Columbus, OH

The Dreaded P.D.Q. Bach Collection

Release year 1996

Tracklist

1
In the Vanguard Vault, Part 1
2
Introduction
3
Concerto for Horn and Hardart, S. 27: Allegro
4
Concerto for Horn and Hardart, S. 27: Tema con variazione
5
Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero
6
Introduction
7
Cantata: Iphigenia in Brooklyn, S. 53162: Aria
8
Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
9
Cantata: Iphigenia in Brooklyn, S. 53162: Ground
10
Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
11
Cantata: Iphigenia in Brooklyn, S. 53162: Aria
12
Introduction
13
Quodlibet for Small Orchestra: Allegro
14
Quodlibet for Small Orchestra: Adagio
15
Quodlibet for Small Orchestra: Allegro
16
Introduction
17
Sinfonia Concertante, S. 98.6: Sehr unruhig mit schmalz
18
Sinfonia Concertante, S. 98.6: Andante senza moto
19
Sinfonia Concertante, S. 98.6: Presto nicht schleppend
20
Introduction
21
Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full”
22
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country”
23
Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme”
24
Oratorio: “The Seasonings”, S. ½ tsp.: Fugue for Orchestra
25
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he”
26
Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept”
27
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in”
28
Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds”
29
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying”
30
Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed”
31
Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry”
32
Introduction
33
“Unbegun” Symphony: Ⅲ. Minuet
34
“Unbegun” Symphony: Ⅳ. Andante – Allegro
35
Introduction
36
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Allegro moulto
37
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅱ (Adagio sereno)
38
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Minaret and Trio
39
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅰ (Chi largo)
40
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Presto changio
41
Report From Hoople: Bright and Early Show: Signature Theme / Intro
42
Report From Hoople: Bright and Early Show: Echo Sonata for Two Unfriendly Groups of Instruments / Tag
43
Report From Hoople: Bright and Early Show: Station Break
44
Report From Hoople: Bright and Early Show: Commercial: “Do You Suffer?”
45
Report From Hoople: Bright and Early Show: Intro
46
Report From Hoople: Bright and Early Show: New Horizons in Music Appreciation: Beethoven’s Fifth Symphony
47
Report From Hoople: Bright and Early Show: Time / Weather / News
48
Report From Hoople: Bright and Early Show: Intro
49
Report From Hoople: Bright and Early Show: Traumarei for Unaccompanied Piano
50
Report From Hoople: Bright and Early Show: Station Break / Tag / Signature Theme
51
Report From Hoople: Dull and Late Show: Signature Theme / Intro
52
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Larghissimo – Allegro boffo
53
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Menuetto con brio ma senza trio
54
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Adagio saccharino
55
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Yehudi Menuetto
56
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Presto hey nonny nonnio
57
Report From Hoople: Dull and Late Show: Tag / Station Break
58
Report From Hoople: Dull and Late Show: What’s My Melodic Line?
59
Report From Hoople: Dull and Late Show: Time / News / Intro
60
Report From Hoople: Dull and Late Show: Fugue in C minor (from the Toot Suite for Calliope Four Hands)
61
Report From Hoople: Dull and Late Show: Tag / Station Break
62
Report From Hoople: Dull and Late Show: What’s Happening in Home Economics (Beethoven’s Revenge)
63
Report From Hoople: Dull and Late Show: Commercial: “If You Have Never”
64
Report From Hoople: Dull and Late Show: Sign‐Off / Signature Theme
65
Introduction
66
The Stoned Guest, Part 1: Overture
67
The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost”
68
The Stoned Guest, Part 1: Recitative: “Boy!”
69
The Stoned Guest, Part 1: Aria: “Now is the season”
70
The Stoned Guest, Part 1: Recitative: “Gesundheit!”
71
The Stoned Guest, Part 1: Duet: “Woe”
72
The Stoned Guest, Part 1: Recitative: “Hark!”
73
The Stoned Guest, Part 1: Aria: “Look at me”
74
The Stoned Guest, Part 1: Recitative: “That’s the end”
75
The Stoned Guest, Part 1: Trio: “I’m sure I’d be”
76
Intermission Feature: Opera Whiz
77
Plot Synopsis
78
The Stoned Guest, Part 2: Recitative: “I hate to interrupt”
79
The Stoned Guest, Part 2: Quartet: “Don Octave”
80
The Stoned Guest, Part 2: Finale: “O saviour”
81
Announcement
82
Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give”
83
Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth”
84
Final Announcement
85
Introduction
86
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Overture
87
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old innkeeper”
88
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim”
89
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “My name is Hansel Hunter”
90
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot”
91
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto”
92
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk”
93
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?”
94
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination
95
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice”
96
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Teddy Nice is my name”
97
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions”
98
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is”
99
The O.K. Chorale from the Toot Suite for calliope four hands, S. 212°
100
Introduction
101
“Erotica” Variations, S. 36EE, for banned instruments and piano: Theme: Windbreaker
102
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅰ: Balloons
103
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅱ: Slide Whistle
104
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅲ: Slide Windbreaker
105
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅳ: Lasso D’Amore
106
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle
107
Introduction
108
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy
109
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir
110
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane
111
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh
112
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl
113
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl)
114
In the Vanguard Vault, Part 2
115
The “Sanka” Cantata
116
In the Vanguard Vault, Part 3