Robin Holloway

Gilded Goldbergs

Featuring
Release date November 01, 2002
Listen on

Tracklist

1
Gilded Goldbergs, Part I, First Set: Aria: G major
3:42
3:42
2
Gilded Goldbergs, Part I, First Set: Variation 1: expanding the theme: G
2:27
2:27
3
Gilded Goldbergs, Part I, First Set: Variation 2: simple tonal cubism: G-D
1:35
1:35
4
Gilded Goldbergs, Part I, First Set: Variation 3: canon at the unison: G
2:45
2:45
5
Gilded Goldbergs, Part I, First Set: Variation 4: simply through some keys: G-G
1:55
1:55
6
Gilded Goldbergs, Part I, Second Set: Variation 5: vivace à la Scarlatti: C
0:49
0:49
7
Gilded Goldbergs, Part I, Second Set: Variation 6: canon at the second: C-A-flat
2:23
2:23
8
Gilded Goldbergs, Part I, Second Set: Variation 7: gigue in antiphony: A-flat/C
1:35
1:35
9
Gilded Goldbergs, Part I, Second Set: Variation 8: enhanced replay of Variation 1: G
3:43
3:43
10
Gilded Goldbergs, Part I, Second Set: Variation 9: canon at the third: homage to Granger: E-flat
2:15
2:15
11
Gilded Goldbergs, Part I, Second Set: Variation 10: 'robust and a bit gormless' (wrong-note music): B
1:31
1:31
12
Gilded Goldbergs, Part I, Second Set: Variation 11: dreaming: homage to Schubert and Brahms: G
3:00
3:00
13
Gilded Goldbergs, Part I, Third Set: Variation 12: canon at the fourth: E
3:01
3:01
14
Gilded Goldbergs, Part I, Third Set: Variation 13: Cantilena I: double variation with homage to Dowland: G/E-flat minor
9:02
9:02
15
Gilded Goldbergs, Part I, Third Set: Variation 14: energico: A-flat minor
2:04
2:04
16
Gilded Goldbergs, Part I, Third Set: Variation 15: canon at the fifth: G minor
4:24
4:24
17
Gilded Goldbergs, Part II, Fourth Set: Variation 16: French Overture and homage to Nancarrow: G sharp minor
6:22
6:22
18
Gilded Goldbergs, Part II, Fourth Set: Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor doïna – homage to Enescu – linking to
3:55
3:55
19
Gilded Goldbergs, Part II, Fourth Set: Variation 18: canon in sixths: D-flat
4:25
4:25
20
Gilded Goldbergs, Part II, Fourth Set: Variation 19: Ländler and trio (brief history of Austro-German music in triple time): B-flat
4:36
4:36
21
Gilded Goldbergs, Part II, Fourth Set: Variation 20: vivace con brio: D
1:44
1:44
22
Gilded Goldbergs, Part II, Fourth Set: Variation 21: canon at the seventh: G minor
2:31
2:31
23
Gilded Goldbergs, Part II, Fourth Set: Variation 22: churchy counterpoint in antiphony: A-flat
2:06
2:06
24
Gilded Goldbergs, Part II, Fourth Set: Variation 23: diatonic scrunches (homage to Tippett): F
2:20
2:20
25
Gilded Goldbergs, Part II, Fifth Set: Variation 24: canon at the octave: complex journey through some keys: G/G minor-B-flat
2:51
2:51
26
Gilded Goldbergs, Part II, Fifth Set: Variation 25: Cantilena II: G minor
5:40
5:40
27
Gilded Goldbergs, Part II, Fifth Set: Variation 26a: Sarabande: G
1:14
1:14
28
Gilded Goldbergs, Part II, Fifth Set: Variation 27: 'Trio' – canon at the ninth: F
0:46
0:46
29
Gilded Goldbergs, Part II, Fifth Set: Variation 26b: Sarabande resumed: A major/A minor, Rückblick – homage to Schumann – linking to
2:14
2:14
30
Gilded Goldbergs, Part II, Fifth Set: Variation 28: 'Summer afternoon' – hazy trills and tremolos: G
1:35
1:35
31
Gilded Goldbergs, Part II, Fifth Set: Variation 29: Toccata with clusters: F-sharp
3:24
3:24
32
Gilded Goldbergs, Part II, Fifth Set: Variation 30: Quodlibet: traversing all twelve keys, ending D
3:15
3:15
33
Gilded Goldbergs, Part II, Fifth Set: Aria da capo: G
2:41
2:41