Pomona, CA

Music: An Appreciation, Fifth Edition, Second Brief Edition

Tracklist

1
Lohengrin, Prelude to Act III: 1a. Main Melody
0:22
2
Lohengrin, Prelude to Act III: 1b. Brass Melody
0:55
3
Lohengrin, Prelude to Act III: 2. Contrasting oboe melody
0:56
4
Lohengrin, Prelude to Act III: 3a. Main Melody
0:48
5
Hotter Than That: 1. All instruments, trumpet predominates
0:43
6
Hotter Than That: 3. Clarinet
0:36
7
Hotter Than That: 4. Voice, guitar accompaniment
0:35
8
Hotter Than That: 5. Twangy voice imitated by guitar
0:23
9
Hotter Than That: 6a. Muted trombone
0:15
10
Hotter Than That: 6b. Trumpet, all instruments join
0:30
11
"Farandole" from "L'Arlésienne" Suite No. 2: 1a. March theme, homophonic
0:15
12
"Farandole" from "L'Arlésienne" Suite No. 2: 1b. March theme, polyphonic
0:15
13
"Farandole" from "L'Arlésienne" Suite No. 2: 2a. Dance theme, homophonic
0:52
14
"Farandole" from "L'Arlésienne" Suite No. 2: 3a. March theme, monophonic
0:48
15
"Farandole" from "L'Arlésienne" Suite No. 2: 4. Dance and march themes combined, polyphonic
0:53
16
"Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 1. A
1:13
17
"Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 2. B
0:33
18
"Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 3. A'
0:34
19
"Badinerie" from Suite No. 2 in B Minor: 1. Part A (repeated)
0:31
20
"Badinerie" from Suite No. 2 in B Minor: 2. Part B (repeated)
0:55
21
Alleluia: Vidimus stellam: 1. Section A
0:23
22
Alleluia: Vidimus stellam: 2. Section B
1:20
23
Alleluia: Vidimus stellam: 3. Section A
0:29
24
Agnus Dei from "Notre Dame" Mass: 1. Agnus Dei (I)
0:58
25
Agnus Dei from "Notre Dame" Mass: 2. Agnus Dei (II)
1:12
26
Agnus Dei from "Notre Dame" Mass: 3. Agnus Dei (III)
1:10
27
"Ave Maria ...virgo serena": "Ave Maria gratia plena", duple meter
2:49
28
"Ave Maria ...virgo serena": "Ave, vera virginitas", triple meter
0:25
29
"Ave Maria ...virgo serena": "Ave, praeclara omnibus", duple meter
1:32
30
As Vesta Was Descending
2:57
31
"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1a. Opening ritornello
0:20
32
"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1b. First solo section
0:29
33
"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 2b. Solo section
2:04
34
"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 5c. New theme in minor, solo section
3:26
35
"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 8c. Harpsichord solo
3:27
36
Organ Fugue in G Minor (Little Fugue): 1a. Subject, soprano voice alone
1:14
37
Organ Fugue in G Minor (Little Fugue): 1e. Brief episode
0:38
38
Organ Fugue in G Minor (Little Fugue): 3a. Sunject in alto, major key
2:15
39
"Tu se' morta" from "Orfeo", Act II
2:24
40
"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 1a. Opening ritornello: Spring has come
0:30
41
"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 1b. Song of the birds
0:40
42
"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 2b. Murmuring streams
0:29
43
"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 3b. Thunder and lightning
0:33
44
"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 4b. Song of the birds
1:06
45
Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": String ritornello
0:37
46
Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": "Zion hört die Wächter singen"
1:58
47
Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": "Nun kommen, du werte Kron"
1:24
48
Cantata No. 140: Wachtet auf, ruft uns die Stimme: Seventh Movement, Chorale: "Gloria sei dir gesungen"
1:48
49
Messiah: Ev'ry Valley Shall Be Exalted
3:30
50
Messiah: "Hallelujah" Chorus: Opening, homophonic
0:26
51
Messiah: "Hallelujah" Chorus: "For the Lord God", monophonic
0:23
52
Messiah: "Hallelujah" Chorus: "For the Lord God" combined with "Hallelujah", polyphonic
0:27
53
Messiah: "Hallelujah" Chorus: "The kingdom of this world", hymnlike homophonic texture
0:21
54
Messiah: "Hallelujah" Chorus: "And He shall reign for ever and ever", monophonic, then polyphonic imitation
0:23
55
Messiah: "Hallelujah" Chorus: Rising sequence on "King of Kings-for ever and ever"
1:51
56
Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 1a. First Theme
0:24
57
Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 2a. Bridge
0:28
58
Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 3a. Second theme
0:35
59
Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 4a. Closing section
0:35
60
Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 4b. Exposition is repeated
2:04
61
Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: Development (LO 1-3)
1:17
62
Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: 1a. First Theme
1:15
63
Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: 3a. Second Theme
1:11
64
Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: Coda (LO 1a)
0:25
65
Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Theme
1:06
66
Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 1
1:05
67
Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 2
1:07
68
Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 3
1:03
69
Symphony no. 94 in G major "Surprise", Part 5
1:21
70
Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Closing section
0:31
71
"Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Minuet (A)
0:41
72
"Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Trio (B)
0:55
73
"Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Minuet (A)
0:24
74
String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme A
0:32
75
String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme B
0:43
76
String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme A
0:29
77
String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme C
2:32
78
Don Giovanni, Act I: Introduction (opening scene): Orchestral introduction
3:05
79
Don Giovanni, Act I: Introduction (opening scene): String tremolo, the Commandant appears
1:04
80
Don Giovanni, Act I: Introduction (opening scene): Andante, "Ah, soccorso!", the Commandant's agonized last gasps
1:09
81
Don Giovanni, Act I: Introduction (opening scene): Recitative, accompanied by harpsichord, "Leporello, ove sei?"
0:25
82
Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 1a. First theme in orchestra
0:32
83
Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 2a. Bridge
0:23
84
Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 3a. Second theme
1:08
85
Piano Concerto in A Major, K. 488, first movement: Allegro: Second Exposition: 1a. First theme in piano
2:17
86
Piano Concerto in A Major, K. 488, first movement: Allegro: Development: 1a. Development theme in strings
1:40
87
Piano Concerto in A Major, K. 488, first movement: Allegro: Recapitulation: 1a. First theme in strings
3:00
88
Piano Concerto in A Major, K. 488, first movement: Allegro: Candenza: 5c. piano solo
1:33
89
Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 1a. First theme
0:20
90
Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 2a. Bridge
0:25
91
Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 3a. Second theme
0:22
92
Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 4a. Triumphant melody
0:20
93
Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Exposition is repeated
1:28
94
Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Development (LO,1-2)
1:21
95
Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Recapitulation (LO,1-4)
1:38
96
Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Coda (LO,1-3)
1:38
97
Erlkönig: Piano introduction
0:56
98
Erlkönig: Father, "Mein Sohn", low register
0:07
99
Erlkönig: Son, "Siehst, Vater", higher register
0:25
100
Erlkönig: Erlking, "Du liebes Kind", coaxing tune, major
0:24
101
Erlkönig: Son, outcry, "Mein Vater"
0:41
102
Erlkönig: Son, outcry, "Mein Vater", higher than before
1:39
103
Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A (minor): 1a. Main violin melody
0:37
104
Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A (minor): 1c. Long trills in violin
0:10
105
Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section B (major): 2a. New soaring phrase beginning with trill
0:13
106
Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section B (major): 2b. Playful phrase
0:52
107
Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A' (minor): 3a. Main violin melody
0:57
108
Nocturne in E Flat Major, Op. 9, No. 2: Main melody
0:25
109
Nocturne in E Flat Major, Op. 9, No. 2: Decorated repetition of main melody
0:26
110
Nocturne in E-flat major, op. 9 no. 2, Part 3
3:17
111
"Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 1a. Rapid falling chords, syncopated fragment
0:41
112
"Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 2a. High lyrical theme in octaves
0:31
113
"Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 3. Low "processional theme"
0:12
114
"Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section B: 4a. Sudden p, syncopated main theme varied
0:37
115
"Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A': 5. Syncopated main theme
2:00
116
"Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Coda: 8a. Faster tempo
0:42
117
"Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Introduction
1:46
118
"Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Idée fixe" as dance tune
1:40
119
"Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in tubas and bassoons
0:31
120
"Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in quick rhythm
1:22
121
"Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Fugue subject (witches' dance)
2:45
122
"Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Witches' dance set against "Dies irae"
1:49
123
The Moldau: 1a. Two springs
1:01
124
The Moldau: 2. The river
1:49
125
The Moldau: 3a. Forest hunt
1:03
126
The Moldau: 4a. Peasant wedding
1:25
127
The Moldau: 5a. Moonlight: dance of water nymphs
3:26
128
The Moldau: 7a. The rapids
1:14
129
The Moldau: 8. The river at its widest point; river theme in major
1:56
130
Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A: Theme (A)
0:17
131
Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A: Variation 1
2:59
132
Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: B: Variation 12 (B)
2:48
133
Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A': Variation 16 (A')
4:07
134
La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Openings of scene
4:11
135
La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Rodolfo's Aria: "Che gelida manina"
4:38
136
La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Mimi's Aria: "Mi chiamano Mimi"
5:17
137
"Die Walküre", Act I, scene 3 (Conclusion of love duet): Sieglinde, Wie die Stirn so offen steht
0:19
138
"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Valhalla" leitmotif
1:07
139
"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Love" leitmotif
0:53
140
"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Volsung" leitmotif together with "Sword" leitmotif
2:53
141
"Die Walküre", Act I, scene 3 (Conclusion of love duet): Voice, downward octave leaps, "Notung"
0:28
142
"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif
0:48
143
"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Spring" leitmotif
0:59
144
"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif
0:31
145
Prélude à "L'Après-midi d' un Faune": A: 1a. Main melody, unaccompanied flute (A)
0:54
146
Prélude à "L'Après-midi d' un Faune": A: 1b. Flute melody, strings accompany
1:03
147
Prélude à "L'Après-midi d' un Faune": A: 1c. Flute melody, strings accompany
1:43
148
Prélude à "L'Après-midi d' un Faune": A: 2b. New oboe melody
1:15
149
Prélude à "L'Après-midi d' un Faune": B: 3a. New legato melody in woodwinds (B)
1:49
150
Prélude à "L'Après-midi d' un Faune": A': 4a. Harp accompanies flute melody (A')
1:16
151
Prélude à "L'Après-midi d' un Faune": A': 5a. Antique cymbals, flute melody
2:23
152
"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Introduction", solo bassoonn
2:40
153
"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: Repeated four-note figure
0:20
154
"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens"
0:46
155
"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", bassoons, melodic fragment a
0:57
156
"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", French horn, melodic fragment b
0:36
157
"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", trumpets, melodic fragment c
0:59
158
"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Ritual of Abduction"
0:52
159
"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Ritual of Abduction", powerful accents and rapid changes of meter
0:28
160
A Survivor from Warsaw, Op. 46: Orchestral introduction
3:45
161
A Survivor from Warsaw, Op. 46: "They started slowly, and irregularly"
2:18
162
Fünf Stücke für Orchester, op. 10: III. Sehr langsam und äußerst ruhig
1:32
163
Concerto for Orchestra, second movement: A: 1. Solo side drum
0:32
164
Concerto for Orchestra, second movement: A: 3a. Two oboes
0:27
165
Concerto for Orchestra, second movement: A: 4a. Two clarinets
0:20
166
Concerto for Orchestra, second movement: A: 5a. Two flutes
0:41
167
Concerto for Orchestra, second movement: A: 6. Two muted trumpets
0:46
168
Concerto for Orchestra, second movement: B: 1a. Brasses, hymnlike melody
1:00
169
Concerto for Orchestra, second movement: A': 1. Two bassoons, opening melody, third bassoon in background
2:19
170
"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Theme
0:36
171
"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 1
0:26
172
"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 2
0:47
173
"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 3
0:24
174
"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 4
0:15
175
"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 5
0:31
176
Poème électronique (excerpt)
2:46
177
"Concerto Grosso 1985", first movement: Maestoso: 1a. Orchestra in unison
0:34
178
"Concerto Grosso 1985", first movement: Maestoso: 1c. Handel quotation
2:11
179
"Nixon in China", Act I, scene 2, opening
4:15
180
"Tonight" Ensemble from "West Side Story": 1a. Orchestra
1:25
181
"Tonight" Ensemble from "West Side Story": 1d. Tony, lyrical "Tonight" melody
2:17
182
Song from Angola (Gangele song)
1:29
183
Mitamba Yalagala Kumchuzi
1:34
184
Godan Ginuta (excerpt)
2:49

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