecum principium (alto)

620

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: V. Juravit Dominus (chorus)

621

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VI. Dominus a dextris tuis (tenor, bass)

622

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VII. Judicabit in nationibus (chorus)

623

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VIII. De torrente (soprano, chorus)

624

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IX. Gloria Patri (chorus)

625

Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: X. Sicut erat in principio (chorus)

626

"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, I. Stabat Mater

627

"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, II. Cujus animam

628

"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, III. O quam tristis

629

"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, IV. Quis est homo

630

"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, V. Quis non posset

631

"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, VI. Pro peccatis

632

"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, VII. Eja mater

633

"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, VIII. Fac ut ardeat

634

"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, IX. Amen

635

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. I. Chorus: “Lass, Fürstin, lass noch einen Strahl”

636

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. II. Recitative (soprano): “Dein Sachsen, dein bestürzes Meissen”

637

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. III. Aria (soprano): “Verstummt, verstummt, ihr holden Saiten!”

638

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. IV. Recitative (alto): “Der Glocken bebendes Getön”

639

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. V. Aria (alto): “Wie starb die Heldin so vergnügt!”

640

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VI. Recitative (tenor): “Ihr Leben liess die Kunst zu Sterben”

641

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VII. Chorus: “An Dir, du Fürbild grosser Frauen”

642

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. VIII. Aria (tenor): “Der Ewigkeit saphirnes Haus”

643

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. IX. Recitative - Arioso - Recitative (bass): “Was Wunder ist's?”

644

“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. X. Chorus: “Doch, Königin! du stirbest nicht”

645

“Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid”

646

“Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt”

647

“Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden”

648

“Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen”

649

“Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis”

650

“Jesu, der du meine Seele”, BWV 78: I. Chorus: “Jesu, der du meine Seele”

651

“Jesu, der du meine Seele”, BWV 78: II. Aria duetto (soprano, alto): “Wir eilen mit schwachen, doch emsigen Schritten”

652

“Jesu, der du meine Seele”, BWV 78: III. Recitative (tenor): “Ach! Ich bin eine Kind der Sünden”

653

“Jesu, der du meine Seele”, BWV 78: IV. Aria (tenor): “Das Blut, so meine Schuld durchstreicht”

654

“Jesu, der du meine Seele”, BWV 78: V. Recitative (bass): “Die Wunden, Nägen, Kron und Grab”

655

“Jesu, der du meine Seele”, BWV 78: VI. Aria (bass): “Nun du wirst mein Gewissen stillen”

656

“Jesu, der du meine Seele”, BWV 78: VII. Chorale: “Herr, ich glaube, hilf mir Schwachen”

657

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. I. Chorus: “Lobet Gott in seinen Reichen”

658

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. II. Recitative (tenor): “Der Herr Jesus hub seine Hände auf”

659

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. III. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?”

660

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. IV. Aria (alto): “Ach, bleibe doch, Mein liebstes Leben”

661

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. V. Recitative (tenor): “Und ward aufgehoben zusehends”

662

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. VI. Chorale: “Nun lieget alles unter dir”

663

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIa. Recitative (tenor, bass): “Und da sie ihm nachsahen gen Himmel fahren”

664

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIb. Recitative (alto): “Ach ja! So komme bald zurück”

665

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIc. Recitative (tenor): “Sie aber beteten ihn an”

666

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIII. Aria (soprano): “Jesu, deine Gnadenblicke”

667

“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. IX. Chorale: “Wenn soll es doch geschehen”

668

Johannes-Passion, BWV 245: No. 1. Chorus. “Herr, unser Herrscher” (chorus)

669

Johannes-Passion, BWV 245: No. 2a. Recitative. “Jesus ging mit seinen Jüngern” (Evangelist, Jesus)

670

Johannes-Passion, BWV 245: No. 2b. Chorus. “Jesum von Nazareth” (chorus)

671

Johannes-Passion, BWV 245: No. 2c. Recitative. “Jesus spricht zu ihnen” (Evangelist, Jesus)

672

Johannes-Passion, BWV 245: No. 2d. Chorus. “Jesus von Nazareth” (chorus)

673

Johannes-Passion, BWV 245: No. 2e. Recitative. “Jesus antwortete” (Evangelist, Jesus)

674

Johannes-Passion, BWV 245: No. 3. Chorale. “O große Lieb” (chorus)

675

Johannes-Passion, BWV 245: No. 4. Recitative. “Auf daß das Wort erfüllet würde” (Evangelist, Jesus)

676

Johannes-Passion, BWV 245: No. 5. Chorale. “Dein Will' gescheh” (chorus)

677

Johannes-Passion, BWV 245: No. 6. Recitative. “Die Schar aber und der Oberhauptmann” (Evangelist)

678

Johannes-Passion, BWV 245: No. 7. Aria. “Von den Stricken” (alto, 2 oboes and continuo)

679

Johannes-Passion, BWV 245: No. 8. Recitative. “Simon Petrus aber folgete Jesu nach” (Evangelist)

680

Johannes-Passion, BWV 245: No. 9. Aria. “Ich folge dir gleichfalls” (soprano, flute)

681

Johannes-Passion, BWV 245: No. 10. Recitative. “Derselbige Jünger war dem Hohenpriester bekannt” (Evangelist, Petrus, Jesus)

682

Johannes-Passion, BWV 245: No. 11. Chorale. “Wer hat dich so geschlagen” (chorus)

683

Johannes-Passion, BWV 245: No. 12a. Recitative. “Und Hannas sandte ihn gebunden” (Evangelist)

684

Johannes-Passion, BWV 245: No. 12b. Chorus. “Bist du nicht seiner Jünger einer” (chorus)

685

Johannes-Passion, BWV 245: No. 12c. Recitative. “Er leugnete aber und sprach” (Evangelist, Petrus)

686

Johannes-Passion, BWV 245: No. 13. Aria. “Ach, mein Sinn” (tenor)

687

Johannes-Passion, BWV 245: No. 14. Chorale. “Petrus, der nicht denkt zurück” (chorus)

688

Johannes-Passion, BWV 245: No. 15. Chorale. “Christus, der uns selig macht” (chorus)

689

Johannes-Passion, BWV 245: No. 16a. Recitative. “Da führeten sie Jesum” (Evangelist, Pilatus)

690

Johannes-Passion, BWV 245: No. 16b. Chorus. “Wäre dieser nicht ein Übeltäter” (chorus)

691

Johannes-Passion, BWV 245: No. 16c. Recitative. “Da sprach Pilatus zu ihnen” (Evangelist, Pilatus)

692

Johannes-Passion, BWV 245: No. 16d. Chorus. “Wir dürfen niemand töten” (chorus)

693

Johannes-Passion, BWV 245: No. 16e. Recitative. “Auf daß erfüllet würde das Wort” (Evangelist, Pilatus, Jesus)

694

Johannes-Passion, BWV 245: No. 17. Chorale. “Ach großer König” (chorus)

695

Johannes-Passion, BWV 245: No. 18a. Recitative. “Da sprach Pilatus zu ihm” (Evangelist, Pilatus, Jesus)

696

Johannes-Passion, BWV 245: No. 18b. Chorus. “Nicht diesen, sondern Barrabam” (chorus)

697

Johannes-Passion, BWV 245: No. 18c. Recitative. “Barrabas aber war ein Mörder” (Evangelist)

698

Johannes-Passion, BWV 245: No. 19. Arioso. “Betrachte, meine Seel', mit ängstlichem Vergnügen” (bass, 2 viole d'amore, lute)

699

Johannes-Passion, BWV 245: No. 20. Aria. “Erwäge, wie sien blutgefärbter Rücken” (tenor, 2 viole d'amore)

700

Johannes-Passion, BWV 245: No. 21a. Recitative. “Und die Kriegsknechte flochten eine Krone” (Evangelist)

701

Johannes-Passion, BWV 245: No. 21b. Chorus. “Sei gegrüsset, lieber Judenkönig” (chorus)

702

Johannes-Passion, BWV 245: No. 21c. Recitative. “Und gaben ihm Backenstreiche” (Evangelist, Pilatus)

703

Johannes-Passion, BWV 245: No. 21d. Chorus. “Kreuzige, Kreuzige” (chorus)

704

Johannes-Passion, BWV 245: No. 21e. Recitative. “Pilatus sprach zu ihnen” (Evangelist, Pilatus)

705

Johannes-Passion, BWV 245: No. 21f. Chorus. “Wir haben ein Gesetz” (chorus)

706

Johannes-Passion, BWV 245: No. 21g. Recitative: “Da Pilatus das Wort hörete” (Evangelist, Pilatus, Jesus)

707

Johannes-Passion, BWV 245: No. 22. Chorale. “Durch dein Gefängnis, Gottes Sohn” (chorus)

708

Johannes-Passion, BWV 245: No. 23a. Recitative. “Die Juden aber schrieen” (Evangelist)

709

Johannes-Passion, BWV 245: No. 23b. Chorus. “Lässest du diesen los” (chorus)

710

Johannes-Passion, BWV 245: No. 23c. Recitative. “Da Pilatus das Wort hörete” (Evangelist, Pilatus)

711

Johannes-Passion, BWV 245: No. 23d. Chorus. “Weg, weg mit dem, Kreuzige ihn!” (chorus)

712

Johannes-Passion, BWV 245: No. 23e. Recitative. “Spricht Pilatus zu ihnen” (Evangelist, Pilatus)

713

Johannes-Passion, BWV 245: No. 23f. Chorus. “Wir haben keiner König denn den Kaiser” (chorus)

714

Johannes-Passion, BWV 245: No. 23g. Recitative. “Da überantworte er ihn” (Evangelist)

715

Johannes-Passion, BWV 245: No. 24. Aria & Chorus. “Eilt, ihr angefocht'nen Seelen” (bass, chorus)

716

Johannes-Passion, BWV 245: No. 25a. Recitative. “Allda kreuzigten sie ihn” (Evangelist)

717

Johannes-Passion, BWV 245: No. 25b. Chorus. “Schreibe nicht” (chorus)

718

Johannes-Passion, BWV 245: No. 25c. Recitative. “Pilatus antwortet” (Evangelist, Pilatus)

719

Johannes-Passion, BWV 245: No. 26. Chorale. “In meines Herzens Grune” (chorus)

720

Johannes-Passion, BWV 245: No. 27a. Recitative. “Die Kriegsknechte aber” (Evangelist)

721

Johannes-Passion, BWV 245: No. 27b. Chorus. “Lasset uns den nicht zerteilen” (chorus)

722

Johannes-Passion, BWV 245: No. 27c. Recitative. “Auf daß erfüllet würde die Schrift” (Evangelist, Jesus)

723

Johannes-Passion, BWV 245: No. 28. Chorale. “Er nahm alles wohl in acht” (chorus)

724

Johannes-Passion, BWV 245: No. 29. Recitative. “Und von Stund an nahm sie der Jünger” (Evangelist, Jesus)

725

Johannes-Passion, BWV 245: No. 30. Aria. “Es ist vollbracht” (alto, viola da gamba)

726

Johannes-Passion, BWV 245: No. 31. Recitative. “Und neigt das Haupt und verschied” (Evangelist)

727

Johannes-Passion, BWV 245: No. 32. Aria & Chorus. “Mein teurer Heiland” (bass, chorus)

728

Johannes-Passion, BWV 245: No. 33. Recitative. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist)

729

Johannes-Passion, BWV 245: No. 34. Arioso. “Mein Herz, in dem die ganze Welt” (tenor, flute, 2 oboes)

730

Johannes-Passion, BWV 245: No. 35. Aria. “Zerfließe, mein Herze” (soprano, flute, cor anglais)

731

Johannes-Passion, BWV 245: No. 36. Recitative. “Die Juden aber dieweil es der Rüsttag war” (Evangelist)

732

Johannes-Passion, BWV 245: No. 37. Chorale. “O hilf, Christe, Gottes Sohn” (chorus)

733

Johannes-Passion, BWV 245: No. 38. Recitative. “Darnach bat Pilatum Joseph von Arimathia” (Evangelist)

734

Johannes-Passion, BWV 245: No. 39. Chorus. “Ruht wohl, ihr heiligen Gebeine” (chorus)

735

Johannes-Passion, BWV 245: No. 40. Chorale. “Ach Herr, laß dein lieb Engelein” (chorus)

736

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: I. Gloria in excelsis (chorus)

737

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: II. Et in terra pax (chorus)

738

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: III. Laudamus te (2 sopranos)

739

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IV. Gratias agimus tibi (chorus)

740

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: V. Domine Deus (tenor)

741

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VI. Domine Fili unigenite (chorus)

742

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VII. Domine Deus, Agnus Dei (soprano)

743

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VIII. Qui tollis peccata mundi (chorus)

744

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IX. Qui sedes ad dexteram Patris (alto)

745

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: X. Quoniam tu solus sanctus (soprano)

746

Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: XI. Cum Sancto Spriritu (chorus)

747

"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, I. Nisi Dominus

748

"Nisi Dominus" (Salmo 127), En Sol Menor Para Voz, Viola De Amor, Cuerdas Y Continuo, RV 608, II. Vanum Est Vobis

749

"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, III. Surgite

750

"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, IV. Cum dederit

751

"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, V. Sicut sagittae

752

"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, VI. Beatus Vir

753

"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, VII. Gloria Patri

754

"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, VIII. Sicut erat in principio

755

"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, IX. Amen

756

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: I. Récit de Dieu: “Audit coeli quae loquor” (bass)

757

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: II. Chorus hominum: “O pavor, o tremor, o portentum” (soli, chorus)

758

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: III. Bruit de trompettes

759

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IV. Duo des Anges: “Adeste omnes gentes” (countertenor, alto)

760

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: V. Bruit de trompettes

761

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VI. Chorus hominum: “Et factus est subito sonus” (chorus)

762

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VII. Récit de Dieu (Part I): “Venite benedicti” (bass)

763

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VIII. Récit de Dieu (Part II): “Et vos maledicti” (bass)

764

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IX. Chœur des damnés: “O justa punitio” (soli, chorus)

765

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: X. Les Anges: “Vos autem electi” (countertenor, alto)

766

Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: XI. Chœur des élus: “Hymnum docamus Domine nostro” (soli, chorus)

767

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: I. instrumental prelude

768

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: II. Beatus vir (bass)

769

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: III. Potens in terra (chorus)

770

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: IV. Exortum est in tenebris (soprano I, countertenor, tenor, bass)

771

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: V. In memoria aeterna (chorus)

772

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VI. Dispersit, dedit pauperibus (bass)

773

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VII. Peccator videbit (chorus)

774

Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VIII. Gloria Patri (2 sopranos, chorus)

775

Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Tancredi, que Clorinda homo stima

776

Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Notte, che nei profondo oscuro seno

777

Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Torna l'ira nei cori

778

Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Amico, hai vinto

779

Chiome d'oro, bel tesoro, SV 143 (Book VII)

780

Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Altri canti di Marte e di sua schiera (Part I)

781

Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Due belli occhi (Part II)

782

Et è pur dunque verò, SV 250 (Scherzi musicali II)

783

Batto qui pianse Ergasto, SV 115 (Book VI)

784

Amorosa pupiletta, SV 238 (Scherzi musicali II)

785

Lamento d'Arianna, SV 22

786

Vago augelleto, SV 156 (Book VIII, Canti amorosi)

787

Ecco di dolci raggi, SV 249 (Scherzi musicali II)

788

Io che armato sin hor, SV 249a (Scherzi musicali II)

789

Fugge il verno dei dolori, SV 232 (Scherzi musicali I)

790

A dio Florida bella, SV 110 (Book VI)

791

Misero alceo, SV 114 (Book VI)

792

Il ballo (per l'imperatore Ferdinando), SV 154 (Book VIII, Canti guerrieri)

793

Miei lettera amorosa (Se i languidi), SV 141 (Book VII)

794

Lidia spina del mio core, SV 244 (Scherzi musicali I)

795

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Sinfonia

796

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): De l'implacabil Dio

797

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Bella madre d'amor

798

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): S'invan su l'arco tendi

799

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Udite, udite

800

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ecco ver noi l'adolorate squadre

801

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Entrata - Ballo

802

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Dal tenebroso orror del mio gran regno

803

Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ahi troppo è duro

804

Partenza amorosa (Se pur destina e vole), SV 142 (Book VII)

805

Dolci miei sospiri, SV 242 (Scherzi musicali I)

806

Damigella tutta bella, SV 235 (Scherzi musicali I)

807

Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)

808

Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano II, mezzo-soprano)

809

Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)

810

Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis / V. Et in terra pax (chorus)

811

Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano I)

812

Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)

813

Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano I, tenor)

814

Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)

815

Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)

816

Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)

817

Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)

818

Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)

819

Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)

820

Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano I, mezzo-soprano)

821

Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)

822

Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)

823

Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)

824

Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)

825

Mass in B minor, BWV 232: Credo. XIX. Confiteor (chorus)

826

Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)

827

Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)

828

Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)

829

Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)

830

Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)

831

Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)

832

Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)

833

Magnificat in D major, BWV 243: I. Magnificat (chorus)

834

Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)

835

Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)

836

Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)

837

Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)

838

Magnificat in D major, BWV 243: VI. Et misericorida (alto, tenor)

839

Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)

840

Magnificat in D major, BWV 243: VIII. Deposuit potentes (tenor)

841

Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)

842

Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)

843

Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)

844

Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)

845

Ercole amante: Prologo. Sinfonia

846

Ercole amante: Prologo. “Qual concorso indonivo” (Coro di Fiumi)

847

Ercole amante: Prologo. “Ah ! che mentre la terra” (Il Tevere)

848

Ercole amante: Prologo. “Ai di lei veri accenti” (Coro di Fiumi)

849

Ercole amante: Prologo. Sinfonia

850

Ercole amante: Prologo. “Ed ecco, o Gallia invita” (Cinthia)

851

Ercole amante: Prologo. “Doppo belliche noie” (Coro di Fiumi)

852

Ercole amante: Prologo. “E poiche quai doppo guerrieri onori” (Cinthia)

853

Ercole amante: Prologo. “E veda ogn'un” (Coro di Fiumi)

854

Ercole amante: Prologo. “O Gallia fortunata” (Coro di Fiumi)

855

Ercole amante: Atto I. Sinfonia

856

Ercole amante: Atto I, Scene 1. “Come si beffa amor” (Ercole)

857

Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie)

858

Ercole amante: Atto I, Scene 2. “Ogn'impero ha ribelli” (Venere)

859

Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie)

860

Ercole amante: Atto I, Scene 2. “Infelice e disperato” (Giunone)

861

Ercole amante: Atto I, Scene 3. “E vuol dunque Ciprigna” (Giunone)

862

Ercole amante: Atto II. Sinfonia

863

Ercole amante: Atto II, Scene 1. “Amor ardo piu rari” (Hyllo, Jole)

864

Ercole amante: Atto II, Scene 1. “Pure alfine il rispetto di figlio” (Hole, Hyllo, Il Paggio)

865

Ercole amante: Atto II, Scene 2. “D'amore il foco” (Jole, Hyllo)

866

Ercole amante: Atto II, Scene 3. “E che cos' è quest'Amore” (Il Paggio)

867

Ercole amante: Atto II, Scene 4. “Buon di, gentil fanciullo” (Licco, il Paggio)

868

Ercole amante: Atto II, Scene 5. “Misera, ohime ch'ascolto” (Dejanira)

869

Ercole amante: Atto II, Scene 5. “Ah ! fu sempre in Amor” (Licco, Dejanira)

870

Ercole amante: Atto II, Scene 5. “Ah, Dejanira ! Dunque tu temi” (Dejanira, Licco)

871

Ercole amante: Atto II, Scene 6. “Mormorate, fiumicelli” (Pasitea)

872

Ercole amante: Atto II, Scene 6. Coro

873

Ercole amante: Atto II, Scene 7. “Sublime Dea” (Pasitea)

874

Ercole amante: Atto II, Scene 7. “Zelo dell' onor mio a cui” (Giunone, Pasitea)

875

Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti)

876

Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti)

877

Ercole amante: Atto III. Sinfonia

878

Ercole amante: Atto III, Scene 1. “Sol s'inarca gl'Emisferi per stupor” (Venere)

879

Ercole amante: Atto III, Scene 1. “E pe mi cangi o Dei” (Ercole, Venere)

880

Ercole amante: Atto III, Scene 2. “Amor, contar ben puoi” (Ercole)

881

Ercole amante: Atto III, Scene 2. “Sara com'hai disposo” (Il Paggio, Ercole)

882

Ercole amante: Atto III, Scene 3. “Bella Jole e quando” (Ercole, Jole)

883

Ercole amante: Atto III, Scene 3. “Ohime, che ascolto” (Hyllo, Ercole)

884

Ercole amante: Atto III, Scene 4. “A che pensi Jole” (Ercole, Jole)

885

Ercole amante: Atto III, Scene 5. “Sonno potente Nume” (Giunone)

886

Ercole amante: Atto III, Scene 5. “O qual sonno produgioso” (Jole, Giunone)

887

Ercole amante: Atto III, Scene 6. “D'Eutyro anima grande” (Jole, Hyllo)

888

Ercole amante: Atto III, Scene 7. “Svegliati, Alcide e mira” (Mercurio, Ercole, Jole)

889

Ercole amante: Atto III, Scene 8. “Piu di salvarlo tenti” (Ercole, Dejanira, Jole, Licco)

890

Ercole amante: Atto III, Scene 9. “Figlio, tu prigionero” (Dejanira, Hyllo)

891

Ercole amante: Atto III, Scene 10. “Addio paggio” (Licco, il Paggio)

892

Ercole amante: Atto IV. Sinfonia

893

Ercole amante: Atto IV, Scene 1. “Ahi che pena e gelosia” (Hyllo)

894

Ercole amante: Atto IV, Scene 2. “Zefri che gite” (Il Paggio)

895

Ercole amante: Atto IV, Scene 2. “Che novella m'arrechi” (Hyllo, Il Paggio)

896

Ercole amante: Atto IV, Scene 3. “E chi fia piu vieti” (Hyllo)

897

Ercole amante: Atto IV, Scene 4. “Salva, nettuno, ah! salva” (Giunone)

898

Ercole amante: Atto IV, Scene 4. “Eccoti o Dea contenta” (Nettuno, Hyllo, Giunone)

899

Ercole amante: Atto IV, Scene 5. “Congedo a gl'orridi” (Giunone)

900

Ercole amante: Atto IV, Scene 6. “Ed a che peggio” (Dejanira, Licco)

901

Ercole amante: Atto IV, Scene 6. “Ah Dejanira, io non son tanto accorto” (Licco)

902

Ercole amante: Atto IV, Scene 7. “Gradisci, o Re” (Coro)

903

Ercole amante: Atto IV, Scene 7. “E se pur negl' estinti” (Jole)

904

Ercole amante: Atto IV, Scene 7. “Che prieghi ingiurioso” (Ombra d'Eutyro, Jole, Dejanira)

905

Ercole amante: Atto IV, Scene 7. “Hyllo il mio bene è morto” (Jole)

906

Ercole amante: Atto IV, Scene 7. “Ferma ti prego” (Liggo, Dejanira, Jole)

907

Ercole amante: Atto V. Sinfonia

908

Ercole amante: Atto V, Scene 1. “Come solo ad un grido” (Ombra d'Eutyro)

909

Ercole amante: Atto V, Scene 1. “Pera, mora il crudel” (Coro, Ombra di Clerica)

910

Ercole amante: Atto V, Scene 1. “Pera, mora, il perverso” (Laomedonte, Coro)

911

Ercole amante: Atto V, Scene 1. “Pera, more l'iniquio” (Ombra di Bussiride, Coro)

912

Ercole amante: Atto V, Scene 1. “Su su dunque” (Ombra d'Eutyro, Coro)

913

Ercole amante: Atto V, Scene 1. Sinfonia

914

Ercole amante: Atto V, Scene 2. “Alfine il Ciel d'amor” (Ercole, Licco, Jole)

915

Ercole amante: Atto V, Scene 2. “Pronuba e casta Dea” (Coro, Ercole, Jole)

916

Ercole amante: Atto V, Scene 2. “Ma qual pungente arsura” (Ercole)

917

Ercole amante: Atto V, Scene 2. “Che dici” (Licco, Jole)

918

Ercole amante: Atto V, Scene 3. “Ah, Nesso mi tradi” (Dejanira, Jole, Licco, Hyllo)

919

Ercole amante: Atto V, Scene 4. “Su, su allegrezza” (Giunone)

920

Ercole amante: Atto V, Scene 4. “Oh Dea come n'arrequi” (Jole, Dejanira, Hyllo, Licco, Giunone)

921

Ercole amante: Atto V, Scene 5. “Quel grande Eroe” (Coro)

922

Ercole amante: Atto V, Scene 5. “Così un giorno” (Belezza, Ercole)

923

Ercole amante: Atto V, Scene 5. “Virtu che soffre” (Coro)

924

Muzio Scevola : Ouverture

925

Rodrigo : Ouverture

926

Rodrigo : Gigue

927

Rodrigo : Sarabande

928

Rodrigo : Matelot

929

Rodrigo : Menuet

930

Rodrigo : Bourrée

931

Rodrigo : Menuet

932

Rodrigo : Passacaille

933

Il pastor fido : Ouverture

934

Il pastor fido : Largo

935

Il pastor fido : Allegro

936

Il pastor fido : Menuet

937

Il pastor fido : Adagio

938

Il pastor fido : Allegro

939

Silla : Ouverture

940

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 1. “Où suis-je ? Qu'ai-je fait ?” (Saül)

941

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 2. “Dois-je enfin épouver le secours de vos charmes ?” (Saül, La Pythonisse)

942

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 3. “Retirez-vous affreux tonnerre” (La Pythonisse)

943

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 4. “Quelle importune voix vient troubler mon repos ?” (L'ombre de Samuel, Saül)

944

David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 5. “Est-ce assez ? Ai-je enfin épuisé ta colère ?” (Saül, La Pythonisse)

945

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 1. “Du plus grand des héros” (Un guerrier, Un du peuple, Bergers, Captifs, Chorus)

946

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 2. “Allez, le ciel vous attend” (David)

947

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 3. “Ciel ! Quel triste combat” (David)

948

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 4. “Le ciel enfin favourable à mes vœux” (Achis, David, Captifs, Chorus)

949

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 1. “Quel inutile soin” (Joabel, David, Chorus)

950

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 2. “Dépit jaloux, haine cruelle” (Joabel, Chorus)

951

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 3. “À vostre bras vanqueur” (Jonathas, David, Un de la suite de Jonathas, Chorus, Bergers)

952

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 1. “Ah ! Je dois assurer et ma vie et l'empire ?” (Saül, Achis)

953

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 2. “Objet d'une implacable haine” (Saül)

954

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3a. “David puet-il attendre un retour favorable ?” (Jonathas, Saül, David)

955

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3b. “Achevons, mon bonheur passe mon espérance” (Joabel)

956

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 1. “Souverain juge des mortels” (David)

957

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 2. “Vous me fuyez !” (Jonathas, David)

958

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 3. “A-t-on jamais souffert une plus rude peine ?” (Jonathas, Chorus)

959

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 4. “Venez, Seigneur, venez” (Saül, Achis)

960

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 5. “Enfin vous m'écoutez, Seigneur” (Joabel, Achis, Chorus)

961

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 1. “Courez, Saül attend un secours nécessaire” (Jonathas)

962

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 2. “Que vois-je ? Que je perds et mon fils et l'empire” (Saül, Jonathas, Chorus)

963

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 3. “Victoire ! Victoire !” (Chorus)

964

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 4. “Qu'on sauve Jonathas” (David, Jonathas, Chorus)

965

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 5. “Voi traitre, et reconnoi ta nouvelle victime” (Saül, David)

966

David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 6. “Joignez à vos exploits l'honneur du diadème” (Achis, David, Chorus)

967

Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)

968

Vespro della Beata Vergine, SV 206: II. Antiphon: Emmissiones tuae paradisus - Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)

969

Vespro della Beata Vergine, SV 206: III. Nigra sum (Motetto ad una voce)

970

Vespro della Beata Vergine, SV 206: IV. Antiphon: Quae est ista - Laudate pueri Dominum (Psalm 112) (octo vocibus)

971

Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)

972

Vespro della Beata Vergine, SV 206: VI. Antiphon: Sicut lilium inter spinas - Laetatus sum (Psalm 121) (a sei voci)

973

Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)

974

Vespro della Beata Vergine, SV 206: VIII. Antiphon: veniat dilectus meus in hortum suum - Nisi Dominus (Psalm 126) (a dieci voci)

975

Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)

976

Vespro della Beata Vergine, SV 206: X. Antiphon: Nigra sum - Lauda, Jerusalem (Psalm 147) (septem vocibus)

977

Vespro della Beata Vergine, SV 206: XI. Sonata sopra Santa Maria pro nobis (a 8)

978

Vespro della Beata Vergine, SV 206: XII. Ave maris stella Hymnis (octo vocibus)

979

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Antiphon: Virgo prudentissima

980

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Magnificat

981

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIV. Anima mea Dominum (a 2 voci)

982

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XV. Et exultavit (a 3 voci)

983

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVI. Quia respexit (ad una voce sola)

984

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVII. Quia fecit (a 6 voci in dialogo)

985

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVIII. Et misericordia (a 3 voci)

986

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIX. Fecit potentiam (a 3 voci)

987

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XX. Deposuit, et cantano doi (tenore in echo)

988

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXI. Esurientes (a 2 voci)

989

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXII. Suscepit Israel (a 2 voci)

990

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIII. Sicut locutus est (a 5 voci in dialogo)

991

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIV. Gloria Patri (a 6 voci)

992

Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXV. Sicut erat in principio

993

Matthäus-Passion, BWV 244: Part I. No. 1. Chorus. “Kommt, ihr Töchter helft mir klagen” (chorus I, II, soprano in ripieno)

994

Matthäus-Passion, BWV 244: Part I. No. 2. Recitative. “Da Jesus diese Rede vollendet hatte” (Evangelist, Jesus)

995

Matthäus-Passion, BWV 244: Part I. No. 3. Chorale. “Herzliebster Jesu, was hast du verbrochen” (chorus)

996

Matthäus-Passion, BWV 244: Part I. No. 4. Recitative & Chorus. “Da versammelten sich die Hohepriester” (Evangelist, Jesus, chorus I, II)

997

Matthäus-Passion, BWV 244: Part I. No. 5. Recitative. “Du lieber Heiland du” (alto)

998

Matthäus-Passion, BWV 244: Part I. No. 6. Aria. “Buß und Reu” (alto)

999

Matthäus-Passion, BWV 244: Part I. No. 7. Recitative. “Da ging hin der Zwölfen einer” (Evangelist, Judas)

1000

Matthäus-Passion, BWV 244: Part I. No. 8. Aria. “Blute nur, du liebes Herz!” (soprano)

1001

Matthäus-Passion, BWV 244: Part I. No. 9. Recitative & Chorus. “Aber am ersten Tage der süßen Brot” (Evangelist, Jesus, chorus I)

1002

Matthäus-Passion, BWV 244: Part I. No. 10. Chorale. “Ich bin's, ich sollte büßen” (chorus)

1003

Matthäus-Passion, BWV 244: Part I. No. 11. Recitative. “Er antwortete und sprach” (Evangelist, Jesus, Judas)

1004

Matthäus-Passion, BWV 244: Part I. No. 12. Recitative. “Wiewohl mein Herz in Tränen schwimmt” (soprano)

1005

Matthäus-Passion, BWV 244: Part I. No. 13. Aria. “Ich will dir mein Herz schenken” (soprano)

1006

Matthäus-Passion, BWV 244: Part I. No. 14. Recitative. “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)

1007

Matthäus-Passion, BWV 244: Part I. No. 15. Chorale. “Erkenne mich, mein Hüter” (chorus)

1008

Matthäus-Passion, BWV 244: Part I. No. 16. Recitative. “Petrus aber antwortete und sprach zu ihm” (Evangelist, Petrus, Jesus)

1009

Matthäus-Passion, BWV 244: Part I. No. 17. Chorale. “Ich will hier bei dir stehen” (chorus)

1010

Matthäus-Passion, BWV 244: Part I. No. 18. Recitative. “Da kam Jesus mit ihnen zu einem Hole” (Evangelist, Jesus)

1011

Matthäus-Passion, BWV 244: Part I. No. 19. Recitative & Chorale. “O Schmerz! Hier zittert das gequälte Herz!” (tenor, chorus II)

1012

Matthäus-Passion, BWV 244: Part I. No. 20. Aria & Chorus. “Ich will bei meinem Jesu wachen” (tenor, chorus II)

1013

Matthäus-Passion, BWV 244: Part I. No. 21. Recitative. “Und ging hin ein wenig” (Evangelist, Jesus)

1014

Matthäus-Passion, BWV 244: Part I. No. 22. Recitative. “Der Heiland fällt vor seinem Vater nieder” (bass)

1015

Matthäus-Passion, BWV 244: Part I. No. 23. Aria. “Gerne will ich mich bequemen” (bass)

1016

Matthäus-Passion, BWV 244: Part I. No. 24. Recitative. “Und er kam zu seinem Jüngen” (Evangelist, Jesus)

1017

Matthäus-Passion, BWV 244: Part I. No. 25. Chorale. “Was emin Gott will, das g'scheh allzeit” (chorus)

1018

Matthäus-Passion, BWV 244: Part I. No. 26. Recitative. “Und er kam und fand sie aber schlafen” (Evangelist, Jesus, Judas)

1019

Matthäus-Passion, BWV 244: Part I. No. 27. Aria (Duet) & Chorus. “So ist mein Jesus nun gefangen” (soprano, alto, chorus I, II)

1020

Matthäus-Passion, BWV 244: Part I. No. 28. Recitative. “Und siehe, einer aus denen” (Evangelist, Jesus)

1021

Matthäus-Passion, BWV 244: Part I. No. 29. Chorale. “O Mensch, bewein' dein' Sünde groß” (chorus)

1022

Matthäus-Passion, BWV 244: Part II. No. 30. Aria & Chorus. “Ach, nun ist mein Jesus hin!” (alto, chorus II)

1023

Matthäus-Passion, BWV 244: Part II. No. 31. Recitative. “Die aber Jesum gegriffen hatten” (Evangelist)

1024

Matthäus-Passion, BWV 244: Part II. No. 32. Chorale. “Mir hat die Welt trüglich gericht” (chorus)

1025

Matthäus-Passion, BWV 244: Part II. No. 33. Recitative. “Und wiewohl viel falsche” (Evangelist, Witnesses, High Priest)

1026

Matthäus-Passion, BWV 244: Part II. No. 34. Recitative. “Mein Jesus schweigt zu falschen Lügen stille” (tenor)

1027

Matthäus-Passion, BWV 244: Part II. No. 35. Aria. “Geduld!” (tenor)

1028

Matthäus-Passion, BWV 244: Part II. No. 36. Recitative & Chorus. “Und der Hohepriester antwort” (Evangelist, High Priest, Jesus, chorus I, II)

1029

Matthäus-Passion, BWV 244: Part II. No. 37. Chorale. “Wer hat dich so geschlagen” (chorus)

1030

Matthäus-Passion, BWV 244: Part II. No. 38. Recitative & Chorus. “Petrus aber saß draußen im Palast” (Evangelist, Maids I/II, Petrus, chorus II)

1031

Matthäus-Passion, BWV 244: Part II. No. 39. Aria. “Erbarme dich” (alto)

1032

Matthäus-Passion, BWV 244: Part II. No. 40. Chorale. “Bin ich gleich von dir gewichen” (chorus)

1033

Matthäus-Passion, BWV 244: Part II. No. 41. Recitative & Chorus. “Des Morgens aber hielten alle Hohepriester” (Evangelist, Judas, High Priest I, II)

1034

Matthäus-Passion, BWV 244: Part II. No. 42. Aria. “Gebt mir meinen Jesum wieder” (bass)

1035

Matthäus-Passion, BWV 244: Part II. No. 43. Recitative. “Sie hielten aber einen Rat” (Evangelist, Pilatus, Jesus)

1036

Matthäus-Passion, BWV 244: Part II. No. 44. Chorale. “Befiehl du deine Wege” (chorus)

1037

Matthäus-Passion, BWV 244: Part II. No. 45. Recitative & Chorus. “Auf das Fest aber hatte der Landpfleger” (Evangelist, Pilatus, Pilatus' wife, chorus I, II)

1038

Matthäus-Passion, BWV 244: Part II. No. 46. Chorale. “Wie wunderbarlich ist doch diese Strafe” (chorus)

1039

Matthäus-Passion, BWV 244: Part II. No. 47. Recitative. “Der Landpfleger sagte” (Evangelist, Pilatus)

1040

Matthäus-Passion, BWV 244: Part II. No. 48. Recitative. “Er hat uns allen wohlgetan” (soprano)

1041

Matthäus-Passion, BWV 244: Part II. No. 49. Aria. “Aus Liebe will mein Heiland sterben” (soprano)

1042

Matthäus-Passion, BWV 244: Part II. No. 50. Recitative & Chorus. “Sie schrien aber noch mehr” (Evangelist, Pilatus, chorus I, II)

1043

Matthäus-Passion, BWV 244: Part II. No. 51. Recitative. “Erbarm' es Gott” (alto)

1044

Matthäus-Passion, BWV 244: Part II. No. 52. Aria. “Können Tränen meinen Wangen” (alto)

1045

Matthäus-Passion, BWV 244: Part II. No. 53. Recitative & Chorus. “Da nahmen die Kriegsknechte” (Evangelist, chorus I, II)

1046

Matthäus-Passion, BWV 244: Part II. No. 54. Chorale. “O Haupt voll Blut und Wunden” (chorus)

1047

Matthäus-Passion, BWV 244: Part II. No. 55. Recitative. “Und da sie ihn versottet hatten” (Evangelist)

1048

Matthäus-Passion, BWV 244: Part II. No. 56. Recitative. “Ja freilich will in uns das Fleisch und Blut” (bass)

1049

Matthäus-Passion, BWV 244: Part II. No. 57. Aria. “Komm, süßes Kreuz, so will ich sagen” (bass)

1050

Matthäus-Passion, BWV 244: Part II. No. 58. Recitative & Chorus. “Und da sie an die Stätte kamen” (Evangelist, chorus I, II)

1051

Matthäus-Passion, BWV 244: Part II. No. 59. Recitative. “Ach Golgotha” (alto)

1052

Matthäus-Passion, BWV 244: Part II. No. 60. Aria & Chorus. “Sehet, Jesus hat die Hand” (alto, chorus II)

1053

Matthäus-Passion, BWV 244: Part II. No. 61. Recitative & Chorus. “Und von der sechsten Stunde an” (Evangelist)

1054

Matthäus-Passion, BWV 244: Part II. No. 62. Chorale. “Wenn ich einmal soll scheiden” (soprano, flute and continuo)

1055

Matthäus-Passion, BWV 244: Part II. No. 63. Recitative & Chorus. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist, Jesus, chorus I, II)

1056

Matthäus-Passion, BWV 244: Part II. No. 64. Recitative. “Am Abend, da es kühle war” (bass)

1057

Matthäus-Passion, BWV 244: Part II. No. 65. Aria. “Mache dich, mein Herze, rein” (bass)

1058

Matthäus-Passion, BWV 244: Part II. No. 66. Recitative & Chorus. “Und Joseph nahm den Leib” (Evangelist, Pilatus, chorus I, II)

1059

Matthäus-Passion, BWV 244: Part II. No. 67. Recitative & Chorus. “Nun ist der Herr zur Ruh gebracht” (bass, tenor, alto, soprano, chorus II)

1060

Matthäus-Passion, BWV 244: Part II. No. 68. Chorus. “Wir setzen uns mit Tränen nieder” (chorus I, II)

1061

Weihnachtsoratorium, BWV 248: Part I. No. 1. Chorus “Jauchzet, frohlocket, auf, preiset die Tage” (chorus)

1062

Weihnachtsoratorium, BWV 248: Part I. No. 2. Recitative. “Es begab sich aber zu der Zeit” (Evangelist)

1063

Weihnachtsoratorium, BWV 248: Part I. No. 3. Recitative. “Nun wird mein liebster Bräutigam” (alto)

1064

Weihnachtsoratorium, BWV 248: Part I. No. 4. Aria. “Bereite dich, Zion, mit zärtlichen Trieben” (alto)

1065

Weihnachtsoratorium, BWV 248: Part I. No. 5. Chorale. “Wie soll ich dich empfangen” (chorus)

1066

Weihnachtsoratorium, BWV 248: Part I. No. 6. Recitative. “Und sie gebar ihren ersten Sohn” (Evangelist)

1067

Weihnachtsoratorium, BWV 248: Part I. No. 7. Chorale. “Er ist auf Erden kommen arm” (chorus) - Recitative. “Wer will die Liebe” (bass)

1068

Weihnachtsoratorium, BWV 248: Part I. No. 8. Aria. “Großer Herr, o starker König” (bass)

1069

Weihnachtsoratorium, BWV 248: Part I. No. 9. Chorale. “Ach mein herzliebes Jesulein” (chorus)

1070

Weihnachtsoratorium, BWV 248: Part II. No. 10. Sinfonia

1071

Weihnachtsoratorium, BWV 248: Part II. No. 11. Recitative. “Und es waren Hirten in derselben Gegend” (Evangelist)

1072

Weihnachtsoratorium, BWV 248: Part II. No. 12. Chorale. “Brich an, o schönes Morgenlicht” (chorus)

1073

Weihnachtsoratorium, BWV 248: Part II. No. 13. Recitative. “Und der Engel sprach zu ihnen” (Evangelist, Angelus)

1074

Weihnachtsoratorium, BWV 248: Part II. No. 14. Recitative. “Was Gott dem Abraham verheißen” (bass)

1075

Weihnachtsoratorium, BWV 248: Part II. No. 15. Aria. “Frohe Hirten, eilt, ach eilet” (tenor)

1076

Weihnachtsoratorium, BWV 248: Part II. No. 16. Recitative. “Und das habt zum Zeichen” (Evangelist)

1077

Weihnachtsoratorium, BWV 248: Part II. No. 17. Chorale. “Schaut hin, dort liegt im finstern Stall” (chorus)

1078

Weihnachtsoratorium, BWV 248: Part II. No. 18. Recitative. “So geht denn hin” (bass)

1079

Weihnachtsoratorium, BWV 248: Part II. No. 19. Aria. “Schlafe, mein Liebster” (alto)

1080

Weihnachtsoratorium, BWV 248: Part II. No. 20. Recitative. “Und alsobald war da bei dem Engel” (Evangelist)

1081

Weihnachtsoratorium, BWV 248: Part II. No. 21. Chorus. “Ehre sei Gott in der Höhe” (chorus)

1082

Weihnachtsoratorium, BWV 248: Part II. No. 22. Recitative. “So recht, ihr Engel” (bass)

1083

Weihnachtsoratorium, BWV 248: Part II. No. 23. Chorale. “Wir singen dir in deinem Heer” (chorus)

1084

Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus. “Herrscher des Himmels, erhöre das Lallen” (chorus)

1085

Weihnachtsoratorium, BWV 248: Part III. No. 25. Recitative. “Und da die Engel von ihnen gen Himmel führen” (Evangelist)

1086

Weihnachtsoratorium, BWV 248: Part III. Nos. 26-27. Chorus & Recitative. “Lasset uns nun gehen gen Bethlehem” / No. 28. Chorale. “Dies hat er alles uns getan” (chorus, bass)

1087

Weihnachtsoratorium, BWV 248: Part III. No. 29. Duet. “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)

1088

Weihnachtsoratorium, BWV 248: Part III. No. 30. Recitative. “Und sie kamen eilend” (Evangelist)

1089

Weihnachtsoratorium, BWV 248: Part III. No. 31. Aria. “Schließe, mein Herze, dies selige Wunder” (alto)

1090

Weihnachtsoratorium, BWV 248: Part III. No. 32. Recitative. “Ja, ja, mein Herz” (alto)

1091

Weihnachtsoratorium, BWV 248: Part III. No. 33. Chorale. “Ich will dich mit Fleiß bewahren” / No. 34. Recitative. “Und die Hirten kehrten wieder um” (chorus, Evangelist)

1092

Weihnachtsoratorium, BWV 248: Part III. No. 35. Chorale. “Seid froh dieweil” (chorus)

1093

Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus da capo. “Herrscher des Himmels, erhöre das Lallen” (chorus)

1094

Weihnachtsoratorium, BWV 248: Part IV. No. 36. Chorus. “Fallt mit Danken, fallt mit Loben” (chorus)

1095

Weihnachtsoratorium, BWV 248: Part IV. No. 37. Recitative. “Und da acht Tage um waren” (Evangelist)

1096

Weihnachtsoratorium, BWV 248: Part IV. No. 38. Recitative & Arioso-Chorale. “Immaneuel, o süßes Wort” (bass, soprano)

1097

Weihnachtsoratorium, BWV 248: Part IV. No. 39. Aria. “Flößt, mein Heiland” (soprano, echo soprano)

1098

Weihnachtsoratorium, BWV 248: Part IV. No. 40. Recitative & Arioso-Chorale. “Wohlan, dein Name soll allein” (bass, soprano)

1099

Weihnachtsoratorium, BWV 248: Part IV. No. 41. Aria. “Ich will nur dir zu Ehren leben” (tenor)

1100

Weihnachtsoratorium, BWV 248: Part IV. No. 42. Chorale. “Jesus richte mein Beginnen” (chorus)

1101

Weihnachtsoratorium, BWV 248: Part V. No. 43. Chorus. “Ehre sei dir, Gott, gesungen” (chorus)

1102

Weihnachtsoratorium, BWV 248: Part V. No. 44. Recitative. “Da Jesus geboren war zu Bethlehem” / No. 45. Chorus & Recitative. “Wo ist der neugeborne König der Juden” (Evangelist, alto, chorus)

1103

Weihnachtsoratorium, BWV 248: Part V. No. 46. Chorale. “Dein Glanz all Finsternis verzehrt” (chorus)

1104

Weihnachtsoratorium, BWV 248: Part V. No. 47. Aria. “Erleucht, auch meine finstre Sinnen” (bass)

1105

Weihnachtsoratorium, BWV 248: Part V. No. 48. Recitative. “Da das der König” / No. 49. Recitative. “Warum wollt ihr erschrecken” / No. 50. Recitative. “Und ließ versammeln” (Evangelist, alto)

1106

Weihnachtsoratorium, BWV 248: Part V. No. 51. Trio. “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)

1107

Weihnachtsoratorium, BWV 248: Part V. No. 52. Recitative. “Mein Liebster herrschet schon” (alto)

1108

Weihnachtsoratorium, BWV 248: Part V. No. 53. Chorale. “Zwar ist solche Herzensstube” (chorus)

1109

Weihnachtsoratorium, BWV 248: Part VI. No. 54. Chorus. “Herr, wenn die stolzen Feinde schnauben” (chorus)

1110

Weihnachtsoratorium, BWV 248: Part VI. No. 55. Recitative. “Da bereif Herodes die Weisen heimlich” (Evangelist, bass)

1111

Weihnachtsoratorium, BWV 248: Part VI. No. 56. Recitative. “Du Falscher, suche nur den Herrn zu fällen” (soprano)

1112

Weihnachtsoratorium, BWV 248: Part VI. No. 57. Aria. “Nur ein Wink von seinen Händen” (soprano)

1113

Weihnachtsoratorium, BWV 248: Part VI. No. 58. Recitative. “Als sie nun den König gehöret hatten” (Evangelist)

1114

Weihnachtsoratorium, BWV 248: Part VI. No. 59. Chorale. “Ich steh an deiner Krippen hier” (chorus)

1115

Weihnachtsoratorium, BWV 248: Part VI. No. 60. Recitative. “Und Gott befahl ihnen im Traum” (Evangelist)

1116

Weihnachtsoratorium, BWV 248: Part VI. No. 61. Recitative. “So geht! Genug, mein Schatz geht nicht von hier” (tenor)

1117

Weihnachtsoratorium, BWV 248: Part VI. No. 62. Aria. “Nun mögt ihr stolzen Feinde schrecken” (tenor)

1118

Weihnachtsoratorium, BWV 248: Part VI. No. 63. Recitative. “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)

1119

Weihnachtsoratorium, BWV 248: Part VI. No. 64. Chorale. “Nun seid ihr wohl gerochen” (chorus)

1120

Orfeo, favola in musica: Toccata

1121

Orfeo, favola in musica: Prologo: Ritornello (La Musica)

1122

Orfeo, favola in musica: Atto Primo. “In questo lieto e fortunato giorno” - “Vieni Imeneo” - “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, chorus of Nymphs and Shepherds, Shepherd 3)

1123

Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Ma tu, gentil cantor” (chorus of Nymphs and Shepherds, Shepherd 3)

1124

Orfeo, favola in musica: Atto Primo. “Rosa del ciel, vita del mondo” (Orfeo)

1125

Orfeo, favola in musica: Atto Primo. “Io non dirò qual sia” (Euridice)

1126

Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Vieni Imeneo, deh, vieni” (chorus of Nymphs and Shepherds)

1127

Orfeo, favola in musica: Atto Primo. “Ma s'il nostro…” - Ritornello - “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, chorus of Nymphs and Shepherds)

1128

Orfeo, favola in musica: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta” - “In questo prato adorno” - “Qui Pan, dio de' pastori” - “Dunque fa degni, Orfeo” (Orfeo, Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)

1129

Orfeo, favola in musica: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)

1130

Orfeo, favola in musica: Atto Secondo. “Mira, deh mira, Orfeo, che d'ohni intorno” (Shepherd 2)

1131

Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo! ahi fat' empio e crudele!” (Messenger, Orfeo, Shepherds)

1132

Orfeo, favola in musica: Atto Secondo. “Tu se' morta, mia vita, ed io respiro?” (Orfeo)

1133

Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo, ahi fat' empio e crudele!” - “Ma io ch'in questa lingua” - Sinfonia (Messenger, chorus of Nymphs and Shepherds)

1134

Orfeo, favola in musica: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)

1135

Orfeo, favola in musica: Atto Terzo. Sinfonia - “Scorto da te, mio Nume” (Orfeo)

1136

Orfeo, favola in musica: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)

1137

Orfeo, favola in musica: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)

1138

Orfeo, favola in musica: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)

1139

Orfeo, favola in musica: Atto Terzo. “Ben mi lusinga alquanto” - “Ahi, sventurato amante” - Sinfonia (Caronte, Orfeo)

1140

Orfeo, favola in musica: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)

1141

Orfeo, favola in musica: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (chorus of Infernal Spirits)

1142

Orfeo, favola in musica: Atto Quarto. “Signor, quell'infelice” (Proserpina)

1143

Orfeo, favola in musica: Atto Quarto. “Benchè severo ed” - “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, chorus of Infernal Spirits)

1144

Orfeo, favola in musica: Atto Quarto. “Ecco il gentil cantore” - “Qual onor di te fia degno” (Spirits, Orfeo)

1145

Orfeo, favola in musica: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, chorus of Infernal Spirits)

1146

Orfeo, favola in musica: Atto Quarto. “E' la virtute un raggio” - Sinfonia (chorus of Infernal Spirits)

1147

Orfeo, favola in musica: Atto Quinto. Ritornello - “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)

1148

Orfeo, favola in musica: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)

1149

Orfeo, favola in musica: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)

1150

Orfeo, favola in musica: Atto Quinto. “Vanne, Orfeo, felice appieno” - Moresca (chorus)

1151

Dido and Aeneas, opera in three acts: Overture

1152

Dido and Aeneas, opera in three acts: Act 1. “Shake the cloud from off your brow” (Belinda, chorus)

1153

Dido and Aeneas, opera in three acts: Act 1. “Ah! Ah! Belinda, I am press'd with torment” (Dido)

1154

Dido and Aeneas, opera in three acts: Act 1. “Grief increases by concealing” (Belinda, Dido) / “When monarks unite, how happy their state” (chorus) / “Whence could so much virtue spring” (Dido, Belinda)

1155

Dido and Aeneas, opera in three acts: Act 1. “Fear no danger to ensue” (Belinda, Second Woman, chorus)

1156

Dido and Aeneas, opera in three acts: Act 1. “See, your royal guest appears” (Belinda, Aeneas, Dido) / “Cupid only throws the dart” (chorus)

1157

Dido and Aeneas, opera in three acts: Act 1. “If not for mine, for empire's sake” (Aeneas) / “Pursue thy conquest, Love” (Belinda) / “To the hills and the vales” (chorus)

1158

Dido and Aeneas, opera in three acts: Act 1. The Triumphing Dance

1159

Dido and Aeneas, opera in three acts: Act 2, Scene 1. Prelude for the Witches: “Ecco pur ch'a voi ritorno” (Sorceress, First Witch) / “Harm's our delight and mischief all our skill” (chorus)

1160

Dido and Aeneas, opera in three acts: Act 2, Scene 1. “The Queen of Carthage, whom we hate” (Sorceress) / “Ho, ho, ho” (chorus) / “Ruin'd ere the set of sun” (Witches, Sorceress) / “Ho, ho, ho” (chorus) / “But ere we this perform” (Witches)

1161

Dido and Aeneas, opera in three acts: Act 2, Scene 1. “In our deep-vaulted cell the charm we'll prepare” (chorus) / Echo Dance of Furies

1162

Dido and Aeneas, opera in three acts: Act 2, Scene 2. Ritornelle / “Thanks to these lonesome vales” (Belinda, chorus)

1163

Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Oft she visits this lone mountain” (Second Woman)

1164

Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Behold, upon my bending spear” (Aeneas, Dido) / “Haste, haste to town” (Belinda, chorus)

1165

Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Stay, Prince, and hear great Jove's command” (Spirit, Aeneas)

1166

Dido and Aeneas, opera in three acts: Act 3. Prelude: “Come away, fellow sailors” (First Sailor, chorus) / The Sailor's Dance

1167

Dido and Aeneas, opera in three acts: Act 3. “See the flags and streamers curling” (Sorceress, Witches) / “Our next motion” (Sorceress)

1168

Dido and Aeneas, opera in three acts: Act 3. “Destruction's our delight” (chorus)

1169

Dido and Aeneas, opera in three acts: Act 3. The Witches' Dance

1170

Dido and Aeneas, opera in three acts: Act 3. “Your counsel all is urg'd in vain” (Dido, Belinda, Aeneas) / “Great minds against themselves conspire” (chorus)

1171

Dido and Aeneas, opera in three acts: Act 3. “Thy hand, Belinda, darkness shades me” (Dido)

1172

Dido and Aeneas, opera in three acts: Act 3. “When I am laid in earth” (Dido)

1173

Dido and Aeneas, opera in three acts: Act 3. Cupids' Dance: “With drooping wings ye Cupids come” (chorus)

1174

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture

1175

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”

1176

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)

1177

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)

1178

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)

1179

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)

1180

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)

1181

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)

1182

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa

1183

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)

1184

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)

1185

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)

1186

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)

1187

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)

1188

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)

1189

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)

1190

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)

1191

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)

1192

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)

1193

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)

1194

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)

1195

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)

1196

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)

1197

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)

1198

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)

1199

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)

1200

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)

1201

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)

1202

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)

1203

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)

1204

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)

1205

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)

1206

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)

1207

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)

1208

Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)

1209

Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)

1210

Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)

1211

Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)

1212

Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis

1213

Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)

1214

Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)

1215

Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)

1216

Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)

1217

Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)

1218

Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)

1219

Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)

1220

Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)

1221

Mass in B minor, BWV 232: Credo. XIII. Credo in unum Deum (chorus)

1222

Mass in B minor, BWV 232: Credo. XIV. Patrem omnipotentem (chorus)

1223

Mass in B minor, BWV 232: Credo. XV. Et in unum Dominum (soprano, mezzo-soprano)

1224

Mass in B minor, BWV 232: Credo. XVI. Et incarnatus est (chorus)

1225

Mass in B minor, BWV 232: Credo. XVII. Crucifixus (chorus)

1226

Mass in B minor, BWV 232: Credo. XVIII. Et resurrexit (chorus)

1227

Mass in B minor, BWV 232: Credo. XIX. Et in Spiritum Sanctum Dominum (baritone)

1228

Mass in B minor, BWV 232: Credo. XX. Confiteor (chorus)

1229

Mass in B minor, BWV 232: Credo. XXI. Et expecto (chorus)

1230

Mass in B minor, BWV 232: Sanctus. XXII. Sanctus (chorus)

1231

Mass in B minor, BWV 232: Sanctus. XXIII. Osanna in excelsis (chorus)

1232

Mass in B minor, BWV 232: Sanctus. XXIV. Benedictus (tenor)

1233

Mass in B minor, BWV 232: Sanctus. XXV. Osanna repetirur (chorus)

1234

Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)

1235

Mass in B minor, BWV 232: Sanctus. XXVII. Dona nobis pacem (chorus)