Columbus, OH

Pierre Boulez und das Klavier

Featuring
Release year 2012

Tracklist

1
Douze Notations: Fantasque, Modéré
2
Douze Notations: Très vif
3
Douze Notations: Assez lent
4
Douze Notations: Rythmique
5
Douze Notations: Doux et improvisé
6
Douze Notations: Rapide
7
Douze Notations: Hiératique
8
Douze Notations: Modéré jusqu’à très vif
9
Douze Notations: Lointain, Calme
10
Douze Notations: Mécanique et très sec
11
Douze Notations: Scintillant
12
Douze Notations: Lent, Puissant et âpre
13
Première Sonate: I. Lent
14
Première Sonate: II. Assez large, Rapide
15
Deuxième Sonate: I. Extrêmement rapide
16
Deuxième Sonate: II. Lent
17
Deuxième Sonate: III. Modéré, presque vif
18
Deuxième Sonate: IV. Très librement, avec de brusques oppositions de mouvement et de nuances
19
Troisième Sonate: Formant 1: Sigle (unfinished: excerpt from Antiphonie)
20
Troisième Sonate: Formant 2: Trope: Commentaire
21
Troisième Sonate: Formant 2: Trope: Glose
22
Troisième Sonate: Formant 2: Trope: Texte
23
Troisième Sonate: Formant 2: Trope: Parenthèse
24
Troisième Sonate: Formant 3: Constellation: Points I
25
Troisième Sonate: Formant 3: Constellation: Blocs I
26
Troisième Sonate: Formant 3: Constellation: Points II
27
Troisième Sonate: Formant 3: Constellation: Blocs II
28
Troisième Sonate: Formant 3: Constellation: Points III
29
Troisième Sonate: Formant 3: Constellation: Mélange
30
Incises
31
Une page d’éphéméride
32
Mirjam Wiesemann in Conversation with Pierre Boulez: Un univers sonore différent – About IRCAM
33
Mirjam Wiesemann in Conversation with Pierre Boulez: Composition: Still the Domain of Men?
34
Mirjam Wiesemann in Conversation with Pierre Boulez: Composition: “Inventing the Unknown”
35
Mirjam Wiesemann in Conversation with Pierre Boulez: Favourite Instruments
36
Mirjam Wiesemann in Conversation with Pierre Boulez: Everyday Noise Is Just That – Noise
37
Mirjam Wiesemann in Conversation with Pierre Boulez: Freedom of Expression in Serial Music
38
Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez’ Sense of Humour: A Passionate Provocateur
39
Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez the Maestro – Boulez the Composer
40
Mirjam Wiesemann in Conversation with Pierre Boulez: On Collaborating with Frank Zappa
41
Mirjam Wiesemann in Conversation with Pierre Boulez: At the Age of 30, One Has Strong Reactions
42
Mirjam Wiesemann in Conversation with Pierre Boulez: Control and Chance – Pierre Boulez and John Cage
43
Mirjam Wiesemann in Conversation with Pierre Boulez: I Cherish Talent Above All
44
Mirjam Wiesemann in Conversation with Pierre Boulez: One Grows Increasingly Isolated
45
Mirjam Wiesemann in Conversation with Pierre Boulez: René Char – A Solitary Worker
46
Mirjam Wiesemann in Conversation with Pierre Boulez: Antonin Artaud – The All-Encompassing Spectacle
47
Mirjam Wiesemann in Conversation with Pierre Boulez: Jean-Louis Barrault, Antonin Artaud and the Theatre of Magic
48
Mirjam Wiesemann in Conversation with Pierre Boulez: Musical Vibrations that the Earth Feels
49
Mirjam Wiesemann in Conversation with Pierre Boulez: Sometimes One Is Rebelling against the Universe
50
Mirjam Wiesemann in Conversation with Pierre Boulez: I Have Kept My Balance
51
Mirjam Wiesemann in Conversation with Pierre Boulez: With Age, One Goes Deeper and Deeper into Himself
52
Mirjam Wiesemann in Conversation with Pierre Boulez: Early Sketches for Piano: To Be Studied, Not Played
53
Mirjam Wiesemann in Conversation with Pierre Boulez: Music Is My Only Talent
54
Mirjam Wiesemann in Conversation with Pierre Boulez: On the Piano and His Own Music
55
Mirjam Wiesemann in Conversation with Pierre Boulez: My Family Was Not Talented Musically
56
Mirjam Wiesemann in Conversation with Pierre Boulez: Music Studies Instead of the École polytechnique
57
Mirjam Wiesemann in Conversation with Pierre Boulez: During the War
58
Mirjam Wiesemann in Conversation with Pierre Boulez: Jesuit School and Choir
59
Mirjam Wiesemann in Conversation with Pierre Boulez: Uninteresting Professors at the Conservatoire
60
Mirjam Wiesemann in Conversation with Pierre Boulez: Olivier Messiaen: He Was Inventive
61
Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez’ Work at the Collège de France
62
Mirjam Wiesemann in Conversation with Pierre Boulez: I Wish Not to Intercede; Everyone Must Find Himself
63
Mirjam Wiesemann in Conversation with Pierre Boulez: To Find New Music, One Needs Curiosity
64
Mirjam Wiesemann in Conversation with Pierre Boulez: Hermetic Music, Hermetic Private Life
65
Mirjam Wiesemann in Conversation with Pierre Boulez: Quotations: Sentences That I Never Spoke
66
Mirjam Wiesemann in Conversation with Pierre Boulez: I Will See New Talent
67
Mirjam Wiesemann in Conversation with Pierre Boulez: Praise and Criticism
68
Mirjam Wiesemann in Conversation with Pierre Boulez: Maybe I Will Return to the Piano
69
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Career as pianist
70
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Love at First Sight
71
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The piano is so rich...
72
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Music in the family
73
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Greek culture and artistic inheritance
74
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: A teenager in love with Chopin
75
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Self-doubt and artistic development
76
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Every artist dreams of Paris...
77
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: First encounter with contemporary music: Messiaen
78
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: First encounter with contemporary music: Boulez
79
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: My first concert with Boulez the conductor
80
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Audition with the Ensemble InterContemporain
81
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Breaking Barriers and Curiosity
82
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Incises – A creative mind never rests
83
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: A man must be like an arrow...
84
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The audience for contemporary music – then and now
85
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Composers after World War II and today
86
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: What is special about Boulez’ work
87
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Boulez as conductor of the Ensemble InterContemporain
88
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Boulez’ works for piano
89
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Playing from memory
90
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The second sonata: Very few pianists are capable of playing it
91
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: One must learn how to listen!
92
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Harmony and dissonance: I love both.
93
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Dimitri as performer: I see myself as an actor...
94
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: On the good fortune of working with the composer.
95
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: How lovely when an artist refuses to reveal everything...
96
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Should a composer accept restrictions?
97
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The future of contemporary music – finding a new language...
98
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Playing the piano – my raison d'être...
99
Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Characteristics of a great artist